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千災

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千災

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1girl, solo, sleeping, lying on back, on sofa, indoors, glossy bob cut, shiny hair, handsome refined face, unsmiling, cold expression, closed eyes, voluptuous, large breasts, wide hips, hourglass figure, model physique, translucent skin, luminous skin, grey hoodie, black pants, hoodie hem rolled up, bare midriff, arms at sides, head on cushion, from above, from side, foreshortening, three-quarter view, natural light, quiet From above and slightly to her side, the camera looks down at a shallow diagonal across the sofa: a single young woman lies flat on her back, fully asleep, her head tipped onto the wide armrest cushion at frame left, her face turned three-quarters up toward the lens with her eyes closed and lashes resting against her cheekbones. Her expression is closed and aloof even in sleep — the brow unknit but flat, the lips pressed in a straight unsmiling line, the jaw relaxed, no softness admitted. Her glossy black bob is a smooth blunt-curtained shape that cups her cheekbones and stops just at the jaw, and the cushion fabric bulges a little where the back of her head presses into it, one lock fanned and lifting away from the crown. She is dressed in a loose grey pullover hoodie and black women's casual trousers. The hoodie is soft and worn, its drawstrings lying slack, and the hem has ridden up in her sleep — a few centimetres of bare midriff exposed between cuff-ribbed hem and the black waistband, the fabric folded back on itself rather than lifted by a hand. The straining grey cotton still reads the full hourglass shape beneath it: generous bust sloping into a narrow waist and wide, full hips, a long model-limbed silhouette running the length of the couch. One arm lies slack along her side with the sleeve pushed over the knuckles, the other bent with the hand half-curled on the seat cushion beside her hip; her legs are straight and slightly apart, one foot turned outward, both knees dropped open naturally. The setting is a quiet living room, seen mostly as data: the sofa's soft grey-cream upholstery beneath her, a second cushion compressed under her weight, a wall and the blur of a low table falling away at the top of the frame. Daylight enters from a window off frame right, cool and diffuse, laying a soft bright band across her cheek, her collarbone, and the exposed strip of midriff, where the skin reads translucent and luminous — a pale inner glow at the ears, the eyelids, and the fingertips. The shadow side of her body sinks into the sofa in warm neutral grey, with only the cushion seams and the folds of the hoodie giving contour. Palette of soft grey, black, cream and pale warm skin, nothing saturated. Still and unreadable.
Parametreleri Göster
Orijinal Prompt
無愛想で冷たい義姉 艶のあるボブカット 整った顔 寝ている ボンキュッボンで豊満な胸と腰 モデルのような体型 普段着の、灰色のパーカーに黒のレディース 透明感 室内 ソファ 仰向けで寝る パーカーが少し捲れる
Mod
pro
Tarz
Muted & Transparent
Kalite Etiketi
İpuçları
Boyut
1104 x 1824
Negatif
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Tarz: Muted & Transparent
İstem Yardımcısı

