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AI art "硬派な大人の女性"
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硬派な大人の女性

"硬派な大人の女性" YZ sanatı, nemesislivezx tarafından PixAI'de. Etiketler: Göğüs, Açık hava, uzun saç, Kızgın, Siyah saç, Japonya. Tsubaki.2 ile oluşturuldu.

1990年代の日本。 街の中の路上。 白い長袖ワイシャツ+茶色の腰ベルト+黒い膝丈のタイトスカート+茶色のローファーという服装をしている黒髪ロングヘアーで硬派な20~29歳の大人の女性が「てめえ、なめてんじゃねえぞコラ。」という台詞を言う。

#Göğüs#Açık hava#uzun saç#solo#Kızgın#Siyah saç#Japonya#1990'lar tarzı#kemer#Açık ağız#gri gözler#Gömlek#Dövüş#izleyiciye bakma#Ikari Warriors#Yumruk sıkma#bağırma#Kalem etek#beyaz gömlek#orta boy göğüs#yol#Brawler#diyalog kutusu#kasaba
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A medium shot from a slightly low angle depicts a sharp-featured Japanese woman in her 20s standing on a city street in 1990s Japan. She has long, straight black hair and an intense, hardened expression, shouting the phrase "てめえ、なめてんじゃねえぞコラ。" with a fierce gaze. She is dressed in a professional yet strict attire consisting of a crisp white long-sleeved button-down shirt tucked into a black knee-length tight pencil skirt, secured by a brown leather waist belt, and paired with brown loafers. Her posture is aggressive, with her hands clenched at her sides to emphasize her toughness. The background is a nostalgic 90s urban roadside featuring weathered asphalt, utility poles with tangled wires, and vintage Japanese storefronts. The atmosphere is gritty and tense, utilizing a color palette of muted city tones and sharp contrast to evoke a hard-boiled, cinematic mood.
Parametreleri Göster
Orijinal Prompt
1990年代の日本, 町の中の路上, 白い長袖ワイシャツ, 茶色の腰ベルト, 黒い膝丈のタイトスカート, 茶色のローファー, 黒髪ロングヘアー, 20~29歳の大人の女性, 「てめえ、なめてんじゃねえぞコラ。」という台詞, 硬派
Mod
lite
Boyut
768 x 1280

