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Matty Murray

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Matty Murray

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character: bakugou_katsuki 1boy, solo, bakugou katsuki, adult, tall, extremely muscular, broad shoulders, thick arms, black final-season hero costume, black bodysuit, orange x-chest harness straps, silver grenadier bracers, armored knee guards, armored boots, duct tape, duct tape bindings, arms bound, biceps bound, thighs bound, knees bound, ankles bound, hips bound, crotch tape, tape creased, tape pulled taut, hands behind back, hands pinned under body, lying on back, on floor, dark floor, writhing, twisting body, struggling, arching back, spine arch, bent knees, kicking, shoulders digging into floor, rocking, gagged, tape gag, thick layered duct tape around head, lips sealed, mouth bulge, stuffed mouth, red eyes, glaring, looking up, angry, scowl, furrowed brows, defiant, sweat, sweaty face, sweat drops, spiked hair, messy hair, ash-blond hair, from side, low angle, floor level, dramatic shadows, single spotlight, harsh overhead light, high contrast, chiaroscuro, clenched teeth under tape, straining muscles, veins on arms, motion lines, restrained, furious, noir Low side-angle shot skimming the floor: the camera sits almost at ground level on Dynamight's right side, looking slightly up across the dark floor at him, so the boards of the floor recede in a hard diagonal from the bottom-left corner toward the upper right and his body lies along that diagonal, head at the upper-right of the frame, bound ankles toward the lower left. He is flat on his back, one enormous shoulder blade and the point of the other shoulder jammed into the black floor, his spine bowed up off the ground in a taut arch that lifts his black-costumed chest and the orange X of the harness straps clear of the floor, the straps digging into the pectorals and pulled crooked by the twist of his torso. His knees are bent up, one armored knee guard higher than the other, both armored boots braced and kicking so that one heel drags a smear across the floor and the other boot hovers a hand's width above it. His hips roll and his torso counter-twists the other way, and the wide band of silvery duct tape cinched around his hips and crotch stretches and creases along the pull, its wrinkles radiating from the hip bones; more wide bands of the same silvery tape are wrapped around both upper arms and across the biceps, around both thighs above the knee guards, around both knees and around both booted ankles, each band taut enough to compress the muscle beneath and each band creased in fine longitudinal wrinkles where the muscle swells against it. Both gloved hands are trapped behind his back, pinned flat under the small of his body, only the edge of one silver-capped wrist and the bunched fingers visible past his hip. His head is wrenched back and turned up toward the lens, chin lifted, spiked ash-blond hair crushed and messy against the floor, several thick layers of silvery duct tape wound right around his head and jaw, sealing his lips flat, and a clear round bulge pushes the tape outward at the centre of his mouth, the tape stretched glossy and thin over it; his red eyes glare straight up into the spotlight, brows crushed down into a defiant scowl, sweat beading and running down his temple and jaw, a few drops flung off in the thrash. The single hard spotlight sits directly above him and slightly behind the camera's line, its cone cutting down through absolute darkness so that the light strikes the top surfaces of his body -- the arch of his chest, the crown of his shoulder, the upraised bent knee, the taped bulge of his gag, the crest of his hair -- while beneath and behind him the shadow is solid black and his own cast shadow is crushed flat into the floor around his silhouette, pooled at his hips and under his arched spine so he seems to float on a dark island of light. Beyond the rim of that pool the room does not exist; the darkness is total. Palette: the black of the suit and the surrounding dark, the dull silver of the tape and bracers, a single hot orange band across his chest, the red of his eyes, and the pale ash-blond of his hair and his sweat-slick skin as the only bright notes against the noir field. Sharp, crisp linework, deep chiaroscuro, cinematic widescreen composition with his straining face at the upper right and the kicked boot at the lower left, sharp pooled shadow under the arch of his spine. Furious, claustrophobic.
Parametreleri Göster
Orijinal Prompt
character: bakugou_katsuki — Adult pro hero Dynamight, tall and extremely muscular, lying flat on his BACK on a dark floor, actively struggling to escape — body twisting and writhing, spine arching up off the floor, knees bent and kicking, shoulders digging into the ground as he rocks in furious resistance. He wears his black final-season hero costume with orange X-chest harness straps, silver grenadier bracers, armored knee guards and boots. His hands are pinned behind his back under his body. Wide bands of silvery duct tape are wrapped over his arms, his biceps, his thighs, his knees and his ankles, and a band of tape cinches around his hips and crotch, the tape creasing and pulling taut with the strain of his thrashing muscles. His mouth is gagged with several thick layers of duct tape wrapped around his head, lips sealed flat, with a clear round bulge straining the tape outward where something is stuffed inside his mouth. Furious red eyes glaring up, brows crushed into a defiant scowl, sweat on his face, spiked ash-blond hair messy. Low side-angle shot skimming the floor, single hard spotlight from above casting deep dramatic shadows, moody noir lighting, high contrast, detailed anime style, sharp linework, cinematic composition.
