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CyberEnnui
Parametreleri Göster
- Orijinal Prompt
- soon_(c-u-soon),feet,loli
- Mod
- pro
- Boyut
- 1632 x 1232
- Örnekleme Yöntemi
- Euler
- Negatif
- lowres, worst quality, low quality, bad anatomy, explicit
İstem Yardımcısı
Kullanılan Model ve LoRA
Benzer Görseller
Daha fazla göster
1girl, loli, sitting on chair, soles of feet visible, star-shaped pupils, from below, foreshortening, low angle, full body, chair, bare feet, feet together, toes curled, looking down at viewer, head tilt, open mouth, :d, sparkle, pale pink pinafore dress, white short-sleeved blouse, peter pan collar, short twin pigtails, satin hair ribbons, wooden chair, simple interior, soft window light
The camera sits low to the floor and tilts up: the underside of a plain wooden chair fills the lower frame, its four legs splaying toward the lens, and the girl perched on the seat above is seen in foreshortened low angle, her knees drawn up so that both bare soles face the viewer squarely, toes curled slightly inward, heels resting on the chair's front edge. She leans forward over her lap, elbows on her knees, chin tipped down toward the lens, her short twin pigtails hanging forward past her cheeks with the satin ribbons slipping loose toward her jaw; a small open-mouthed grin shows her teeth, and her wide eyes look straight down at the viewer with star-shaped pupils — four-pointed bright points inside each iris, catching the light so the pupils burn luminous against the dark of her eyes. She wears a white short-sleeved blouse with a neat Peter Pan collar under a pale pink cotton pinafore dress whose skirt bunches over her thighs and hangs down between the chair's front legs. Soft window light comes from the upper left, laying a pale ribbon of highlight along the outer edge of each sole, brightening the tops of her knees and one side of her face while the chair's underside and the space beneath the seat fall into cool shadow; the soles' creases and the faint pad of each toe read clearly because they are the surfaces turned to the light. Muted palette of pale pink, cream, warm bare wood and grey shadow, nothing saturated except the star-points in her eyes. Playful, bright.
めみ
1girl, solo, droopy eyes, tareme, chestnut brown hair, semi-long hair, small braid on left side, tiny white flower hairpin, beige off-shoulder knit sweater dress, off-shoulder, long sleeves, moe sleeves, sleeves past wrists, fingertips only, semi-matte black tights, barefoot, no shoes, completely bare feet, sitting, one knee raised, left arm resting on knee, hand on own cheek, light touch, blush, flustered, embarrassed, shy, looking away, looking down, half-closed eyes, parted lips, from below, extreme low angle, foreshortening, dutch angle, floor level, close-up on legs and torso, indoors, cozy room, wooden furniture, cream-colored rug, soft warm lighting, warm palette.
A hyper-extreme low-angle view from floor level, the lens set down on the cream rug right beside her legs and tilted sharply upward along a dramatic diagonal that runs from her bare toes in the near foreground up across her raised knee to her face. Perspective explodes the near foot: the toes of her left foot -- bare, skin warm and matte under the tights-free edge at the ankle -- loom large at the lower left of the frame, the semi-matte black tights stretching taut over the dorsum and catching a soft narrow highlight along the shin as the leg rises away from the lens. Her right leg folds under her on the rug, the sole tucked back and partly self-occluded by the calf; the raised left knee fills the center-left of the frame, the beige knit of the sweater dress pulled up over it in chunky ribbed folds, the hem bunched where thigh meets rug. She sits with her weight sunk back on her right hip, spine settled into a slight slump, shoulders drawn in and lifted a little as though she would like to make herself smaller. From this angle the off-shoulder neckline reads mostly as the underside of her collarbones and the loose beige knit sagging off one shoulder, the bare line of her shoulder exposed and cool-looking; her chestnut brown semi-long hair falls forward past her jaw, and on the left side of her head a small tight braid runs back from her temple, the tiny white flower hairpin clipped at its end and turned slightly away from the lens so it reads as a small pale bud against the brown. Her left arm comes up over the raised knee, the long moe sleeve sliding back down the forearm in a soft beige bunch at the elbow so that her hand emerges at the wrist, only the fingertips showing beyond the cuff; the fingertips rest lightly on her cheek, indenting the soft skin just at the apple, the cuff itself brushing her jaw. Her right hand is lost inside the other sleeve, that sleeve's empty tip pressed against the rug beside her hip as a small prop of weight. Her droopy eyes are lowered and angled off to the side away from the lens, lids heavy and lashes long, the lower lash line wet-looking; her