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AI artwork featuring #Kahramanlık Akademim and #Katsuki Bakugo
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Katsuki Bakugo, Kahramanlık Akademim

#Kahramanlık Akademim#Katsuki Bakugo
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character: bakugou_katsuki 1boy, solo, bakugou katsuki, blonde spiked short hair, red eyes, black shirt, black pants, gloves, blowing nose, tissue at nose, holding tissue with both hands, honking nose blow, wet tissue crumpled, congested, miserable expression, teary eyes, watery red-rimmed eyes, furrowed brow, gritted teeth, blush from irritation, runny nose, swollen nose tip, sneezing, mid-sneeze, head tilted back, eyes squeezed shut, half-closed eyes, looking down, close-up, from side, profile, cowboy shot, slouched posture, shoulders hunched, sitting on floor, leaning against wall, knees bent, elbows on knees, piled used tissues beside him, tissue box, empty tissue box, scattered crumpled tissues, pollen drifting in air, spring window light, allergy season, blowing nose repeatedly, tired, exhausted, frustrated, A close-up from the side, catching him in profile at the exact hinge between a sneeze and the blow that follows: Katsuki Bakugou sits on the floor with his back braced against a plain wall, knees drawn up and splayed, boots planted, his whole weight sunk into his hips rather than held upright. Both gloved hands clamp a wad of tissue over his nose and mouth, fingers pressed white against the crumple, thumbs denting the paper; his elbows rest on his knees for leverage and his head is tipped forward and slightly away from the lens as he honks into it, cheek hollowed, the tissue distorting around the wet blast while its far edge flutters. His red eyes are squeezed to wet slits, lashes clumped, a sheen of tears on the lower lid and one track already cut down his cheek; his brow is crushed together in a deep furrow, the bridge of his nose rubbed raw and pink above the tissue, and the corner of his grimacing mouth pulls down hard around the effort. Blonde spiked hair stands up in unruly sweat-damp tufts, the front spikes flattened and displaced by half an hour of this, a few strands stuck to his temple. Around his hip and thigh a drift of used tissues has accumulated -- a dozen or more, some balled hard, some torn, one dangling off his knee -- and beside his boot the tissue box sits nearly empty, its last sheet pulled halfway out. The light comes in low from a window at frame left, cool spring daylight, striking the side of his face and the wet shine at his nose while the wall behind him falls into soft shadow and the used tissues cast tiny individual shadows on the floorboards. Palette limited to the warm blonde of his hair, the black of his shirt and pants, and the bleached white of tissue against a muted grey-green room, with the angry pink of his nose and eyes as the only other colour. Through the window light a fine dust of pollen drifts visibly in the air, the pale specks catching the beam and settling on the tissue pile. Exhausted, wretched.
Parametreleri Göster
Orijinal Prompt
Katsuki Bakugou blowing his nose with a loud, wet, congested, miserable honk into a tissue a ton of times to clear his sinuses after sneezing 14 times due to his allergies for half an hour
Mod
pro
Kalite Etiketi
İpuçları
Boyut
1104 x 1824
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
İstem Yardımcısı

