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Fitentia Lombardy

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Fitentia Lombardy

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character: kurokawa_akane 1girl, 1man, 2girls? no, 2 subjects total, long hair, bangs, hair between eyes, swept bangs, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes with green iris segments, heterochromia eyes, star-shaped pupils, enormous breasts, rococo style, opulent baroque gown, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated dress, ridiculous ornaments on dress, red and white dress, glitter fabric, sequins, puffy skirt, huge skirt, long oversized skirt, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, blush, sad expression, sighing, woman standing, tall man, ugly man, kiss on the lips, brutal kiss, forced kiss, kissing with malice, man kissing the woman, closed eyes on the man, half-closed wet eyes on the woman, trembling, clenched fists at her sides, furrowed brow, sweat, dutch angle, from below, cowboy shot, heavy atmosphere, ornate decorative aesthetic with intricate detailing, opulent textures, lavish embellishments, The shot is a low dutch angle tilt from below, canted so the tall ugly man towers into the upper-left of the frame and the woman is pushed toward the lower-right, the horizon of the great hall skewed by the tilt. The woman stands with her weight sunk into her right leg, hip dropped, left knee slightly bent, both arms hanging stiff at her sides with her fingers clenched into the sequined fabric of her skirt. Her head is pulled up and back, chin lifted awkwardly by the man's mouth on hers; her lips are crushed under his, her eyes half-closed and wet at the lower lids, brows drawn up in the middle, a tear track threatening at the outer corner of her right eye, and a deep embarrassed blush across both cheeks and the bridge of her nose. A long exhale escapes one corner of her pressed lips — the sigh — visible as a faint quiver of breath and the tiny lift of her shoulders. Her enormous lace-ruffled bust strains the monstrosity of the dress at the chest. Her black-to-blue gradient long hair, cut with heavy straight bangs across her brow, spills forward over the man's wrist as her head is tilted, some strands caught between the kiss and swinging free. The tall ugly man leans in from above, his back curved over her, one greasy hand gripping her jaw and cheek to hold her face up to his mouth, the other hand clamped on her bare shoulder above the puff of the sleeve; his lips mash brutally against hers, chin pressed in, and his expression, visible in profile eye and the set of his heavy brow, is a malicious half-smile of satisfaction. He is all hard angle against her softness — a jutting jaw, a blunt nose, wiry hair at the temples, a coarse dark coat. Her ornaments are a disaster of wealth: a tiara canted slightly askew in the gradient hair, colossal chandelier earrings dragging the earlobe, a diamond collar choking the throat above the dress's neckline, enormous bracelets sliding down her wrists, and the colossal engagement ring crushing her right ring finger, her fingers too clenched to display it comfortably. The dress is red and white in great swathes — white lace over the shoulder out to the enormous puffed sleeve, deep blood-red panels below, so much lace at the bodice it forms a second skin, ruffles stacked in tiers at the wrist and hem, bows at the elbow, waist, and both hip swags, sequins and glitter fabric catching tiny points of light, ridiculous ornaments — pasted-on jewel clusters and ribbon knots — scattered over the skirt. The huge skirt balloons out till its hem is lost off the bottom edge of the frame. Lighting comes from high windows behind and above: a cold white shaft falls across the man's shoulder and the back of her head, rimming the tiara and the tops of the sequins; the fronts of both faces are lit from the side by a warm chandelier, throwing the man's shadow across her cheek and throat and setting a hard edge down the center of her dress. The hall behind them recedes in dark red and gold, brocade panels and gilded molding receding upward in the tilt. Central palette: blood red, ivory white, and dim gold, the only bright points being the diamond collar, the earrings, and the highlight running along the massive skirt. The mood is an opulent, gilded humiliation — beautiful, awful, and sad.
