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AI art "向こう側からハロウィン(不吉)" featuring #PixAI Halloween 2026
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向こう側からハロウィン(不吉)

Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Görülecek Daha Fazla Şey

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1boy, solo, knight, full armor, black armor, plate armor, gold trim, ornate armor, crystal growths, black crystals, glowing accents, holding sword, dual wielding, two swords, crystal sword, black sword, shorter left sword, reverse grip, right hand forward grip, reversed grip, gauntlets, helmet, closed helm, standing, from below, looking down, wide shot, dead forest, withered trees, bare branches, white tree trunks, gray tree trunks, black tree trunks, falling ash, gray sky, overcast, crystals on ground, small crystals on bark, atmospheric perspective, fog, desaturated palette, cold light, ominous, dark fantasy The view is from below, low to the ground, so the knight rises into the frame against the gray sky. A single knight in black full plate armor stands planted in the dead forest, feet apart, weight settled on the back foot, torso turned a quarter away from the lens, the helm tilted down and looking down past the camera. The black plate is matte, with thin gold trim tracing every bevel and edge of the pauldrons, gauntlets, cuisses and sabatons. Along the armor's edges, at the rim of each pauldron, along the vambraces and the greaves, dull black glossy crystal-like growths have formed in jagged skeletal clusters that catch a weak sheen without ever shining brightly. The knight's right hand grips a long black mineral-crystal sword in a forward grip, the blade angled down and out, its faceted length longer than the arm; the left hand holds a shorter black crystal sword in a reverse grip, the blade running back along the outside of the forearm and pointing down behind the elbow. Both blades are dark stone-crystal, their facets throwing thin white reflections of the sky. Gauntleted fingers wrap the grips, the right fist closed around the long hilt at waist height, the left wrist rotated so the shorter blade tracks the arm. The forest is dead. Bare trees rise without leaves, their trunks and branches gone white and gray and black in patches, bark split and grey as bone, some trunks charred matte black, some bleached chalk white. Small black crystal-like growths push out of the ground at the knight's feet and stud the tree surfaces at random, glinting dully where the flat gray light touches a facet. Ash falls from a solid gray overcast sky, drifting down in slow flakes, settling only on the upward-facing surfaces: the tops of the pauldrons, the flat of the long blade, the upward curve of the shorter blade, the flat ground and the upper faces of the fallen branches. It does not cling to the vertical faces of the armor or the undersides of the swords, which stay clean and dark. The gray sky is the only light, diffuse and shadowless, slightly colder toward the top of the frame and dimmer into the treeline; the far trunks wash pale into a low haze while the near trunk edges hold darker values. Palette confined to black, charcoal gray, bone white and the single warm note of the gold trim. The knight's shadow is soft and pooled under the boots, no hard cast shadow. Quiet dread, monumental.
Parametreleri Göster
Orijinal Prompt
黒いフルプレートアーマーを着た騎士のイラスト。鎧は金の縁取りがなされており、黒く鈍い光沢のある骸晶のようなものが縁のところどころに形成されている。黒い鉱物結晶のような二本の剣を両手に一本ずつ持っている。右手の剣は順手で持ち、左手の剣は右手のものより短く、逆手で持っている。 灰色の空から灰が降っている。枯れ木の森の中。木の表面は白や灰色、黒になり、地面や木の表面から黒い骸晶のような小さな結晶がところどころに生えている。
Mod
flash
Boyut
768 x 1280
İstem Yardımcısı

