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Shylpfiette greyrat

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Shylpfiette greyrat

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character: kurokawa_akane 2girls, long hair, bangs, black and blue hair, multicolored hair, gradient hair, blue eyes, green eyes, heterochromia, enormous breasts, standing, facing forward, front view, sad, sighing, blush, tiara, colossal earrings, colossal engagement ring, colossal bracelets, slave collar, chain, holding chain, red and white dress, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, sequins, glitter fabric, puffy skirt, huge skirt, long skirt, oversized dress, slave auction, ugly woman, second woman, full body, wide shot, from below, spotlight lighting, Full-length wide shot from a low angle, the auction block of a slave market: Akane Kurokawa stands square to the camera on a raised wooden dais, dead center, facing forward, chin dipped, lids lowered over her mismatched eyes — one iris blue, one green — and her breath leaving her parted lips in a long audible sigh that lifts the lace at her collarbone. Her hair falls long past her waist, black at the crown shading into deep blue through the length, blunt bangs cutting across her brow, the gradient most visible where the spotlight grazes the crown of her head; the tiara sits crooked in that hair, its rhinestones dulled with dust. On each earlobe a colossal hoop earring hangs almost to her collar, its enamel chipped; on her left hand, laid flat against the huge skirt, a colossal engagement ring with a paste gemstone the size of a thumb joint; bracelets stacked colossal and clanking from wrist to mid-forearm, every one of them too heavy to be real gold. Her dress is a catastrophe of rococo excess in red and white: a white satin bodice laced tight over her enormous chest, strained seams, red velvet ribbon threaded in a lattice, sprays of lace at the sleeves, layers of ruffles climbing from the waist to the bra line, bows in six sizes pinned wherever a seam gave room, rosettes of sequins, glitter fabric scattered across the skirt in drifts that catch the light in hard little points, a puffed skirt so huge and long it pools around her feet and hides them almost entirely, its hem a froth of lace and ribbon and dangling paste pearls. The slave collar is plain by contrast — a band of worn steel riveted around her throat — and the chain drops from its front ring, swaying, into the hand of the second woman at stage right. That second woman stands on the floor below the dais, her coarse body turned half toward the crowd, face broad and heavy-jawed, one crooked tooth showing, hair greasy and bound back, wearing a plain brown woolen coat and scuffed boots; she grips the chain in a fist at hip height, winding the slack once around her knuckles, and her eyes are on the crowd, not on Akane. Only Akane looks forward, at us, hopeless. The dais is lit by one caged lamp hanging above and slightly front-left of her, throwing a hard pool of warm light on her face, her collarbone, and the top of the skirt; everything below the hem of the skirt and everything behind the two women falls off into felted darkness, the auction hall a suggestion of ranked benches and a murmur of shapes behind. Her enormous shadow is cast down and to the right across the dais boards, the chain's shadow interrupting it. Dust drifts in the lamp's beam. Palette of red, white, worn brass and greasy brown, with black swallowing the rest. Airless, humiliating, tender.
Parametreleri Göster
Orijinal Prompt
akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,red and white dress,sad,colossal engagement ring,colossal bracelets,tiara,blush,la mujer esta suspirando,la mujer esta de pie,la mujer esta de frente,slave collar,chain,2 woman,ugly woman,la mujer sujeta la cadena del collar,slave auction
Mod
pro
Kalite Etiketi
İpuçları
Boyut
1104 x 1824
Örnekleme Yöntemi
Euler
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
İstem Yardımcısı

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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Daha fazla göster
AI artwork
fl
1girl, 1monster, 2girls, long hair, black hair, blunt bangs, sky blue eyes, flat chest, petite, short stature, tiara, collar, chain, (((wearing a cloak))), black cloak, long cloak, closed cloak, fastened cloak, pink dress, white dress, oversized dress, huge skirt, puffy skirt, long skirt, excessive ruffles, excessive lace, too many bows, glitter, sequins, ornate dress, tacky dress, facing viewer, front view, docile posture, arms on stomach, crying, tears, sad, ugly woman, monster woman, holding chain, baroque, blush, trembling, dramatic contrast, opulent ornamentation, ornate textures A front view depicts a small, petite girl with long black hair and blunt bangs, her sky blue eyes brimming with tears as she cries. She stands in a docile posture, her small arms lowered and resting against her belly. She wears a tiara upon her head and a long, black, fastened cloak that is closed tight over an absurdly overdecorated pink and white dress; the garment is tacky and overly ornate, featuring an oversized, huge puffy long skirt smothered in excessive ruffles, too much lace, and too many bows, all shimmering with glitter fabric, sequins, and ridiculous ornaments. Around her neck is a tight collar with a chain. Standing behind her, a monstrously ugly woman grips the chain of the collar, pulling it slightly. The scene is rendered in a baroque style with dramatic contrast, opulent ornamentation, and highly detailed, ornate textures. The light is stark, casting deep shadows that emphasize the girl's distress and the monster's coarse features. Somber and oppressive.