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flash
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1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

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AI artwork
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character: bakugou_katsuki 1boy, solo, bakugou katsuki, adult, tall, extremely muscular, broad shoulders, thick arms, black final-season hero costume, black bodysuit, orange x-chest harness straps, silver grenadier bracers, armored knee guards, armored boots, duct tape, duct tape bindings, arms bound, biceps bound, thighs bound, knees bound, ankles bound, hips bound, crotch tape, tape creased, tape pulled taut, hands behind back, hands pinned under body, lying on back, on floor, dark floor, writhing, twisting body, struggling, arching back, spine arch, bent knees, kicking, shoulders digging into floor, rocking, gagged, tape gag, thick layered duct tape around head, lips sealed, mouth bulge, stuffed mouth, red eyes, glaring, looking up, angry, scowl, furrowed brows, defiant, sweat, sweaty face, sweat drops, spiked hair, messy hair, ash-blond hair, from side, low angle, floor level, dramatic shadows, single spotlight, harsh overhead light, high contrast, chiaroscuro, clenched teeth under tape, straining muscles, veins on arms, motion lines, restrained, furious, noir Low side-angle shot skimming the floor: the camera sits almost at ground level on Dynamight's right side, looking slightly up across the dark floor at him, so the boards of the floor recede in a hard diagonal from the bottom-left corner toward the upper right and his body lies along that diagonal, head at the upper-right of the frame, bound ankles toward the lower left. He is flat on his back, one enormous shoulder blade and the point of the other shoulder jammed into the black floor, his spine bowed up off the ground in a taut arch that lifts his black-costumed chest and the orange X of the harness straps clear of the floor, the straps digging into the pectorals and pulled crooked by the twist of his torso. His knees are bent up, one armored knee guard higher than the other, both armored boots braced and kicking so that one heel drags a smear across the floor and the other boot hovers a hand's width above it. His hips roll and his torso counter-twists the other way, and the wide band of silvery duct tape cinched around his hips and crotch stretches and creases along the pull, its wrinkles radiating from the hip bones; more wide bands of the same silvery tape are wrapped around both upper arms and across the biceps, around both thighs above the knee guards, around both knees and around both booted ankles, each band taut enough to compress the muscle beneath and each band creased in fine longitudinal wrinkles where the muscle swells against it. Both gloved hands are trapped behind his back, pinned flat under the small of his body, only the edge of one silver-capped wrist and the bunched fingers visible past his hip. His head is wrenched back and turned up toward the lens, chin lifted, spiked ash-blond hair crushed and messy against the floor, several thick layers of silvery duct tape wound right around his head and jaw, sealing his lips flat, and a clear round bulge pushes the tape outward at the centre of his mouth, the tape stretched glossy and thin over it; his red eyes glare straight up into the spotlight, brows crushed down into a defiant scowl, sweat beading and running down his temple and jaw, a few drops flung off in the thrash. The single hard spotlight sits directly above him and slightly behind the camera's line, its cone cutting down through absolute darkness so that the light strikes the top surfaces of his body -- the arch of his chest, the crown of his shoulder, the upraised bent knee, the taped bulge of his gag, the crest of his hair -- while beneath and behind him the shadow is solid black and his own cast shadow is crushed flat into the floor around his silhouette, pooled at his hips and under his arched spine so he seems to float on a dark island of light. Beyond the rim of that pool the room does not exist; the darkness is total. Palette: the black of the suit and the surrounding dark, the dull silver of the tape and bracers, a single hot orange band across his chest, the red of his eyes, and the pale ash-blond of his hair and his sweat-slick skin as the only bright notes against the noir field. Sharp, crisp linework, deep chiaroscuro, cinematic widescreen composition with his straining face at the upper right and the kicked boot at the lower left, sharp pooled shadow under the arch of his spine. Furious, claustrophobic.