Parametreleri Göster
Orijinal Prompt
1 girl,akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,red and white dress,sad,colossal engagement ring,colossal bracelets,tiara,blush,la mujer esta suspirando,la mujer esta de pie,diamond collar,1 man,tall man,ugly man,kiss in lips,brutal kiss,forced kiss,el hombre besa con maldad a la mujer
Mod
pro
Kalite Etiketi
İpuçları
Boyut
1104 x 1824
Örnekleme Yöntemi
Euler
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
İstem Yardımcısı

Kullanılan Model ve LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
fl
character: kurokawa_akane 1girl, 1boy, 2girls? no, 1girl 1boy, heterochromia, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair, long hair, bangs, hair between eyes, swept bangs, enormous breasts, red and white dress, rococo style dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments on dress, tiara, colossal earrings, colossal bracelets, diamond collar, colossal engagement ring, tall man, ugly man, forced kiss, brutal kiss, kiss on lips, standing, sad, sighing, blush, closed eyes, furrowed brows, from side, profile, cowboy shot, dutch angle, ornate ballroom, chandelier light, dramatic shadow, looming, dominant, seductive_smile? no — cruel smirk, trembling, motion_lines, spoken_heart, From side, in a slight dutch tilt, the frame holds two figures against a tall mirrored ballroom wall: on the left, a young woman with long multicolored gradient hair — black at the crown melting to blue through the lengths — with swept bangs and a fringe of hair falling between her heterochromatic eyes, one eye blue and one green. She stands in a towering red and white rococo gown so overloaded it nearly swallows her: a huge puffy skirt that balloons out at the hips and trails to the parquet, crusted in glitter fabric and sequins, layered with excessive ruffles at every tier, frothed with too much lace at the neckline and cuffs, and studded with too many bows and ridiculous ornaments — wax-sealed medallions, glittering ribbon rosettes, tiny gilded cages — until the dress reads as an intentional catastrophe of riches. A tiara sits pushed slightly askew on her crown; colossal earrings drag at her earlobes and colossal bracelets clank along both wrists, a diamond collar glints at her throat, and on her ring finger a colossal engagement ring rides painfully heavy, its stone tipping her hand. She is standing, weight sunk into her back hip, one gloved hand hanging limp at her side, the other pressed flat to her own collarbone; her shoulders have dropped, her lashes are lowered over her mismatched eyes, and her open lips are caught mid-sigh, a warm blush blooming across her cheeks and the bridge of her nose. To her right, looming half a head taller and leaning down hard into her, a tall, ugly man: a heavy-browed, thick-jowled face with a crooked nose, deep-set eyes, stubbled jaw, and a mouth pulled into a cruel smirk as he crushes a brutal, forced kiss onto her lips. His hand fists the lace at her shoulder to hold her in place; the angle of his head crowds hers back and to the side, her tiara tilting further, strands of her gradient hair pulled taut between them. Her eyes stay lowered and half-closed, and beside her cheek a small hand-drawn heart floats inside a speech bubble — a symbol only, no words. The chandelier hangs behind them; its light comes from high at the upper right, laying warm highlights on the man's brow and the woman's cheekbone while her enormous skirt falls away into shadow and the parquet reflects a darker, softer echo of the sequins. Palette: the dress's deep reds and whites, pastel-champagne lace, glittering silver-pink, and the cool blue of her hair against the ballroom's murky gold-brown dark. Highly ornate, decorative rendering with elaborate lace and ruffle detail and a luxurious pastel-influenced opulent palette. Oppressive, glittering dread.
Fitentia Lombardy
AI artwork
sg
character: kurokawa_akane 2girls, 1girl, 1boy, akane kurokawa, long hair, bangs, hair between eyes, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia, enormous breasts, standing, sad, sighing, blush, tears, downturned eyes, tiara, diamond collar, colossal earrings, colossal bracelets, colossal engagement ring, red dress, white dress, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, forced kiss, brutal kiss, kiss on lips, 1man, tall man, ugly man, older man, bald, thick eyebrows, big nose, crooked teeth, stubble, wide shoulders, tall, grabbing her chin, hand on her jaw, holding her in place, from below, dutch angle, cowboy shot, looking at another, closed eyes, clenched teeth, strained expression, looming, contact, dramatic lighting, high contrast, opulent, gold accents, lavish textures, ornate, decorative, intricate lace, gilt, oversaturated, oppressive, spoken_heart, half-closed eyes, trembling, sweat, heavy_breathing, motion_lines From a low dutch angle, the camera tilts up so the man towers into the top of the frame and the woman is pushed down toward the lower right corner, both seen in a cowboy shot that crops them at mid-thigh so the enormous puffy skirt fills the bottom edge as a crush of red and white fabric. The woman with the long multicolored black-to-blue gradient hair and bangs stands braced on her heels, weight pitched back, knees locked, shoulders hunched forward as she sighs — her chest sweeping with the exhausted exhale, enormous bust straining the bodice seams, ribcage visibly falling. Her blue-and-green eyes are half-lidded and wet; she is looking down and away, not at the man, and her lashes cling in wet points. A deep flush burns across both cheeks and the bridge of her nose. She is saddled in an absurd rococo dress of red and white: a huge puffy long skirt ballooning outward with excessive ruffles, layers of lace edging every flounce, too many bows knotted at the waist and bodice and shoulders, ridiculous ornaments — gilt scrolling, beaded sprigs, small gilded figurines — crowding the fabric, sequins scattered across the glitter fabric catching