Kullanılan Model ve LoRA

Benzer Görseller

Daha fazla göster
AI artwork
pd
character: bakugou_katsuki 1boy, solo, bakugou katsuki, short spiked blonde hair, red eyes, black shirt, black pants, gloves, wailing, crying, tears of joy, crying for hours, eyes swollen, red-rimmed eyes, tear tracks, wet cheeks, open mouth, screaming, wordless shout, head thrown back, arms raised, fists clenched, exhausted, but happy, wobbly smile, blush, blowing nose, nose blow, crumpled tissue, holding tissue to nose, hunched over, shoulders shaking, from above, dutch angle, cowboy shot, indoors, late afternoon, window light, exhausted happy mood The camera looks down from above at a steep angle tilted slightly off level, so the single figure is seen from the crown of his head downward, framed in a cowboy shot with the floor taking up the lower third of the frame. The man is the only person in the shot: he is alone in a narrow room with bare walls, sitting on the floor with his back against the wall and his knees loosely bent. His short, spiked blonde hair is flattened on one side where it has pressed against the wall, and several strands stick to his damp temples. His red eyes are swollen and red-rimmed with hours of weeping, and the skin around them is puffy; two clean tear tracks run down each cheek to his jaw. He has been crying with joy for so long that the joy has worn his body down to exhaustion. His head is thrown back against the wall, his mouth wide open in a wordless shout aimed at the ceiling — not at any person, because nobody is there — and his voice has clearly gone rough. Both arms are up, elbows bent, hands clenched loosely near his shoulders, as though he is too tired to hold them any higher. The pose is caught halfway through the shout. His right hand drops from the shout. He is folding a crumpled, wet tissue in his fingers and pressing it to his nose; his forearms bracket his face, his chin dips toward his chest, and his shoulders curl inward as he honks wetly and loudly into the tissue. His whole upper body is hunched forward as he blows, and then he sags back against the wall. One corner of his mouth still lifts in a wobbly, exhausted smile; a hot blush spreads across his cheeks above the tear tracks. His gaze is turned up and away from the viewer toward the high corner of the ceiling. The light comes from a single window off frame to the left, low and warm in late afternoon. It strikes the left side of his face, his shoulder, and the top of his bent knee; the right side of his face falls into shadow, and a firm cast shadow stretches across the floorboards to his right. The tissue and the tear wetness at his nostrils catch the light. The palette is limited to warm ochre window light, the charcoal black of his shirt and pants, the pale washed floor, and the rawness of red around his eyes and nose. The texture is a soft cel-shaded rendering with clean linework and restrained grain. The air is heavy, intimate, and quietly cathartic.
Princess Diani The FNAF Gal 2000
AI artwork
pd
character: bakugou_katsuki 1boy, solo, bakugou katsuki, short spiked blonde hair, red eyes, black shirt, black pants, gloves, stuffy nose, congested, sneezing, wet sneeze, nose drip, eyes squeezed shut, tear at eye corner, hunched forward, shoulders drawn up, one hand raised to mouth, face buried in tissues, multiple tissues held to face, crumpled tissue wad, large pile of used tissues, tissue box, blowing nose, ugly sneeze, miserable, furrowed brows, blush across nose bridge, from side, close-up, cowboy shot, cluttered desk, dim indoor lighting, portrait, expressive Seen in a close-up from the side, slightly above, the boy is caught in the middle of a violent wet sneeze: short spiked blonde hair flying forward, red eyes squeezed shut with a tear beading at one corner, nostrils raw and shiny, mouth open in a tight grimace, a strand of wetness streaking from his nose as he hunches forward with his shoulders drawn up to his ears. One gloved hand presses a crumpled wad of tissues to his face, already damp and smeared, while the other hand hovers near his cheek, fingers curled. He is angled toward a cluttered desk beside him, where a box of tissues sits overturned and a large, overflowing pile of used tissues spills across the surface, some crumpled into tight balls, others hanging off the edge. The light comes from a single lamp on the desk, warm and low, casting a strong shadow across his face and leaving the corner of his eye and the underside of his nose in soft darkness; the background beyond the desk falls off into dim, undefined gloom. The palette is muted: warm lamp gold, cool grey shadows, the pale off-white of the tissue pile, the black of his clothes and the vivid red of his eyes. The tissues themselves are the revealer: each one is slightly different in its crumple and dampness, the nearest ones darker where they were soaked. The mood is miserable and tender, a small, human moment of a loud, proud boy brought low by a stuffy nose.
Princess Diani The FNAF Gal 2000
AI artwork
pd