Matty Murray
AI artwork
mm
character: bakugou_katsuki 1boy, solo, bakugou katsuki, adult, tall, extremely muscular, broad shoulders, thick arms, black final-season hero costume, black bodysuit, orange x-chest harness straps, silver grenadier bracers, armored knee guards, armored boots, duct tape, duct tape bindings, arms bound, biceps bound, thighs bound, knees bound, ankles bound, hips bound, crotch tape, tape creased, tape pulled taut, hands behind back, hands pinned under body, lying on back, on floor, dark floor, writhing, twisting body, struggling, arching back, spine arch, bent knees, kicking, shoulders digging into floor, rocking, gagged, tape gag, thick layered duct tape around head, lips sealed, mouth bulge, stuffed mouth, red eyes, glaring, looking up, angry, scowl, furrowed brows, defiant, sweat, sweaty face, sweat drops, spiked hair, messy hair, ash-blond hair, from side, low angle, floor level, dramatic shadows, single spotlight, harsh overhead light, high contrast, chiaroscuro, clenched teeth under tape, straining muscles, veins on arms, motion lines, restrained, furious, noir Low side-angle shot skimming the floor: the camera sits almost at ground level on Dynamight's right side, looking slightly up across the dark floor at him, so the boards of the floor recede in a hard diagonal from the bottom-left corner toward the upper right and his body lies along that diagonal, head at the upper-right of the frame, bound ankles toward the lower left. He is flat on his back, one enormous shoulder blade and the point of the other shoulder jammed into the black floor, his spine bowed up off the ground in a taut arch that lifts his black-costumed chest and the orange X of the harness straps clear of the floor, the straps digging into the pectorals and pulled crooked by the twist of his torso. His knees are bent up, one armored knee guard higher than the other, both armored boots braced and kicking so that one heel drags a smear across the floor and the other boot hovers a hand's width above it. His hips roll and his torso counter-twists the other way, and the wide band of silvery duct tape cinched around his hips and crotch stretches and creases along the pull, its wrinkles radiating from the hip bones; more wide bands of the same silvery tape are wrapped around both upper arms and across the biceps, around both thighs above the knee guards, around both knees and around both booted ankles, each band taut enough to compress the muscle beneath and each band creased in fine longitudinal wrinkles where the muscle swells against it. Both gloved hands are trapped behind his back, pinned flat under the small of his body, only the edge of one silver-capped wrist and the bunched fingers visible past his hip. His head is wrenched back and turned up toward the lens, chin lifted, spiked ash-blond hair crushed and messy against the floor, several thick layers of silvery duct tape wound right around his head and jaw, sealing his lips flat, and a clear round bulge pushes the tape outward at the centre of his mouth, the tape stretched glossy and thin over it; his red eyes glare straight up into the spotlight, brows crushed down into a defiant scowl, sweat beading and running down his temple and jaw, a few drops flung off in the thrash. The single hard spotlight sits directly above him and slightly behind the camera's line, its cone cutting down through absolute darkness so that the light strikes the top surfaces of his body -- the arch of his chest, the crown of his shoulder, the upraised bent knee, the taped bulge of his gag, the crest of his hair -- while beneath and behind him the shadow is solid black and his own cast shadow is crushed flat into the floor around his silhouette, pooled at his hips and under his arched spine so he seems to float on a dark island of light. Beyond the rim of that pool the room does not exist; the darkness is total. Palette: the black of the suit and the surrounding dark, the dull silver of the tape and bracers, a single hot orange band across his chest, the red of his eyes, and the pale ash-blond of his hair and his sweat-slick skin as the only bright notes against the noir field. Sharp, crisp linework, deep chiaroscuro, cinematic widescreen composition with his straining face at the upper right and the kicked boot at the lower left, sharp pooled shadow under the arch of his spine. Furious, claustrophobic.