the light in hard pinpricks. A tiara sits lopsided in her bangs, a diamond collar circles her throat in a band of glittering stones, colossal hoop earrings hang to her shoulders, colossal bracelets clatter heavy on both wrists, and the colossal engagement ring — a stone the size of a knuckle — weighs down her left hand. The tall ugly man bends over her from above, a great stooping shape in a dark formal coat with a high collar, and his huge hand clamps her jaw, tilting her face up while his mouth presses brutally down on her lips — a hard, malicious, forced kiss. His big nose crushes against her cheek, his crooked yellow teeth bare as he seals the kiss, stubble rasping her skin; his thick brows are drawn down in a mean squint and his eyes are closed in cruel satisfaction. His other hand grips her upper arm. His shoulders block the upper left of the frame; the woman's free hand hangs at her side, fingers curled stiff around nothing. The light comes from a single high ornate chandelier that is off-frame above and behind the man's shoulder; it rakes across the woman's upturned face and shoulders, glints off the diamond collar and the colossal ring, and throws the man's face half into shadow, so where his head blocks the source the darkness is dense and absolute. The palette is red and white and gold and glitter, everything saturated and hard-edged, with the man's black coat as the dark anchor in the upper left. High contrast, opulent, ornate, lavishly textured — decorative linework in the lace, gilt accents on every ornament, the whole frame overdecorated and oppressive. A small hand-drawn heart floats in a tiny speech bubble beside her wet, downturned face. High-contrast, oppressive, miserably opulent.
Shylpfiette greyrat
AI artwork
bb
character: kurokawa_akane 2girls? no -- 1girl, 1boy, 2 subjects, kurokawa akane, long hair, bangs, multicolored hair, gradient hair, black and blue two-tone hair, blue eye, green eye, heterochromia, enormous breasts, rococo style dress, overly ornate tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments on dress, red and white dress, glitter fabric, sequins, puffy huge oversized long skirt, (((la chica lleva un abrigo negro encima del vestido))), black fur coat over dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, sighing, standing, tall man, ugly man, kiss on lips, brutal kiss, forced kiss, malicious kiss, woman not enjoying kiss, turning away, closed eyes, distressed, from side, profile, cowboy shot, dutch angle, dramatic lighting, chiaroscuro, A low three-quarter profile view from slightly below, tilted a few degrees off level, with the two figures filling the frame from mid-thigh up and the huge skirt spilling out of the bottom edge. The woman stands at the left of frame, her weight sunk onto her right leg so her left hip juts and the enormous puffed skirt bulges toward the lower right, its hem lost off-frame; her spine leans back and away, chin pulled to her right, whole torso torqued to escape. The man at the right of frame is a head and a half taller, stooping down and forward over her: his right hand clamps the back of her neck under the fur collar, his left fist bunches the black fur at her shoulder, and his mouth is crushed flat against hers, mashing her lips, his head tilted hard to one side. Her mouth stays compressed and pulled to one corner under his; her eyes are squeezed shut with the brows drawn up and pinched at the center, a shine of tears along the lower lash line, cheeks flushed deep red with blush, and her breath goes out in a thin visible puff from the corner of her mouth, the sigh escaping around the kiss. His eyes are open, narrowed, looking down at her face with a mean curl at one mouth corner. Her hair is long, falling past her shoulders in a black-to-blue gradient -- black at the crown and blue down the lengths -- with a heavy fringe of straight bangs over her brow, some strands crushed between her cheek and his jaw, the ends swinging back from the tilt of her head; one blue eye and one green eye, the blue on the frame-left side. The dress is a rococo explosion in red and white: a tight boned bodice crusted with sequins that throw hard pinpoint highlights, white lace foaming at the neckline in three stacked tiers, absurdly many ribbon bows in alternating red and white stuck at every seam, ruffles pleated so densely they read as a ridge of coral, gilt and paste-jewel ornaments of no consistent design bolted across the front, and a skirt puffed and gathered into a balloon that is wider than she is tall with more lace and bows at the hem. Over all of it she wears a heavy black fur coat, worn open and pushed back off her shoulders so it frames the dress, its thick nap swallowing the light and its collar standing up around her neck and crushed under his hand. A diamond collar rings her throat beneath the fur, above it colossal drop earrings pull at both earlobes, a tiara sits tilted in the black hair at her crown, enormous bracelets of stacked stones weight both wrists, and on her left hand the colossal engagement ring sits as a faceted mass the size of a plum, that hand hanging limp at her side with the fingers slack. The man's face is coarse and heavy-jawed, big nose, broken-veined cheeks, stubble, small wet eyes, greasy dark hair combed back; he wears a plain dark high-collared formal coat, dull and unornamented, so the visual weight sits entirely on her. The light is a single hard warm lamp from high frame-left, off-camera: it rakes the left side of the scene, catching the sequins and the facets of the ring and tiara in bright chips, throwing the man's shadow across her cheek and lighting the rim of the fur, while the right side of the frame and the underside of the skirt fall into deep brown-black. Palette is red and white on her, black in the fur and his coat, and warm skin tones -- nothing else admitted. A few loose sequins have fallen and lie scattered on the front of her skirt, twinkling where the light hits. Oppressive, glittering cruelty.
