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Parametreleri Göster
- Orijinal Prompt
- 椎名ひより（ようこそ実力至上主義の教室へ）が超ミニ丈黒と白のメイド服を着る、裾が動くたび太ももが露わになり背面は大胆な編み上げデザインになっている。胸元は大胆にV字カットされブラが丸見え状態、ニーハイ、屋内、谷間、太もも、ツヤ肌、下乳、フリル付きのヘッドドレス、ゆるふわウェーブのロングヘア、水色がかった銀髪、黒のリボンでハーフアップ、微笑み、恥じらい、、頬を赤らめる、、cowboy shot、straight-on、studio anime style、anime-style
- Mod
- flash
- Boyut
- 512 x 672
İstem Yardımcısı
Kullanılan Model ve LoRA
Benzer Görseller
Daha fazla göster
ye
character: shiina_hiyori, copyright: youkoso_jitsuryoku_shijou_shugi_no_kyoushitsu_e
1girl, solo, shiina_hiyori, light blue-tinted silver hair, very long hair, fluffy wavy hair, wavy long hair, half-up hairstyle, black ribbon in hair, purple eyes, black and white maid dress, ultra-miniskirt, micro skirt, maid apron, deep V-cut chest, black bra visible, cleavage, bold lace-up back design, corset lacing, white thighhighs, bare thighs, thighs exposed, indoors, smile, closed-mouth smile, blush, flushed cheeks, embarrassed, shy, looking away, looking to the side, cowboy shot, straight-on, facing viewer, standing, weight on one leg, hands clasped in front of chest, fingers intertwined, shoulders drawn in, head tilt, anime style, studio anime style, single figure,
A straight-on cowboy shot crops her from mid-thigh to just above the head, centered in a warm indoor room: behind her a pale cream wall with a slim dark wood chair rail running at her shoulder height, and at frame right the edge of a wooden chair back and a curtain of heavy ivory fabric half-drawn, all of it softly out of focus so nothing competes with her. She stands facing the camera squarely, but nothing about her is square: her weight sinks onto her right leg, her left knee bent and toe turned in, hips slanted, torso drawn slightly back as if she would rather shrink out of the frame. Both hands are clasped together at the center of her chest just below the collarbone, fingers laced tightly, knuckles pressed pale against the deep V of the bodice, elbows tucked. Her chin dips; her eyes, heavy-lidded and averted, glance down and to the left of the lens rather than into it, and her smile is small, closed-lipped and uncertain, one corner tugged higher, a hot flush spreading across both cheeks and up to the ears.
The maid dress is black cotton with a white bib apron over the front, white ruffled trim at the apron edge and the tiny puff of the sleeve caps. The bodice is cut in a bold deep V that opens nearly to the sternum, its two lapels edged in white lace; a black bra with a scalloped lace upper edge fills the opening and is fully visible, the fabric straining slightly where the lapels pull apart. The skirt is an ultra-miniskirt, so short that it barely clears the top of the thigh, and it flares a little with her hips: the hem has ridden up on her right side, laying bare a long stretch of bare thigh before the white thighhighs begin, and the white stockings grip snug above mid-thigh with a faint elastic indent in the skin. As she shifts her weight the hem swings and a fresh band of thigh shows beneath it. Because her back has turned partway ajar of the chair behind her, at her right side a sliver of the back panel is visible: black cord laced in a bold crisscross through white-edged eyelets, drawn tight, the tied ends hanging loose at the small of her back.
Her hair is light blue-tinted silver, very long and softly wavy, the waves loose and fluffy from the crown down, gathered in a half-up at the back of her head and tied with a black ribbon whose loops sit slightly askew; the rest of the length tumbles over both shoulders and down her back, one wave curling forward across the collarbone and dipping into the V of the neckline. Overhead-warm indoor lamplight comes from the upper left and slightly in front, laying a soft sheen on the silver crown of her hair, glazing her forehead and the tops of her cheeks, striking a highlight along the white thighhighs, and dropping a close, soft shadow beneath her chin, under the apron hem and at her feet. Fill from the cream wall keeps the shadow side of her face readable and cool against the warm key. The palette stays small: black, white, warm cream and the cool silver-blue of her hair. Tender, flustered.