brows pull up at the inner ends, her lips parted a fraction around a held breath, and a deep even blush spreads across both cheeks and the bridge of her nose, warm and saturate against the pale skin. The room behind and above her is cozy and warm-toned: a low wooden sideboard with a visible drawer line and turned legs sits along the wall in the midground, a wooden chair back cutting a dark diagonal near the right edge, the cream rug textured with a faint woven pile that scuffs where her heels have shifted. The light is a single soft warm source from a lamp off-frame high and behind her left shoulder, so it rims the top of her knee and the crown of her hair and lays a long soft-edged shadow of her raised leg diagonally across the rug toward the lens; the shadow is darker and softer than the leg itself, and the underside of her jaw, the hollow of her neck and the space between dress hem and thigh fall into gentle warm shadow. Palette of beige, cream, chestnut brown and warm amber light, with the black tights and the pink of her blush the only strong notes. Quiet, tender, a little embarrassed.
むぎ
1girl, solo, droopy eyes, tareme, chestnut brown hair, semi-long hair, small braid on left side, tiny white flower hairpin, beige off-shoulder knit sweater dress, off-shoulder, long sleeves, moe sleeves, sleeves past wrists, fingertips only, semi-matte black tights, barefoot, no shoes, completely bare feet, sitting, one knee raised, left arm resting on knee, hand on own cheek, light touch, blush, flustered, embarrassed, shy, looking away, looking down, half-closed eyes, parted lips, from below, extreme low angle, foreshortening, dutch angle, floor level, close-up on legs and torso, indoors, cozy room, wooden furniture, cream-colored rug, soft warm lighting, warm palette.
A hyper-extreme low-angle view from floor level, the lens set down on the cream rug right beside her legs and tilted sharply upward along a dramatic diagonal that runs from her bare toes in the near foreground up across her raised knee to her face. Perspective explodes the near foot: the toes of her left foot -- bare, skin warm and matte under the tights-free edge at the ankle -- loom large at the lower left of the frame, the semi-matte black tights stretching taut over the dorsum and catching a soft narrow highlight along the shin as the leg rises away from the lens. Her right leg folds under her on the rug, the sole tucked back and partly self-occluded by the calf; the raised left knee fills the center-left of the frame, the beige knit of the sweater dress pulled up over it in chunky ribbed folds, the hem bunched where thigh meets rug. She sits with her weight sunk back on her right hip, spine settled into a slight slump, shoulders drawn in and lifted a little as though she would like to make herself smaller. From this angle the off-shoulder neckline reads mostly as the underside of her collarbones and the loose beige knit sagging off one shoulder, the bare line of her shoulder exposed and cool-looking; her chestnut brown semi-long hair falls forward past her jaw, and on the left side of her head a small tight braid runs back from her temple, the tiny white flower hairpin clipped at its end and turned slightly away from the lens so it reads as a small pale bud against the brown. Her left arm comes up over the raised knee, the long moe sleeve sliding back down the forearm in a soft beige bunch at the elbow so that her hand emerges at the wrist, only the fingertips showing beyond the cuff; the fingertips rest lightly on her cheek, indenting the soft skin just at the apple, the cuff itself brushing her jaw. Her right hand is lost inside the other sleeve, that sleeve's empty tip pressed against the rug beside her hip as a small prop of weight. Her droopy eyes are lowered and angled off to the side away from the lens, lids heavy and lashes long, the lower lash line wet-looking; her brows pull up at the inner ends, her lips parted a fraction around a held breath, and a deep even blush spreads across both cheeks and the bridge of her nose, warm and saturate against the pale skin. The room behind and above her is cozy and warm-toned: a low wooden sideboard with a visible drawer line and turned legs sits along the wall in the midground, a wooden chair back cutting a dark diagonal near the right edge, the cream rug textured with a faint woven pile that scuffs where her heels have shifted. The light is a single soft warm source from a lamp off-frame high and behind her left shoulder, so it rims the top of her knee and the crown of her hair and lays a long soft-edged shadow of her raised leg diagonally across the rug toward the lens; the shadow is darker and softer than the leg itself, and the underside of her jaw, the hollow of her neck and the space between dress hem and thigh fall into gentle warm shadow. Palette of beige, cream, chestnut brown and warm amber light, with the black tights and the pink of her blush the only strong notes. Quiet, tender, a little embarrassed.