Brago bloodfallen
#Akane Kurokawa
AI artwork
bb
character: kurokawa_akane 1girl, 1boy, 2girls, male_focus, kurokawa_akane, long_hair, bangs, swept_bangs, hair_between_eyes, multicolored_hair, gradient_hair, black_hair, blue_hair, two-tone_hair, blue_eyes, green_eyes, heterochromia, star-shaped_pupils, enormous_breasts, red_dress, white_dress, rococo, ornate_dress, tacky_dress, lace, excessive_lace, ruffles, excessive_ruffles, too_many_bows, overdecorated, glitter, sequins, puffy_sleeves, huge_skirt, puffy_skirt, long_skirt, dress_ornaments, tiara, diamond_collar, colossal_earrings, colossal_bracelets, colossal_engagement_ring, jewelry, blush, sad, sighing, standing, tall_man, ugly_man, old_man, kiss, kiss_on_lips, forced_kiss, brutal_kiss, hand_on_shoulder, hand_on_cheek, holding_wrist, male_hand_on_female_waist, motion_lines, trembling, clenched_teeth, half-closed_eyes, tears, spoken_heart, dutch_angle, from_below, cowboy_shot, depth_of_field, ornate_ballroom, chandelier, candlelight, dramatic_lighting, shadow, opulent_pastel_textures, elaborate_ornamental_patterns, highly_ornate_decorative_details Dutch-angle cowboy shot from below: in the foreground, seen from slightly beneath, a young woman with long black hair shading into blue at the tips with a bright-blue section, straight-cut bangs, striking heterochromia — one cool blue eye, one green — with faint star-shaped highlights in her irises, and enormous rounded breasts rising with a heavy tired breath. She is standing but half-collapsing back in her posture, his forearm at her waist and lower back holding her, her knees bent, weight sagging onto her heels, toes of both feet flat on the marble floor. Her enormous red-and-white rococo dress is a catastrophic cascade of excess: layered scalloped lace at every hem, ruffles stacked in tiers, bows of every size crowding the bodice and shoulder seams and the back of the waist, glittering sequined fabric shedding facets of chandelier light, oversized absurd ornaments jutting from the skirt — the whole thing a puffy, huge, absurdly wide skirt that pools in a wide bell shape around her. Under the tiara, a colossal pair of drop earrings hangs from each ear, a diamond collar presses tight around her throat, colossal bracelets ring both wrists, and a colossal engagement ring on her ring finger glitters on her slim hand. On her cheeks, a deep hot blush. Her eyes are half-closed in pain and rising tears; her mouth is open and yielding in a sigh under the kiss. Her hands are at his chest, fingers clutching the fabric of his coat, half pushing, half clinging, and she presses into the kiss without returning it. Above and over her, a tall man looms in with his head dipped so their lips meet — a man ugly and broad-faced, his eyes narrow with malicious intent, one big hand firmly holding her jaw and cheek, one hand tight around her wrist; his kiss is brutal and uninvited, jaw set hard, face angled across hers, eyes wide open and looking down at her. Around them: a ballroom with a chandelier burning hot above, glittering light pools on the sequined dress and the ring, the rest of the darkness falling away behind them; the only light is a warm chandelier from above. Opulent pastel tones, elaborate ornamental patterns highly worked into the dress and architecture, layered, dry-brushed textures giving the fabric lifelike weight. A single drop of sweat bead sits at her hairline from the effort of holding still. In a tiny hand-drawn heart bubble beside her cheek, silently pleading. The mood is quietly trapped and tenderly suffocating.
Brago bloodfallen

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