yuki egutci
ye
character: shiina_hiyori, copyright: youkoso_jitsuryoku_shijou_shugi_no_kyoushitsu_e
1girl, solo, shiina_hiyori, light blue-tinted silver hair, very long hair, fluffy wavy hair, wavy long hair, half-up hairstyle, black ribbon in hair, purple eyes, black and white maid dress, ultra-miniskirt, micro skirt, maid apron, deep V-cut chest, black bra visible, cleavage, bold lace-up back design, corset lacing, white thighhighs, bare thighs, thighs exposed, indoors, smile, closed-mouth smile, blush, flushed cheeks, embarrassed, shy, looking away, looking to the side, cowboy shot, straight-on, facing viewer, standing, weight on one leg, hands clasped in front of chest, fingers intertwined, shoulders drawn in, head tilt, anime style, studio anime style, single figure,
A straight-on cowboy shot crops her from mid-thigh to just above the head, centered in a warm indoor room: behind her a pale cream wall with a slim dark wood chair rail running at her shoulder height, and at frame right the edge of a wooden chair back and a curtain of heavy ivory fabric half-drawn, all of it softly out of focus so nothing competes with her. She stands facing the camera squarely, but nothing about her is square: her weight sinks onto her right leg, her left knee bent and toe turned in, hips slanted, torso drawn slightly back as if she would rather shrink out of the frame. Both hands are clasped together at the center of her chest just below the collarbone, fingers laced tightly, knuckles pressed pale against the deep V of the bodice, elbows tucked. Her chin dips; her eyes, heavy-lidded and averted, glance down and to the left of the lens rather than into it, and her smile is small, closed-lipped and uncertain, one corner tugged higher, a hot flush spreading across both cheeks and up to the ears.
The maid dress is black cotton with a white bib apron over the front, white ruffled trim at the apron edge and the tiny puff of the sleeve caps. The bodice is cut in a bold deep V that opens nearly to the sternum, its two lapels edged in white lace; a black bra with a scalloped lace upper edge fills the opening and is fully visible, the fabric straining slightly where the lapels pull apart. The skirt is an ultra-miniskirt, so short that it barely clears the top of the thigh, and it flares a little with her hips: the hem has ridden up on her right side, laying bare a long stretch of bare thigh before the white thighhighs begin, and the white stockings grip snug above mid-thigh with a faint elastic indent in the skin. As she shifts her weight the hem swings and a fresh band of thigh shows beneath it. Because her back has turned partway ajar of the chair behind her, at her right side a sliver of the back panel is visible: black cord laced in a bold crisscross through white-edged eyelets, drawn tight, the tied ends hanging loose at the small of her back.
Her hair is light blue-tinted silver, very long and softly wavy, the waves loose and fluffy from the crown down, gathered in a half-up at the back of her head and tied with a black ribbon whose loops sit slightly askew; the rest of the length tumbles over both shoulders and down her back, one wave curling forward across the collarbone and dipping into the V of the neckline. Overhead-warm indoor lamplight comes from the upper left and slightly in front, laying a soft sheen on the silver crown of her hair, glazing her forehead and the tops of her cheeks, striking a highlight along the white thighhighs, and dropping a close, soft shadow beneath her chin, under the apron hem and at her feet. Fill from the cream wall keeps the shadow side of her face readable and cool against the warm key. The palette stays small: black, white, warm cream and the cool silver-blue of her hair. Tender, flustered.
yuki egutci
ye
character: shiina_hiyori, copyright: youkoso_jitsuryoku_shijou_shugi_no_kyoushitsu_e
1girl, solo, shiina_hiyori, light blue-tinted silver hair, very long hair, fluffy wavy hair, wavy long hair, half-up hairstyle, black ribbon in hair, purple eyes, black and white maid dress, ultra-miniskirt, micro skirt, maid apron, deep V-cut chest, black bra visible, cleavage, bold lace-up back design, corset lacing, white thighhighs, bare thighs, thighs exposed, indoors, smile, closed-mouth smile, blush, flushed cheeks, embarrassed, shy, looking away, looking to the side, cowboy shot, straight-on, facing viewer, standing, weight on one leg, hands clasped in front of chest, fingers intertwined, shoulders drawn in, head tilt, anime style, studio anime style, single figure,
A straight-on cowboy shot crops her from mid-thigh to just above the head, centered in a warm indoor room: behind her a pale cream wall with a slim dark wood chair rail running at her shoulder height, and at frame right the edge of a wooden chair back and a curtain of heavy ivory fabric half-drawn, all of it softly out of focus so nothing competes with her. She stands facing the camera squarely, but nothing about her is square: her weight sinks onto her right leg, her left knee bent and toe turned in, hips slanted, torso drawn slightly back as if she would rather shrink out of the frame. Both hands are clasped together at the center of her chest just below the collarbone, fingers laced tightly, knuckles pressed pale against the deep V of the bodice, elbows tucked. Her chin dips; her eyes, heavy-lidded and averted, glance down and to the left of the lens rather than into it, and her smile is small, closed-lipped and uncertain, one corner tugged higher, a hot flush spreading across both cheeks and up to the ears.