character: bakugou_katsuki 1boy, solo, bakugou katsuki, short hair, spiked blonde hair, red eyes, black pants, black shirt, gloves, from side, profile, cowboy shot, leaning forward, hunched over, head tilted down, eyes squeezed shut, tears in eyes, watery eyes, sneezing, mid-sneeze, mouth open, wet sneeze spray, runny nose, sniffles, blush, furrowed brows, one hand at nose, holding tissue, crumpled tissues, tissue box, pile of tissues, table, cluttered table, small pile of white powder, powder scattered on tabletop, sniffing powder, index finger at nostril, nasal drip, string of snot, high-pitched honk, blowing nose, tissue pressed to nose, congested, irritated, indignant, embarrassed, indoor, room, plain wall, single window, soft daylight, cold overcast light, muted palette, cel shaded, clean linework, flat color, anime style Seen in a tight side profile at cowboy-shot framing, the blond spiky-haired young man is bent forward over a plain wooden table, shoulders rounded, weight pitched onto his front foot with the back heel lifted, both elbows planted on the tabletop. His spiked ash-blond hair is ruffled out of shape, and his red eyes are squeezed shut behind a hard furrowed brow, tears beaded in the lower lashes and one wet streak running down his cheek. His nose is openly runny and reddened, a glossy wet sheen on the tip and a thin strand catching the light. His left gloved hand is lifted away from the table with fingers spread, as if caught mid-gasp, and his right hand is clamped over his nose and mouth, pressing a fat wad of very soft, plush tissues that visibly dent and cling under his grip. One white powder-rimmed saucer-shaped shallow dish sits close to his elbow, half-empty and streaked where a broad finger dragged through it, and a fine pale dusting of the powder has settled across the tabletop, sticking in a thin line along the table's front edge and clinging to the tissue fibres. Behind his hand and below his chin a large messy drift of used, crumpled, damp tissues has piled up and spills toward the table's near lip, several of them half-unfolded and soft enough to sag. A second tall stack of clean tissues and a soft tissue box sit within reach of his wrist. The direction of the light is a single cool overcast window at frame left, so the lit side of his face, the wet shine under his nose and the powder dust all catch a pale bluish-grey, while the far side of his head, the underside of his jaw and the crevices of the crumpled tissue pile fall into soft shadow; the crumpled damp tissues throw short, faint shadows of their own across the wood. The palette stays narrow and cool -- his black shirt and pants, the bleached ash-blond of his hair, the warm red of his eyes, and the off-white of powder and tissue against the scored brown of the table, with the only saturated notes being the angry red of his nose and the tear on his cheek. Sweat-matted hair and one tissue stuck to the side of his wrist by its own dampness sell that the whole surface is wet. The moment reads as caught halfway between rage and humiliation -- grimly funny, gross, undignified.
Princess Diani The FNAF Gal 2000
AI artwork
pd
character: bakugou_katsuki 1boy, solo, bakugou_katsuki, blonde_hair, short_hair, spiked_hair, red_eyes, gloves, black_pants, shirt, closed eyes, scrunched nose, sneeze, wet, from side, cowboy shot, leaning forward, elbows up, hands over mouth and nose, cupped hands, tissue box, large pile of used tissues, crumpled tissues, messy room, soft diffused window light, two-panel composition, comic panel layout Two stacked horizontal panels, same figure, same grey-blue room, hours apart. TOP PANEL, cramped close crop from the side: he is caught mid-sneeze, hunched forward so his shoulders round up past his ears, chin dropped, eyes squeezed shut into hard creases, nose wrinkled, a hot flush across the bridge of his nose and cheekbones; both gloved hands cupped and pressed together over his mouth and nose, fingertips overlapping, the leather of the gloves creased at the knuckles, both wrists tucked in so the sleeves of his shirt bunch at the crook of his elbow; the sneeze caught mid-burst — a fine wet spray of droplets flung out between his fingers and hanging in the air, a strand catching on the leather. He has already done this many times: the leather over his right thumb is dark and slick with damp, and behind him on the low table seven crushed tissues sit in a scatter, each one spent. BOTTOM PANEL, wider and flatter from a slightly lower angle a few hours later: same figure now slumped sideways against the wall, spine curved, one knee up, the other leg folded under him, head tipped back and jaw slack, eyes half-lidded and glassy above a nose rubbed raw pink; both gloved hands hold a single very soft tissue spread wide over his nose and mouth, thumbs pressing it to the nostrils, the paper crumpling and furrowing under the pressure, one edge lifted away from his cheek where the breath pushes it. Around him a heap of tissues has grown into a mound — a real pile, soft double-ply sheets spilling off the table edge, drifting on the floor, one stuck to his sleeve, some crumpled tight, some spread flat and translucent where they are damp; the cardboard tissue box sits tipped on its side with a fresh sheet half-pulled from the slot. His sneakers lie kicked off to one side, one on its side, one upright. Single light source: the window at frame left, cool daylight, catching the spray of droplets in the top panel and the fine ridged texture of the tissue pressed to his face in the bottom one, leaving the far side of the room and the corners in soft grey shadow; no other lamp. Palette held to blonde, black, deep leather brown, the cool grey-blue of the walls, and the warm off-white of the tissue paper, nothing else admitted. The pile of tissues is the only thing in the room that is growing. Miserable and absurdly undignified.
Princess Diani The FNAF Gal 2000

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