Oct 23, 2026

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Sora

#blazer #Digimon #Fiyonk #alternatif kostüm #kahverengi gözler #siyah çorap #papyon #1 kız #dışa kıvrık saç #Sora Takenouchi #mavi etek #Digimon Adventure tri.#kapalı ağız

Yayınlanma tarihi: Nov 5, 2026

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character: takenouchi_sora, copyright: digimon, digimon_adventure, digimon_adventure_tri. 1girl, solo, takenouchi sora, short hair, orange hair, flipped hair, brown eyes, light blue blazer, white collared shirt, red bowtie, red ribbon, dark blue pleated skirt, pleated skirt, black knee-high socks, kneehighs, brown loafers, full body, standing, smile, arm at side, hand on own hip, wrist bent backward, official art style, clean lineart, crisp solid outlines, cel shading, even studio lighting, seamless warm off-white studio sweep, design piece, simple background A single girl stands in full figure against a seamless warm off-white studio sweep, framed head to loafers with a small margin of empty field above her hair and below her shoes, the ground meeting the backdrop in a soft even curve behind her calves. She faces the camera nearly straight on with only a slight turn of the shoulders, her weight settled onto her right leg while the left knee eases forward and the left hip lifts just enough to tilt the pleated hem of the dark blue skirt; the pleats fall in crisp vertical accordion folds, one fold catching a pale highlight. Her right arm hangs relaxed at her side, hand loose, fingers slack and just brushing the outer seam of the blazer at mid-thigh. Her left hand rests flat on her own hip, the wrist bent backward so the palm angles down and the fingers point forward along the crest of the hip bone, thumb hooked back toward the skirt's waistband, the blazer's cuff pushed slightly up the forearm by the bend. Her head is level, chin a touch lifted, and she smiles with a closed-lip upward curve that lifts the corners and narrows the lower lids of her brown eyes, which look straight at the viewer; brows sit relaxed and even. Short orange hair ends at the jaw, the flipped ends at the sides and back curling outward in blunt, clearly separated locks, a red ribbon tied in a small upright bow at one side of the crown where the strands part, the rest of the hair left otherwise unadorned. The white collared shirt is visible as a clean triangle at the throat and as narrow cuffs at both wrists, the red bowtie sitting neatly knotted under the collar with its short tails resting on the shirt front; the light blue blazer is open over it, lapels folding back in sharp straight creases, the hem stopping at the hip. Black knee-high socks rise to just below the knee and meet the bare skin of the upper leg in level horizontal cuff lines; the brown loafers are polished and enclose both feet, a small saddle band across each instep, the toe caps rounded. Lighting is an even, directionless studio key from slightly above and in front: it lights the flat planes of the shirt front, the slope of the nose and the top of the blazer's shoulders, fills the shadow under the chin shallowly, and casts a small soft contact shadow directly beneath each loafer on the sweep, tightening to a darker core where the sole touches the ground. Palette is disciplined to orange, light blue, white, red, dark navy, black and brown against the off-white field, nothing else admitted -- the orange in the hair, the light blue across the blazer, the red in bowtie and ribbon, the navy in the pleated skirt, the black in the knee-high socks, the brown in the eyes and the loafers. Uniform flat-to-cel shading with a single soft shadow tone per material, no gradation on the face, hair and fabric rendered with crisp solid outlines and clean even interior lines that stay smooth at every curve; no grain, no texture overlay. Confident and clean.

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