The maid dress is black cotton with a white bib apron over the front, white ruffled trim at the apron edge and the tiny puff of the sleeve caps. The bodice is cut in a bold deep V that opens nearly to the sternum, its two lapels edged in white lace; a black bra with a scalloped lace upper edge fills the opening and is fully visible, the fabric straining slightly where the lapels pull apart. The skirt is an ultra-miniskirt, so short that it barely clears the top of the thigh, and it flares a little with her hips: the hem has ridden up on her right side, laying bare a long stretch of bare thigh before the white thighhighs begin, and the white stockings grip snug above mid-thigh with a faint elastic indent in the skin. As she shifts her weight the hem swings and a fresh band of thigh shows beneath it. Because her back has turned partway ajar of the chair behind her, at her right side a sliver of the back panel is visible: black cord laced in a bold crisscross through white-edged eyelets, drawn tight, the tied ends hanging loose at the small of her back.
Her hair is light blue-tinted silver, very long and softly wavy, the waves loose and fluffy from the crown down, gathered in a half-up at the back of her head and tied with a black ribbon whose loops sit slightly askew; the rest of the length tumbles over both shoulders and down her back, one wave curling forward across the collarbone and dipping into the V of the neckline. Overhead-warm indoor lamplight comes from the upper left and slightly in front, laying a soft sheen on the silver crown of her hair, glazing her forehead and the tops of her cheeks, striking a highlight along the white thighhighs, and dropping a close, soft shadow beneath her chin, under the apron hem and at her feet. Fill from the cream wall keeps the shadow side of her face readable and cool against the warm key. The palette stays small: black, white, warm cream and the cool silver-blue of her hair. Tender, flustered.
yuki egutci
な
1girl, solo, white hair, long hair, blue eyes, maid, maid outfit, maid headdress, black dress, frilled apron, miniskirt, pleated skirt, short skirt, puffed sleeves, from above, high angle, medium shot, leaning forward, head tilt, looking up, looking at viewer, wide-eyed, blush, parted lips, innocent expression, sweet smile, holding apron, hands at chest, indoor, sunlit room, lace curtains, wooden floor
High-angle view from above looking down at the girl as she leans forward toward the viewer with an innocent, slightly spoiled demeanor. Her wide, brilliant blue eyes look directly upward into the lens with glistening catchlights, while her head tilts slightly to one side in a sweet, imploring manner. A soft, warm blush dusts her cheeks and the bridge of her nose, and her lips part in a tiny, bashful pout. Her hands are drawn together up at chest height, delicate fingers lightly clutching and gathering the crisp cotton ruffles of her apron in a subtly clingy gesture. She wears a traditional black-and-white maid uniform featuring a fitted black bodice, short gathered puff sleeves, a pristine white ruffled pinafore apron, and a flared black pleated miniskirt that ends high on her thighs, revealing a hint of white lace lining underneath. A matching frilled white maid headband sits atop her soft, silvery-white hair, which spills forward over her shoulders in fine, wispy strands obeying gravity as she angles her upper body forward. The scene is illuminated by gentle, diffused morning daylight pouring through a sheer lace-curtained window on the left, casting a soft glow across the fabric textures and rimming the loose locks of her white hair, while grounding her with a soft cast shadow upon the warm wooden parquet floor. Tender and endearing.
なぁだ
Daha fazlasını keşfedin
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ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
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entrophee_E:
푸른 물결 속의 신비로운 소녀
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ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
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❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
1
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
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