Matty Murray
AI artwork
character: bakugou_katsuki 1boy, solo, muscular male, adult, bakugou katsuki, short spiked blonde hair, red eyes, full hero suit, dark green and black bodysuit, orange-banded black gloves, heavy angular shoulder plates, black combat trousers, dark boots, red shibari rope, rope harness, rope around arms, rope around legs, rope around thighs, rope around knees, rope around ankles, rope around chest, rope over trouser bulge, bound wrists, wrists tied together in front of him, low at the chest, rope gag, ropes around jaw, mouth forced open by rope, biting on rope, facing forward, view straight to the front of him, sitting, seiza, hunched over, bowed forward, head down, shoulders drawn in, looking down, half-closed, eyes narrowed, sweat, tense, trembling, heavy breathing, dark closet, pitch black interior, single crack of light, light on the tops of his ears and back, red glow rim on the rope, confined, intimate, tense Dead frontal view: the camera sits low and square to his front, so the entire picture reads the length of his bent body and the light enters only through one thin vertical crack behind and above his right shoulder. He is seated with his knees folded beneath him on a bare wooden closet floor, hips sunk back onto his heels, his spine bowed hard so the crown of his spiked blonde hair points toward the lens and his red eyes look down from under his brows at the floor between his knees; over the whole body lies a dense lattice of red shibari rope, doubled wraps biting into his upper arms, forearms, thighs, knees and the swell of his chest under the suit's armor plates, the rope pressed so tightly that the fabric dimples beneath each strand. His wrists are lashed palm to palm in front of him and drawn down flat against his lower chest, forearms braced across his ribs, elbows tucked in. Several turns of the same red rope run around his jaw and diagonally into the open corners of his mouth, so his teeth clamp down on the cord and his jaw is forced wide, the sides of his cheeks creased where the rope digs in, a dark running line of saliva glistening along the cord at one mouth corner. The rope also crosses low over his groin and the trouser bulge, cinched taut so the fabric strains and the lines of the cords flatten across the prominent shape. He is solidly hunched over his bound wrists, weight forward, both shoulders rounded, breathing shallow — the rope at his chest lifts and slackens a fraction with each breath — and every muscle in his neck and shoulders is fixed and shaking with strain. The only light source is the single thin crack behind and above his right shoulder: it clips a narrow hard edge of dust-lit white across the top of his ear, one bare strip of his cheek, the highest rope strands and one raised knuckle, and everything else in the closet is completely engulfed in black — his lower legs, his back, the wall behind him, the floor in front fail utterly into darkness, no fill light and no second source, so the rope appears as red lines emerging from and vanishing back into the void. A fine dust haze hangs visible only inside the lit beam, floating motes turning in the crack's air. Palette is near-black with the single dirty-grey light edge and one red, the red of the rope, repeated only where the beam catches it, everything other color suppressed. Close on quiet dread and suffocating tension.
user-2072385837614172144
#Kahramanlık Akademim#Katsuki Bakugo
AI artwork
m2
character: bakugou_katsuki 1boy, solo, muscular, bakugou katsuki, blonde short spiked hair, red eyes, final season hero suit, black and orange hero costume, black pants, gloves, sitting, chair, dark closet, bound to chair, ankles taped together, knees taped together, thighs taped, arms taped, wrists taped, elbows taped, shoulders taped, torso taped, chest taped, silver duct tape, large orange ballgag, ball gag, open mouth, blush, angry, glaring, furrowed brow, sweat, from above, dutch angle, medium shot, cramped interior, crack of light, low key lighting, dramatic shadow, clenched fists, tense muscles, straining against tape, half-closed eyes. The camera looks down from above and slightly to the right, through the narrow gap of a closet door that is almost closed; the chair sits low in the frame and the figure fills it. He is a heavy-set young man with short, spiked ash-blond hair that stands up in stiff tufts, a broad chest and thick shoulders, wearing his dark hero costume: a black jacket with orange accents and high collar, black pants and gloves. He is forced into a wooden chair in a closet no wider than his shoulders, the back of the chair pressed against the back wall, his spine pushed straight. Both ankles are wound together with overlapping strips of silver duct tape; below them his boots rest flat on the closet floor. His knees are bound to each other with several tight wraps of the same tape, pulling his thighs parallel and slightly apart, and more strips loop around each thigh, cinching the fabric of his pants. His upper arms are pinned to his sides with tape wound around them and his torso, crossing his chest in a tight band; his forearms are taped at the wrists and elbows in front of his stomach, hands curled into fists that press into his taped chest. His shoulders are bound back against the chair, and the tape across his chest compresses the costume. A very large orange ball gag fills his mouth, its strap running behind his head; his jaw is stretched around it, lips pulled back, and a thin string of saliva glistens at the corner of his mouth. His cheeks are deeply flushed, ears red, and his brow is drawn down hard, one eye narrowed, nostrils flared, sweat beading at his temple. He glares toward the crack of light. The closet is a dark box of hanging coats and a shelf, mostly black; a single narrow blade of pale light enters through the gap between the door and frame and falls diagonally across his left cheek, shoulder and taped chest, the only illuminated surfaces, with the rest of the closet in near-total darkness. The tape's glossy surface catches that thin light while the surrounding cloth stays matte. Palette is black, silver and a single saturated orange at the gag and the costume accents. Tense, claustrophobic.
mmurray28

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