Kullanılan Model ve LoRA

Benzer Görseller

Daha fazla göster
AI artwork
p
1boy, solo, knight, full armor, black armor, plate armor, gold trim, ornate armor, crystal growth on armor, black crystals, dull metal, black sword, crystal sword, sword planted in ground, both hands on hilt, standing, from below, low angle, wide shot, full body, grey sky, falling ash, dead tree, withered tree, leafless tree, forest, white bark, grey bark, blackened bark, small crystals on ground, cold light, muted palette, desaturated, gloomy, quiet dread The camera sits low near the ashen ground and looks up from slightly in front of a single knight, far enough back that the whole figure and the trunk line behind it fit inside the frame, the figure looming against the grey sky. The knight stands square-on to this low lens, feet planted a shoulder-width apart, weight sunk into the left leg with the right knee braced, seen a little from below so the helmet and shoulders read heavy and the horizon cuts low behind the knees. Full black plate armor covers the knight head to toe: a smooth closed helm with a narrow dark visor slit, ridged pauldrons, layered faulds, sabatons pressed into the ash — the black plates matte and deep, licked along every edge and ridge with thin gold trim that catches the flat grey light. Where the trim meets plate, blunt black crystal-like growths have formed, bone-like shards with a dull glossy sheen, hugging the pauldron rims, the gorget and the elbow cop edges, grown rather than attached. Both gauntleted hands rest one over the other on the pommel and upper grip of a long sword whose blade is a single black mineral crystal, angular and faceted, driven deep into the ash-covered ground so the hilt stands at the knight's waist; the hands wrap it, knuckles visible, the fingertips touching, elbows out and bent, shoulders taking the weight of the lean. A few pale ash flakes have settled on the upturned flat top of the sword's guard and on the crests of the pauldrons, while the vertical faces stay clear. Behind and around the knight, a dead forest of withered trees rises, their trunks and bare limbs bleached to white and grey, patches of blackened bark running up the windward sides; small black bone-like crystals sprout in clusters at the base of the trunks and on exposed roots, and a few cling to the bark in the crook of a branch. The grey sky above is a flat, soft overcast, the only light source — diffuse and cold, no sun disc, no hard shadows, the knight's own shadow pooling softly and vaguely under the feet. Ash falls steadily through the whole frame, near flakes large and soft, far flakes fine and dim as they recede, the nearest pieces drifting and blurred across the black armor. The palette is grey sky, white-grey dead wood, black armor and black crystal, and the one warm thread of gold trim. Silent, monumental, quiet dread.
planarians
AI artwork
p
1girl, solo, full plate armor, upper body armor, medieval European armor, pauldrons, rerebraces, vambraces, gauntlets, gauntlet gripping sword hilt, full-face helmet, visored helm, closed visor, red hakama, wide red hakama, pleated hakama, mid stance, half-crouch, knees bent, longsword, two-handed grip, sword raised overhead, high guard, jodan stance, blade tip toward viewer, foreshortening, from below, low angle, dutch angle, standing on ground, both hands on hilt, looking at viewer, dim coniferous forest, conifer trunks, dark forest, mist, god rays, backlight, rim light, volumetric light, dark palette, red accent The camera sits low and close, tilted a few degrees off level, looking up: from this angle the figure dominates the lower half of the frame and the longsword's point hangs almost in the lens, a single bright spot near the image centre with the hilt and both gauntlets stacked behind it in hard foreshortening. The figure is in a half-crouch, weight sunk onto the rear leg with the front knee bent and pushed forward, hips low, torso slightly turned so the left shoulder comes forward and the right falls back; both gauntlets grip the hilt at the pommel and just under the crossguard, arms lifted above the helmet so the blade runs down the axis toward the viewer and the crossguard crosses horizontal above the visor. The helmet's closed visor and sight slit are turned straight at the camera; through the slit nothing reads but darkness. The plate armor articulates at the elbow and knee cops, its surface pitted and dull where it catches the light, and the wide red hakama flares loose from beneath the breastplate, its pleats bunching forward over the bent knees and its hem swaying and rippling back from the crouch. Behind, a forest of tall conifer trunks stands in near-silhouette, close ranks of straight verticals on both sides receding into grey vapour; a low ground mist lies between them at ankle height. The only light comes from far behind and slightly above, through the canopy gaps: it rims the helmet crown, the shoulder plates and the outer edge of the sword with a cold pale edge, and leaves the face side of the figure, the underside of the armor and the whole foreground in deep shadow, so the blade's tip is the brightest thing in the frame and everything nearer than the trunks falls away to black. Palette confined to cold black-green, slate grey, dull steel, pale mist light and the red of the hakama as the single warm note. The sword tip, closer to the lens than the figure, goes soft and slightly out of focus while the visor stays sharp behind it. Tense, watchful.
planarians
AI artwork
p
dramatic shading, strong chiaroscuro, high contrast lighting, deep detailed shadows, brilliant highlights, enhanced three-dimensional form, precise tonal transitions, realistic material shading, detailed surface textures, illustration of a knight wearing black full plate armor. The armor has gold trim, and something like skeletal crystals are formed in places along the edges. He holds a sword that looks like black mineral crystals. Black liquid is dripping from the gaps in the helmet. Inside a forest where the trees have turned grey and are withered.
planarians

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