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AI artwork featuring #Hatsune Miku and #Vocaloid

Hatsune Miku, Vocaloid

Yayınlanma tarihi: Oct 31, 2026

三又ルベ

character: wada_don, power_pro-kun, hatsune_miku, copyright: power_pro-kun, genshin_impact 5girls and boys, multiple boys, multiple girls, group shot, genshin impact male protagonist, genshin impact female protagonist, hatsune miku, wada don, pawapuro-kun, liminal space, empty indoor swimming pool at night, wide shot, from above, high angle, cowboy shot, standing in a loose row, uneven spacing, long empty tiled hall, drained pool basin, pale fluorescent ceiling panels, pool ladder, lane rope spool, distorted perspective, fluorescent hum, backrooms, no exit sign, no windows, ankle-length empty corridor, one character crouching at pool edge, one character on tiptoe, one character leaning over the rail, one character sitting on the pool rim, one character turning to look back, looking at another, looking down into pool, aqua twintails, very long aqua hair, hair between eyes, aqua eyes, detached black sleeves, grey pleated skirt, blue necktie, sleeveless shirt, bare shoulders, long coat, dark trousers, brown hair, multicolored streaked hair, colored bangs, black hoodie, animal ear hood, print shirt, blue and white baseball uniform, short black hair, baseball cap, brown hair, short twintails, blank white field, endless grid, cheerful, quietly wrong The view is from above and behind, the camera perched high in the corner of a drained indoor swimming pool hall so that the tiled basin opens away from the lens and five small figures stand scattered across the deep-end lip and the empty deck. A long corridor of pale square tiles runs off to the right and loses itself in a doorway that shows only more corridor; the ceiling is a grid of fluorescent panels, one of them stuttering, and their cold white reflection slides across the dry pool floor below where faint lane markings have been scrubbed almost away. The pool ladder's steel rails come up out of the basin in the midground, and a spool of lane rope sits forgotten on the deck. In the left foreground, a young man in a long dark coat with pale trim stands at the pool edge with his back partly to the camera, one boot on the rim, leaning forward to peer down into the empty basin, his long coat hanging straight down; his head is turned just enough that a sliver of profile shows. Beside him a young woman with long pale-gold hair, a white and gold dress and long gloves, crouches at the rim on the balls of her feet, one gloved hand flat against the tile for balance, the other arm resting on her knee, and she looks down into the pool, her hair spilling forward over her shoulder. In the centre of the frame a girl with very long aqua twintails and a blue necktie stands at the far lip of the basin, turned three-quarters away, one arm raised as she points down the corridor, her detached black sleeves riding up and her skirt hanging still: she is looking back over her shoulder at the others. To the right, on the dry deck, a taiko drummer in a black hoodie with an animal-ear hood and a printed shirt stands balanced on one leg with the other foot lifted, arms out as though mid-step over a lane marking, and a small grin shows under the hood. Nearest the right edge, a youth in a blue-and-white baseball uniform and cap has one hand on the steel ladder rail and is caught mid-turn, half his body swung toward the others, eyes fixed on the pointing girl. Fluorescent light falls only from the ceiling grid, so every shadow drops straight down beneath the feet and pools in the basin; the corridor on the right is a shade dimmer and its far doorway the brightest thing in the frame. Everything is the same sickly off-white, pale mint and steel grey, with the figures' own colours the only saturation admitted. No dust moves; the air reads as vacuum-still and hums. Quietly wrong, and completely calm.

Hatsune Miku, Vocaloid

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