Fitentia Lombardy
AI artwork
sg
character: kurokawa_akane 2girls, 1girl, 1man, tall man, ugly man, man from behind, man grabbing woman's shoulders, hands on another's shoulders, from behind, long hair, bangs, hair between eyes, swept bangs, black hair, blue hair, multicolored hair, gradient hair, two-tone hair, blue eyes, green eyes, heterochromia, star-shaped pupils, enormous breasts, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, red and white dress, (((((la chica lleva un abrigo largo negro encima del vestido))))), ((((fur coat)))), fur trim, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, sighing, standing, woman standing, close-up, dutch angle, depth of field, Composed at a slight dutch angle in a medium close-up that crops the woman at mid-thigh, the frame is split between two depths: she faces the camera in the near plane while the man stands squarely behind her, his back to the lens so that only his broad shoulders, the back of his thick neck and the shaggy back of his head are visible, and his height carries his chin above the top of her tiara. He grips both of her shoulders from behind, one thick hand on each shoulder, fingers digging into the fur of her coat and the white lace beneath, thumbs pressed in above her collarbone; his bulk occludes the far wall entirely, and her long black fur coat bunches and rides up where his palms compress it, the black fur springing into tufts around his knuckles. Beyond them the environment is a bare, dim interior: a seamless deep-plum wall, a strip of parquet floor at the lowest edge of frame, nothing else admitted, the entire detail budget spent on the two figures and the costume. She is caught mid-sigh: chest lifted high on a slow inhale of the enormous bust, then shoulders dropping under his grip, lips parted on the exhaled breath, jaw slack, eyes half-lidded and cast down and to her left away from him and away from the lens, a wet gleam along the lower lid, brows drawn up at the inner ends. Deep blush sits high on both cheeks, warm and uneven. Her head is tilted slightly back and turned minutely over her left shoulder without meeting his hidden face. Her hands hang at her sides, the colossal engagement ring on her left ring finger dragging that hand down a little lower than the right, both colossal bracelets stacked heavy on her wrists, the diamond collar a band of cold white light at her throat above the endless lace of the neckline. Her hair falls long past the puffy shoulders of the dress, black at the crown and bleeding into deep blue at the ends in a smooth gradient, straight bangs squared across her forehead with a lock between her eyes; the tiara is pinned back among the bangs, its stones catching the light. Beneath the open black fur coat the dress is a catastrophe of ornament: red and white satin swollen into a huge puffy skirt that spreads to both edges of the frame, layer after layer of white lace in excessive cascades, ruffles stacked into ridiculous tiers, bows knotted everywhere a bow could be knotted, sequins and glitter fabric scattered across the red panels so that the whole costume throws back light in scattered points, and at the hem, absurd little ornaments dangle. Through the front of the dress enormous breasts push up and out, straining the ornate bodice and the lace trim across it, the fabric dimpling under the strain. Colossal earrings swing from both earlobes, heavy enough to pull the lobes down. Light comes from a single hard low-key source, high and to camera left: it rakes the woman's face and the glittered front of the dress, rims the fur coat in pale grey where the nap faces the light, and leaves the entire back of the man in silhouette so that his turned-away bulk is a dark shape with only the edges of his shoulders picked out; the shadow he casts falls across her left side and the wall behind her, and the undersides of the fur and the ruffles go deep black. The palette holds red, white, black fur, blue-black hair, and the plum wall, nothing else admitted. She does not pull away; his fingers stay clamped, and the two bodies read as heavy and still. Quietly miserable.