むぎ
1girl, solo, droopy eyes, tareme, chestnut brown hair, semi-long hair, small braid on left side, tiny white flower hairpin, beige off-shoulder knit sweater dress, off-shoulder, long sleeves, moe sleeves, sleeves past wrists, fingertips only, semi-matte black tights, barefoot, no shoes, completely bare feet, sitting, one knee raised, left arm resting on knee, hand on own cheek, light touch, blush, flustered, embarrassed, shy, looking away, looking down, half-closed eyes, parted lips, from below, extreme low angle, foreshortening, dutch angle, floor level, close-up on legs and torso, indoors, cozy room, wooden furniture, cream-colored rug, soft warm lighting, warm palette.
A hyper-extreme low-angle view from floor level, the lens set down on the cream rug right beside her legs and tilted sharply upward along a dramatic diagonal that runs from her bare toes in the near foreground up across her raised knee to her face. Perspective explodes the near foot: the toes of her left foot -- bare, skin warm and matte under the tights-free edge at the ankle -- loom large at the lower left of the frame, the semi-matte black tights stretching taut over the dorsum and catching a soft narrow highlight along the shin as the leg rises away from the lens. Her right leg folds under her on the rug, the sole tucked back and partly self-occluded by the calf; the raised left knee fills the center-left of the frame, the beige knit of the sweater dress pulled up over it in chunky ribbed folds, the hem bunched where thigh meets rug. She sits with her weight sunk back on her right hip, spine settled into a slight slump, shoulders drawn in and lifted a little as though she would like to make herself smaller. From this angle the off-shoulder neckline reads mostly as the underside of her collarbones and the loose beige knit sagging off one shoulder, the bare line of her shoulder exposed and cool-looking; her chestnut brown semi-long hair falls forward past her jaw, and on the left side of her head a small tight braid runs back from her temple, the tiny white flower hairpin clipped at its end and turned slightly away from the lens so it reads as a small pale bud against the brown. Her left arm comes up over the raised knee, the long moe sleeve sliding back down the forearm in a soft beige bunch at the elbow so that her hand emerges at the wrist, only the fingertips showing beyond the cuff; the fingertips rest lightly on her cheek, indenting the soft skin just at the apple, the cuff itself brushing her jaw. Her right hand is lost inside the other sleeve, that sleeve's empty tip pressed against the rug beside her hip as a small prop of weight. Her droopy eyes are lowered and angled off to the side away from the lens, lids heavy and lashes long, the lower lash line wet-looking; her brows pull up at the inner ends, her lips parted a fraction around a held breath, and a deep even blush spreads across both cheeks and the bridge of her nose, warm and saturate against the pale skin. The room behind and above her is cozy and warm-toned: a low wooden sideboard with a visible drawer line and turned legs sits along the wall in the midground, a wooden chair back cutting a dark diagonal near the right edge, the cream rug textured with a faint woven pile that scuffs where her heels have shifted. The light is a single soft warm source from a lamp off-frame high and behind her left shoulder, so it rims the top of her knee and the crown of her hair and lays a long soft-edged shadow of her raised leg diagonally across the rug toward the lens; the shadow is darker and softer than the leg itself, and the underside of her jaw, the hollow of her neck and the space between dress hem and thigh fall into gentle warm shadow. Palette of beige, cream, chestnut brown and warm amber light, with the black tights and the pink of her blush the only strong notes. Quiet, tender, a little embarrassed.
むぎ
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