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OL

#kahverengi saç#ceket#kahverengi gözler#çanta#1 kız#Tüm vücut#Boyun askı ipi#yandan görünüm#öğrenci kimliği#Düşük at kuyruğu
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Syatsuo

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1girl, solo, low ponytail, brown hair, white and blue striped t-shirt, brown blazer, open blazer, beige pants, black loafers, shoulder bag, name plate, lanyard, walking, mid-stride, from side, profile, cowboy shot, outdoors, morning, city sidewalk, sunlight, looking ahead, neutral expression, one hand in pocket, other hand on bag strap A profile view from the side, camera at chest height, catching the woman mid-stride on a city sidewalk in early morning. She walks left-to-right across the frame, right foot planted flat with the black loafer's heel just touching down, left leg trailing behind with the knee bent and the toe lifting off the pavement, weight carried on the front hip, torso leaning very slightly forward into the step. Her low ponytail — brown hair gathered at the nape — swings out behind her shoulder with the forward momentum, its tip flicked away from the collar of the brown blazer. The blazer is worn open, its front panels parted by the stride so the white and blue horizontal-striped t-shirt shows across her chest and belly, the hem disappearing under the beige waistband of the pants, which crease at the front of the hip and break once over each loafer. A canvas shoulder bag hangs from her right shoulder, strap crossing the blazer's chest, the bag body bumping against her hip and pulled slightly back by the motion; her right hand rests on the strap where it meets her shoulder. A rectangular name plate is clipped to the blazer's left breast, its lanyard cord lying flat against the brown wool, the plate's printed lettering small and legible at a glance but generic — an illegible micro-text line under a short bold name. Her left hand is loose at her side, fingers relaxed. Her face is a clean three-quarter-to-profile, chin level, eyes looking forward along the sidewalk toward the frame's right edge, calm and unhurried, lips closed. The environment is a quiet downtown block at morning: pale grey pavement with a curb running as a leading line along the bottom of the frame, the blur of a storefront and a bare street tree behind her at mid-distance, and further back the softened façades of the opposite block, signage deliberately illegible. Low sun comes from the frame's left, raking across the scene at a shallow angle: it catches the brown blazer's left shoulder and sleeve, edges the blue stripes on her chest, and throws a long soft shadow of her body and the swinging bag stretching to the right across the pavement, the shadow's shape already ahead of her feet. The far side of the street sits in cool blue-grey shade. Palette: warm browns and beige against the cool grey-blue of the street, with the blue stripes and the black loafers as the darkest and coolest accents. Crisp cel-shaded rendering with clean linework and flat shading zones. Effortlessly brisk, clear morning.
Parametreleri Göster
Orijinal Prompt
white and blue strip t-shirts,brown blazer,Beige pants,low pony tail,black loafers,,morning,walking,bag,name plate
Mod
ultra
Boyut
1104 x 1824
Örnekleme Yöntemi
Euler
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
İstem Yardımcısı

