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AI artwork featuring #Pokémon, #Charmander and #Charizard
Ücretsiz Oluştur

Charmander, Charizard

YZ sanatı, Domenico tarafından PixAI'de. Tsubaki.3 Flash ile oluşturuldu.

#Pokémon#Charmander#Charizard
d

Domenico

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character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Parametreleri Göster
Orijinal Prompt
Aggron is wearing a black hoodie. Charizard,after winning in a race against Aggron,is pulling Aggron's head,trasforming and streching it into a gray towel with Aggron's face stamped on the whole towel. Than Charizard deattached the towel from Aggron's body and attached it(the towel) to a pole,making the towel a flag. The rest of Aggron's body is still normal. Aggron has a scared face(you can clearly see Aggron's spiral black eyes and dizzy mouth) and is blushing so much,his face is all red. Charizard is blushing a lot too and is grinning. Aggron's ears are part of the towel too. Aggron's hands are trying to reach Aggron's face. Aggron's body doesn't have a head anymore. The artstyle is more mature. The towel is really sweaty.
Mod
flash
Kalite Etiketi
İpuçları
Boyut
1104 x 1824
İstem Yardımcısı

Kullanılan Model ve LoRA

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.14k

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Daha fazla göster
AI artwork
d
character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Domenico
AI artwork
d
character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Domenico
#Pokémon#Charizard
AI artwork
d
character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Domenico
#Pokémon#Charizard
AI artwork
f
character: pikachu, charizard 2boys, solo focus, charizard, pikachu, pokemon \(creature\), anthropomorphic, dragon, wings, flame-tipped tail, claws, fangs, orange body, cream belly, cream lower jaw, blue eyes, visible mouth, open mouth, smug, sassy, lidded eyes, raised eyebrow, blush, full-face blush, sitting, crowd, sitting in the stands, stadium seating, lifting leg, one leg raised, foot lift, paw, foot, yellow liquid, liquid on foot, yellow goo covering paw completely, goo, face in goo, pikachu's face on the liquid, two subjects, single face on liquid, dizzy, shocked, spiral eyes, xd, dizzy mouth, spiral mouth, wavy mouth, full-face blush on liquid face, celebrating, cheering, crowd celebrating, arms up, from below, dutch angle, foreshortening, wide shot, basketball arena, sports stands, yellow and orange palette, warm arena lighting, dramatic shadows, confident, absurd, comedic The camera sits low in the stands, tilted a few degrees off level, looking up at Charizard as he sprawls back across a stadium seat with the celebrating crowd packed behind and around him. His weight is thrown onto his right hip; his right forearm rests along the top edge of the seat back, claws draped over it, while his left hand shoves down into the cushion beside his thigh. His torso twists open toward the lens, chin lifted, lids half lowered, one brow arched, a lopsided open-mouthed smirk splitting his long cream jawline so the mouth reads clearly with fangs showing at the corner. His right leg is kicked out forward and low from the knee; his left knee is drawn up and his left foot lifted high toward the lens, sole angled to the camera so the raised paw dominates the near foreground in big foreshortening. That upraised paw is sheathed entirely in a thick, glossy yellow liquid, a smooth glossy coat with no seam of orange showing between the toes or around the ankle rim, the goo drawn up into a wet ridge where it meets green-yellow skin and sagging in one heavy drip beneath the toes. Set into the front of the goo is Pikachu's face, stretched a little by the surface tension: two huge black spirals turning in opposite directions as pupils, a small open wavy mouth knocked crooked, and beneath the spirals a hot pink-red blush burning across the whole yellow cheek area, ear-tips just visible as flattened bumps at the edge of the liquid. Charizard's own face is flushed the same deep red from jaw to brow ridge, hotter across the snout and cheekbones. The goo catches a hard specular line along its top surface and reflects the pale hot arena lights, showing that the liquid facing away from the lamps sits darker and softer than the source. Charizard's gaze goes down over his own lifted foot toward the little face trapped in it, one eye squinted, his smirk aimed at the creature under his sole. The crowd behind him is a solid wall of bodies in the tiered seating, arms flung up, mouths open, hoisted banners and a foam finger, all rendered slightly simpler and out of focus by distance, faces turned up and shouting toward the court while a few nearest heads glance over at the celebration happening right next to them. The palette holds to orange, cream and yellow against the cool slate blue of the stadium seats, the crowd's mixed warm highlights blurred into a bright haze along the upper tier. Hard rim lighting from the arena floods above and behind carves the raised foot and Charizard's shoulder out of the darker seating, casting his shadow down onto the empty seat back under his hip. Absurd, effortlessly petty.
Filippo
#Pokémon#Charizard

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4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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