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Daha fazla göster
AI artwork
ヒ
1girl, solo, black hair, 7:3 parted bangs, side-parted fringe, long hair, low ponytail, hair tied at the nape, white dress shirt, collared shirt, black suit jacket, knee-length black skirt, black skirt suit, job-hunting student, huge breasts, smiling, closed-mouth smile, walking, mid-stride, from below, full body, outdoors, midday, city street, looking ahead, arms at sides, recruiting season, The camera sits low and slightly ahead of her, tilted up, so the sidewalk recedes beneath her shoes and the pale midday sky fills the top third of the frame; she walks toward the lens but her gaze is angled just past it, chin lifted a touch, lips curved in a small closed smile that reaches the corners of her eyes, one brow a hair higher than the other. Her black hair is parted 7:3 so the longer sweep falls to her left, and the rest is gathered low at the nape into a ponytail that swings out behind her right shoulder with the rhythm of her step, its tip lifting on the air. She is caught mid-stride: her left leg forward and planted flat, her right heel just peeling off the pavement behind her, hips canted with the weight over the front foot, so the knee-length black skirt swings forward and a shadowed fold opens along its hem. The white dress shirt is buttoned to the collar and tucked in tight at the waist, its fabric drawn taut across a very large bust, the placket straining into a shallow vertical crease between the buttons and a soft diagonal pull running from each buttonhole toward the shoulder seam; the black jacket sits open over it, its front edges pushed apart by the chest and falling back along her sides, the sleeves pushed to just below the elbow. A slim black bag strap crosses her right shoulder, its flat band pressing a line into the jacket lapel, and her right hand rests on it at her hip while her left hand hangs loose, fingers slightly curled, thumb brushing the skirt seam. The sun is high and behind her left shoulder, so its light rims the top of her hair and the crown of her ponytail and drops a short, soft-edged shadow under her front shoe; the jacket's black reads as deep charcoal where the light grazes it and near-black in the folds under the bust, and the skirt catches a faint cool sheen along its top plane, while the pavement's grid lines converge into the distance behind her and a few blurred office workers and a scuffed curb sit far back, out of focus. Palette holds to black, white and the grey of the street with only her skin's warmth admitted. Bright, purposeful, quietly confident.
ヒーロースター
AI artwork
ヒ
1girl, solo, black hair, 7:3 parted bangs, side-parted fringe, long hair, low ponytail, hair tied at the nape, white dress shirt, collared shirt, black suit jacket, knee-length black skirt, black skirt suit, job-hunting student, huge breasts, smiling, closed-mouth smile, walking, mid-stride, from below, full body, outdoors, midday, city street, looking ahead, arms at sides, recruiting season, The camera sits low and slightly ahead of her, tilted up, so the sidewalk recedes beneath her shoes and the pale midday sky fills the top third of the frame; she walks toward the lens but her gaze is angled just past it, chin lifted a touch, lips curved in a small closed smile that reaches the corners of her eyes, one brow a hair higher than the other. Her black hair is parted 7:3 so the longer sweep falls to her left, and the rest is gathered low at the nape into a ponytail that swings out behind her right shoulder with the rhythm of her step, its tip lifting on the air. She is caught mid-stride: her left leg forward and planted flat, her right heel just peeling off the pavement behind her, hips canted with the weight over the front foot, so the knee-length black skirt swings forward and a shadowed fold opens along its hem. The white dress shirt is buttoned to the collar and tucked in tight at the waist, its fabric drawn taut across a very large bust, the placket straining into a shallow vertical crease between the buttons and a soft diagonal pull running from each buttonhole toward the shoulder seam; the black jacket sits open over it, its front edges pushed apart by the chest and falling back along her sides, the sleeves pushed to just below the elbow. A slim black bag strap crosses her right shoulder, its flat band pressing a line into the jacket lapel, and her right hand rests on it at her hip while her left hand hangs loose, fingers slightly curled, thumb brushing the skirt seam. The sun is high and behind her left shoulder, so its light rims the top of her hair and the crown of her ponytail and drops a short, soft-edged shadow under her front shoe; the jacket's black reads as deep charcoal where the light grazes it and near-black in the folds under the bust, and the skirt catches a faint cool sheen along its top plane, while the pavement's grid lines converge into the distance behind her and a few blurred office workers and a scuffed curb sit far back, out of focus. Palette holds to black, white and the grey of the street with only her skin's warmth admitted. Bright, purposeful, quietly confident.
ヒーロースター
AI artwork
ヒ
1girl, solo, black hair, 7:3 parted bangs, side-parted fringe, long hair, low ponytail, hair tied at the nape, white dress shirt, collared shirt, black suit jacket, knee-length black skirt, black skirt suit, job-hunting student, huge breasts, smiling, closed-mouth smile, walking, mid-stride, from below, full body, outdoors, midday, city street, looking ahead, arms at sides, recruiting season, The camera sits low and slightly ahead of her, tilted up, so the sidewalk recedes beneath her shoes and the pale midday sky fills the top third of the frame; she walks toward the lens but her gaze is angled just past it, chin lifted a touch, lips curved in a small closed smile that reaches the corners of her eyes, one brow a hair higher than the other. Her black hair is parted 7:3 so the longer sweep falls to her left, and the rest is gathered low at the nape into a ponytail that swings out behind her right shoulder with the rhythm of her step, its tip lifting on the air. She is caught mid-stride: her left leg forward and planted flat, her right heel just peeling off the pavement behind her, hips canted with the weight over the front foot, so the knee-length black skirt swings forward and a shadowed fold opens along its hem. The white dress shirt is buttoned to the collar and tucked in tight at the waist, its fabric drawn taut across a very large bust, the placket straining into a shallow vertical crease between the buttons and a soft diagonal pull running from each buttonhole toward the shoulder seam; the black jacket sits open over it, its front edges pushed apart by the chest and falling back along her sides, the sleeves pushed to just below the elbow. A slim black bag strap crosses her right shoulder, its flat band pressing a line into the jacket lapel, and her right hand rests on it at her hip while her left hand hangs loose, fingers slightly curled, thumb brushing the skirt seam. The sun is high and behind her left shoulder, so its light rims the top of her hair and the crown of her ponytail and drops a short, soft-edged shadow under her front shoe; the jacket's black reads as deep charcoal where the light grazes it and near-black in the folds under the bust, and the skirt catches a faint cool sheen along its top plane, while the pavement's grid lines converge into the distance behind her and a few blurred office workers and a scuffed curb sit far back, out of focus. Palette holds to black, white and the grey of the street with only her skin's warmth admitted. Bright, purposeful, quietly confident.
ヒーロースター
AI artwork
ヒ
1girl, solo, black hair, 7:3 parted bangs, side-parted fringe, long hair, low ponytail, hair tied at the nape, white dress shirt, collared shirt, black suit jacket, knee-length black skirt, black skirt suit, job-hunting student, huge breasts, smiling, closed-mouth smile, walking, mid-stride, from below, full body, outdoors, midday, city street, looking ahead, arms at sides, recruiting season, The camera sits low and slightly ahead of her, tilted up, so the sidewalk recedes beneath her shoes and the pale midday sky fills the top third of the frame; she walks toward the lens but her gaze is angled just past it, chin lifted a touch, lips curved in a small closed smile that reaches the corners of her eyes, one brow a hair higher than the other. Her black hair is parted 7:3 so the longer sweep falls to her left, and the rest is gathered low at the nape into a ponytail that swings out behind her right shoulder with the rhythm of her step, its tip lifting on the air. She is caught mid-stride: her left leg forward and planted flat, her right heel just peeling off the pavement behind her, hips canted with the weight over the front foot, so the knee-length black skirt swings forward and a shadowed fold opens along its hem. The white dress shirt is buttoned to the collar and tucked in tight at the waist, its fabric drawn taut across a very large bust, the placket straining into a shallow vertical crease between the buttons and a soft diagonal pull running from each buttonhole toward the shoulder seam; the black jacket sits open over it, its front edges pushed apart by the chest and falling back along her sides, the sleeves pushed to just below the elbow. A slim black bag strap crosses her right shoulder, its flat band pressing a line into the jacket lapel, and her right hand rests on it at her hip while her left hand hangs loose, fingers slightly curled, thumb brushing the skirt seam. The sun is high and behind her left shoulder, so its light rims the top of her hair and the crown of her ponytail and drops a short, soft-edged shadow under her front shoe; the jacket's black reads as deep charcoal where the light grazes it and near-black in the folds under the bust, and the skirt catches a faint cool sheen along its top plane, while the pavement's grid lines converge into the distance behind her and a few blurred office workers and a scuffed curb sit far back, out of focus. Palette holds to black, white and the grey of the street with only her skin's warmth admitted. Bright, purposeful, quietly confident.
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