Kullanılan Model ve LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
Avatar image of 千災
1girl, solo, indoors, lying on back, on sofa, arms spread wide, inviting, grey hoodie, black pants, hoodie lifted slightly, midriff, bare midriff, glossy bob, blunt bob, shiny hair, handsome face, well-defined features, sullen eyes, cold expression, unsociable, half-closed eyes, looking away, faint blush, parted lips, hourglass figure, full bust, wide hips, model proportions, slender waist, clear translucent skin, fair skin, from above, foreshortening, couch, living room, soft window light View from above, camera set overhead and slightly toward the foot of the sofa so the frame looks down the length of her body: a young woman lies on her back on a low grey-upholstered sofa, and the vertical frame crops her at mid-thigh along the bottom edge, her head near the top third. Her glossy black bob fans out against the sofa cushion, the blunt-cut ends curving under her jaw and picking up one hard, separate highlight along the crown; the nape of her hair is compressed flat where her head presses into the cushion. Her face is composed and cleanly proportioned -- straight nose, defined cheekbones, a sharp jaw -- and her eyes, half-lidded and turned off to her right, away from the lens, hold a flat unimpressed coldness; her mouth is a straight line with the lower lip just barely parted on an exhale, and a faint warmth sits high on her cheeks that her expression does nothing to acknowledge. She wears an oversized heather-grey pullover hoodie and black women's trousers. Both arms are flung wide and open, one thrown over the sofa's backrest and hanging past it with the sleeve swallowed to the fingertips, the other extended along the seat cushion, palm turned up and open. The spread arms pull the hoodie's hem up across her stomach, riding up just above her navel; the black trousers sit low at her hips where the hem meets them. Her body reads in one continuous hourglass line under the loose cotton -- full bust pushed up and to one side by the way she lies, the fabric drawing into taut folds across it, a narrow waist, then the flare of her hips straining the flat-front trousers. Where her weight lands the cushion compresses into a long shallow dent beneath her hips and shoulder blades; the drawstring of the hood sits fallen sideways on her collarbone. The room is a quiet, ordinary living room, midground only: the sofa's backrest and one armrest visible, a dim wall behind it, and the rest of the interior falling away into soft shadow at the edges of the frame. Cool daylight comes in from a window at the left of frame, low and diffuse, skimming across the crown of her hair, the ridge of her cheekbone and the turned-up hem of the hoodie, leaving the right side of her face and the hollow of the sofa in gentle grey shade; the highlight on her bob and the sheen on her bared stomach are the only bright accents. Palette of cool greys, black and pale skin, nothing saturated. Still, sullen, held-breath quiet.
千災
AI artwork
Avatar image of 千災
1girl, solo, glossy bob haircut, short hair, black hair, shiny hair, beautiful refined face, sullen unsmiling eyes, half-closed eyes, cold aloof expression, expressionless, faint frown, flushed cheeks, blush, transparent delicate skin, pale translucent skin, voluptuous, hourglass figure, large breasts, wide hips, model-like proportions, long legs, gray hoodie, black leggings, hoodie hem lifted slightly, midriff, lying on her back, lying on sofa, on her back, indoor, private room, empty room, alone, no other people, one knee raised, head tilted back, hand at stomach, arm draped over head, looking up, ceiling gaze, from above, high angle, close-up, soft indoor light, muted palette, quiet ache. The camera looks down from above and slightly to the side into a small private room where one woman lies alone on a low-backed gray fabric sofa, no other person anywhere in the frame. She is flat on her back, spine along the sofa's length, the cushions pressed concave under her hips and shoulders, so the fabric bunches in a shallow bowl around her weight. Her glossy black bob fans across the seat cushion behind her head, the blunt cut edge curving along her jaw and a hand's width of it splayed out past her temple where the hair has slipped; the gloss of the cut catches the window light as a single clean band across the crown. Her face is turned three-quarters toward the ceiling, chin tipped back, one brow faintly flattened and eyelids low and heavy with a sullen, unsmiling set; her lips are closed and pulled a little thin at one corner. A flush sits high on both cheeks and warms the tips of her ears, the red reading clearly through the pale, translucent skin of her face and throat, where the light seems to pass a moment into the surface before it stops. She wears an oversized gray hoodie, the fabric soft and slightly pilled, the drawstrings lying loose across her chest and the collar slack around her collarbones; black close-fitting leggings cover her legs, one knee drawn up and tipped outward so the raised thigh tents the fabric and the other leg lies long and flat along the sofa. The hoodie's hem has ridden up in a soft, deep fold, exposing a crescent of her stomach above the waistband of the leggings, the skin there pale and unshadowed. Her right hand rests flat at that low spot on her abdomen, fingers slightly curled and pressing inward, the knuckles pale from the pressure; her left arm is thrown up past her head, wrist draped over the sofa's armrest, fingers slack. Her gaze is fixed on the ceiling, seeing nothing in the room, and the drawn brow and the small press of her mouth toward her teeth are the only signs of what is tightening low in her body. The room is closed and quiet: a muted wall behind the sofa, a curtain edge and the corner of a shelf at the frame's margin, everything else cropped away, no doorway and no other figures. Daylight comes in low and diffuse from the window at frame left, laying a soft diagonal band across the sofa's back, the top of her raised knee, and one cheek, while the underside of her jaw, the hollow at her waist and the far side of the sofa fall into cool shadow. The palette is quiet — cool gray fabric, near-black hair and leggings, her skin's pale warmth, and the single warm red of her flush. A quiet, tense, private ache.
千災
AI artwork
Avatar image of 千災
1girl, solo, indoors, sitting, on sofa, arms spread, outstretched arms, welcoming, beckoning, glossy bob cut, short hair, black hair, shiny hair, refined face, beautiful face, pale skin, clear skin, sullen eyes, stern eyes, half-closed eyes, cold expression, unsmiling, closed mouth, voluptuous, hourglass figure, large breasts, wide hips, model build, long legs, grey hoodie, drawstrings, black pants, women's trousers, leaning back, head tilt, looking at viewer, from below, cowboy shot, sofa cushions, living room, window light, rim light The camera sits low, from below and slightly off-axis, in a cowboy shot that catches her from the knees up as she sits deep in the corner of a wide grey fabric sofa, one hip sunk into the seat cushion and one leg drawn up with the knee resting against the backrest, the other foot flat on the cushion edge, so the sofa visibly compresses under her weight and the fabric creases outward from her hip. Both arms are flung wide along the sofa's back and armrest, wrists loose, palms open and turned up, elbows unlocked — an invitation delivered like a shrug. Her torso twists slightly toward the lens while her chin stays level and her shoulders stay low and relaxed; the grey hoodie is oversized and well-worn, hood down and bunched at the back of her neck, sleeves pushed to the wrists, the fabric drawing taut across her chest and falling loose at the waist, its hem riding up a hand's width over the black trousers where the waistband shows. Her black hair is a blunt glossy bob ending just under the jaw, the crown catching a hard specular sheen, one side tucked behind her ear and the other swinging forward across her cheek. Her face is symmetrical and fine-boned, skin clear and pale with a faint cool translucency at the temples and throat; her eyes are narrow and level, lids heavy, brows flat, mouth closed and perfectly straight — no smile, no warmth, the gaze fixed on the viewer with a flat, unreadable challenge. The only tell is in the body: the arms stay open a beat too long, and the toe of her flat foot presses into the cushion. Light comes from a window at frame left, cool daylight raking across her cheekbone and the sheen of her hair and dropping the right side of her face and the sofa's far arm into soft shadow; a faint warm lamp glow sits behind her shoulder without reaching her. Palette is restrained — cool grey sofa and hoodie, deep black hair and trousers, pale skin — with nothing saturated admitted. The cushion under her hip stays dented after she shifts. Quiet, cool, and quietly wanting.
千災

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