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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Avatar image of むぎ
1girl, solo, dark pinstripe business suit, suit jacket open, white blouse, black tights, black high heels, brown leather handbag on left arm, medium-length brown hair, hair in motion, walking, brisk walk, mid-stride, from side, profile, full body, cowboy shot, city sidewalk, sunlit, clear daylight, green hedges, blurred pedestrians, background blur, depth of field, looking ahead, focused expression, outdoors, day A side-on view, camera at hip height beside her, tracking her as she passes left to right in a full-length cowboy shot: the woman strides along a sunlit city sidewalk in profile, body angled three-quarters away from the lens as she drives forward. Her left leg is planted heel-first with the black heel striking the concrete, right leg swinging through behind with the knee bent and the toe lifted; her weight rides over the front foot, hips level and shoulders squared forward, spine leaning very slightly into the walk. Her left arm is bent at the elbow, and the brown leather handbag hangs from the crook of it, its strap gripped in the fold of her arm, the bag's body bouncing a half-beat behind her stride, lid pressed against her hip. Her right arm swings forward, fingers loosely curled. The dark pinstripe suit jacket is buttoned at the waist, its chalk stripes running unbroken down the lapels and the straight-cut trousers; black tights sheath her legs from hem to ankle and disappear into the black heels. Her medium-length brown hair lifts off her shoulders at the crown and trails a little behind her turn of head, a few strands blown back across her cheek. Her chin is up, brows level, mouth set in a small closed line of concentration, eyes fixed on the pavement ahead and slightly out of frame, not on the viewer. The sidewalk runs as a pale concrete band across the lower third, its expansion joints ticking past in perspective, a low green hedge running along the right edge as a soft textured wall of leaves catching the sun on its top surface. Behind her, midground and background pedestrians are reduced to defocused shapes -- a coat, a shoulder, a walking figure -- smeared into colour, none of them in focus and none of them near her. The light is high clear daylight from the upper left, hard-edged: it rakes across the tops of the hedge, throws a crisp short shadow of her legs and the bag onto the concrete at her lower right, and leaves the unlit side of her jacket deep near-black, with the pinstripes only readable where the sun hits. The palette is tight -- charcoal and chalk-white of the suit, warm brown of hair and bag, black at legs and shoes, and a single saturated green band of hedge against pale concrete and a washed blue-white sky. One small physical truth to carry it: the bag's leather has gone glossy and dark at the top of the strap where her forearm presses it, and the shadow of the bag falls a moment behind the shadow of her body because the bag swings late. Brisk, bright, unhurried confidence.
むぎ
AI artwork
Avatar image of むぎ
1girl, solo, dark pinstripe business suit, suit jacket open, white blouse, black tights, black high heels, brown leather handbag on left arm, medium-length brown hair, hair in motion, walking, brisk walk, mid-stride, from side, profile, full body, cowboy shot, city sidewalk, sunlit, clear daylight, green hedges, blurred pedestrians, background blur, depth of field, looking ahead, focused expression, outdoors, day A side-on view, camera at hip height beside her, tracking her as she passes left to right in a full-length cowboy shot: the woman strides along a sunlit city sidewalk in profile, body angled three-quarters away from the lens as she drives forward. Her left leg is planted heel-first with the black heel striking the concrete, right leg swinging through behind with the knee bent and the toe lifted; her weight rides over the front foot, hips level and shoulders squared forward, spine leaning very slightly into the walk. Her left arm is bent at the elbow, and the brown leather handbag hangs from the crook of it, its strap gripped in the fold of her arm, the bag's body bouncing a half-beat behind her stride, lid pressed against her hip. Her right arm swings forward, fingers loosely curled. The dark pinstripe suit jacket is buttoned at the waist, its chalk stripes running unbroken down the lapels and the straight-cut trousers; black tights sheath her legs from hem to ankle and disappear into the black heels. Her medium-length brown hair lifts off her shoulders at the crown and trails a little behind her turn of head, a few strands blown back across her cheek. Her chin is up, brows level, mouth set in a small closed line of concentration, eyes fixed on the pavement ahead and slightly out of frame, not on the viewer. The sidewalk runs as a pale concrete band across the lower third, its expansion joints ticking past in perspective, a low green hedge running along the right edge as a soft textured wall of leaves catching the sun on its top surface. Behind her, midground and background pedestrians are reduced to defocused shapes -- a coat, a shoulder, a walking figure -- smeared into colour, none of them in focus and none of them near her. The light is high clear daylight from the upper left, hard-edged: it rakes across the tops of the hedge, throws a crisp short shadow of her legs and the bag onto the concrete at her lower right, and leaves the unlit side of her jacket deep near-black, with the pinstripes only readable where the sun hits. The palette is tight -- charcoal and chalk-white of the suit, warm brown of hair and bag, black at legs and shoes, and a single saturated green band of hedge against pale concrete and a washed blue-white sky. One small physical truth to carry it: the bag's leather has gone glossy and dark at the top of the strap where her forearm presses it, and the shadow of the bag falls a moment behind the shadow of her body because the bag swings late. Brisk, bright, unhurried confidence.
むぎ

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