Shylpfiette greyrat
AI artwork
fl
1girl, 1monster, 2girls, black hair, long hair, blunt bangs, sky blue eyes, flat chest, petite, short stature, tiara, collar, chain, (((black cloak))), pink and white dress, puffy skirt, oversized dress, lace, ruffles, bows, glitter, sequins, frontal view, facing viewer, arms below, hands on stomach, crying, tears, sadness, monster girl, ugly, holding chain, slave market, baroque, from below, blush, trembling, half-closed eyes A low-angle frontal view captures a petite girl standing in a bustling, oppressive slave market. She has long black hair with blunt bangs and wide, sky-blue eyes shimmering with tears that spill down her cheeks. Her expression is one of profound sadness, her brow pinched and lips trembling. She stands in a docile, defeated posture, her arms lowered and her small hands resting passively against her stomach. She is dressed in an overwhelmingly tacky, overdecorated pink and white dress of glitter fabric and sequins, featuring a massive, oversized puffy skirt that pools around her feet, smothered in excessive ruffles, too many bows, and ridiculous ornaments. A glittering tiara sits on her head, and she is (((wearing a long, closed black cloak fastened tightly around her shoulders))). Around her neck is a heavy metal collar; a thick iron chain extends from the collar, gripped firmly in the clawed hand of an ugly monster woman standing beside her. The monster woman has grey, pebbled skin, a protruding jaw, and a sneering expression as she tugs the chain slightly to keep the girl in place. The scene is set against the ornate, heavy architecture of a baroque market, illuminated by high-contrast lighting with dramatic chiaroscuro that casts deep, ink-black shadows across the cobblestones, highlighting the lavish, shimmering textures of the girl's dress against the gloom. Quiet despair.
Fitentia Lombardy
AI artwork
fl
character: kurokawa_akane 1girl, 1boy, 2girls? no, 1girl 1boy only, kurokawa akane, long hair, bangs, hair between eyes, swept bangs, multicolored hair, gradient hair, black hair fading into blue hair, heterochromia, one blue eye, one green eye, star-shaped pupils, enormous breasts, cleavage, rococo style, overly ornate tacky dress, overdecorated, too much lace, excessive ruffles, too many bows, ridiculous ornaments on dress, red and white dress, fur-trimmed dress, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, frowning, teary eyes, 1boy, ugly man, tall man, grabbing waist from behind, hand over mouth, kidnapping, struggling, from behind, over-shoulder composition, dutch angle, cowboy shot, seductive_smile no — distressed, heavy_breathing, trembling, motion_lines, clutched hands, ballroom interior, chandelier light, Seen from a low dutch angle over the woman's shoulder: her back is toward the camera, her head twisted into a sharp left profile so the camera catches only that left cheek, one visible blue eye wide and wet, and the black-and-blue gradient hair spilling over her shoulder toward the viewer. Both of the tall man's arms are wrapped around her from behind — his left forearm barred across her waist, crushing the fur-trimmed red-and-white satin against her enormous chest, his right palm clamped flat over her mouth from jaw to nose, the fingers spread and denting her cheek so her lips are pressed unseen against his skin. Her hands claw up at that wrist, her colossal bracelets bunching and sliding at her forearm and her colossal engagement ring catching the light as she pulls; she lifts onto her toes, heels lifting out of the huge puffy skirt, weight tipping off balance into his grip. Her chin is craned up and away from the palm, no eye contact with him, gaze thrown toward the upper-left out of frame; his head is above and behind hers, tilted down, small eyes fixed on the top of her head, mouth slack and grim. He looms a full head and a half above her — heavy brow, crooked nose, stubbled jaw, sloping shoulders, shabby dark overcoat that ends bluntly against her glittering sequined silhouette, no lace, no ornament on him. The dress is a burden of excess: tiered lace cascading at the neckline, fur edge at the hem and cuffs, ruffles stacked in layers so dense the skirt stands out in a puffed bell wider than her hips, bows knotted at the waist, the sleeves and the bodice until they are almost too many to count, ridiculous ornaments of paste jewels and ribbons pinned everywhere, sequins strewn across the satin and the glitter fabric scattering pinpricks of light at every fold. The puffy skirt crumples and twists where his forearm digs into her hip. The colossal earrings swing forward on their long chains, the tiara slides a fraction off level, and the diamond collar sits rigid at her throat, digging in as she strains. Fur trim blurs at the edges where the fabric is crushed. Set in a dim ballroom: a gilded rococo interior dissolves in shadow behind them, cornices and a candelabra chandelier above the frame. A single warm chandelier light comes from high above and slightly right, laying highlights on the tiara, the diamond collar, the sequins and the man's bare forearm, and casting both their shadows hard and long onto the marble floor at the lower left. Beyond that pool the darkness is absolute. Palette: red and white dress, blue and black hair as the only cool note against warm gold and umber surroundings. One physical tell: where his palm presses her mouth, her breath fogs and the sequins at her cheek catch a fine sweat sheen, while the loose fur strands along the hem lie flat rather than puffing — crushed, not stirred. Tense, suffocating dread.
Fitentia Lombardy

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