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Jezzabella

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Jezzabella

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copyright: yu-gi-oh! 1girl, solo, half-dragon, dragon girl, human ears, no animal ears, human ears on sides of head, short black hair, black hair, four horns, tan horns, dragon horns, long curled horns, short horns, red eyes, slit pupils, dragon pupils, pale skin, black dragon scales, scale patches on skin, scale patches on cheeks, black scaly dragon tail, thick tail, tall female, curvy, thick thighs, wide hips, large breasts, black crop top, midriff, navel, black short shorts, black thigh-highs, black stockings, zettai ryouiki, lying, lying on back, on bed, head on pillow, on side, looking at viewer, one eye visible, half-lidded eyes, light smile, tail draped over edge of bed, arm above head, hand on pillow, castle interior, master bedroom, four-poster bed, canopy bed, dark bedroom, candlelight, warm rim light, cinematic lighting, from above, high angle, close-up on upper body, foreshortening, vaporwave aesthetic, pink and purple palette, retro 80s style, glitch effect, grid lines, holographic texture, nostalgic digital The shot is a high angle from above the bed, tilted down the length of the mattress so the half-dragon woman lies foreshortened across the frame: her head on a pillow at the lower left, her body running diagonally up toward the headboard at the upper right. She is on her back, angled toward the camera, one knee bent so the black thigh-high stocking catches a long highlight and the black short shorts sit high on her wide hip. Her thick, curvy figure reads clearly through the short black crop top, which rides up to bare her midriff and navel; one arm is flung above her head on the pillow, the other rests loosely across her stomach with her fingers brushing the hem of the top. Her human ears are visible flat to the sides of her head beneath the short black hair, which fans out on the pillow; from each temple and crown rise four tan dragon-like horns, two stubs above her brow-line and two long, gently curled horns sweeping back toward the pillow, one of them crossing her black hair. Patches of black dragon scales scatter her pale skin: a cluster along one cheekbone and temple, a band down the outside of her shoulder and forearm, a scute-edged patch on her hip above the shorts, and a run down the outside of one thigh where the stocking begins. From her lower back, clear of her hip, the black scaly dragon tail lies over the mattress and hangs off the edge of the bed, its plated ridges glinting. Her red eyes are half-lidded, one catching the light with a thin vertical slit pupil, and she looks up at the viewer with a small, faint closed-lip smile, one brow faintly lifted. The room is a castle master bedroom: dark stone walls with a tall narrow window and heavy drapes at the upper left, a massive carved wooden four-poster bed with a deep crimson canopy and pillows, a large fireplace on the right wall, and a cold pale moonlight through the window that cuts a long, faint blue rectangle across the quilt. A single candle on the nightstand is the sole warm source in the room, its light drawing a narrow orange rim along her forehead, the tips of her horns, the curve of her shoulder and the top edge of her thigh; beyond that pool the corners of the room sink into deep shadow, cast shadows sitting hard and black under her chin, beneath her lifted knee and along the pillow crease of her cheek. The palette lands dusty mauve and warm muted rose over brown and slate, with a blush-pink canopy and pillow and a soft almond-cream glow on her lit skin, her horns and scale patches reading warm tan against it, a deep claret accent in the canopy and the quilt, and the whole image washed with a faint retro-digital holographic sheen — a soft pink-and-purple bloom, a suggestion of grid lines across the far wall, a slight chromatic split on the window's edge. Her thigh-high stockings compress the quilt where her leg lies on it, and the pillow sinks under her head. Elegant, quietly magnetic.
Parametreleri Göster
Orijinal Prompt
A tall half dragon/nekomimi female with short black hair and four tanish dragon like horns two are short while the others are long and curl a bit (she doesn’t have cat ears, she has human ears). She has some patches of black dragon skales on her pale skin. Her eyes are red and pupils are slim and slit like a dragons. She has a black and skaley dragon tail. Shes wears a pair of black short shorts with a black crop top. She has black thigh high tights. Her body is quite curvy and thick. The background should be like the interior of a castles master bedroom laying in the bed. Shes inspired by the dragon maids of Yu-Gi-Oh!
Mod
pro
Tarz
Neon Vaporwave
Kalite Etiketi
İpuçları
Boyut
1104 x 1824
Negatif
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Tarz: Neon Vaporwave
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Tsubaki.3 - AI Model cover image

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Tsubaki.3
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AI artwork
Avatar image of Jezzabella
copyright: yu-gi-oh! 1girl, solo, tall female, curvy, thick thighs, wide hips, large breasts, short black hair, bob cut, red eyes, slit pupils, dragon pupils, human ears, no cat ears, four horns, two short horns, two long horns, curled horns, tan horns, black dragon scales on skin, scale patches on cheek, scale patches on shoulders, scale patches on forearms, scale patches on hips, black scaly dragon tail, black crop top, black short shorts, black thigh highs, lying on bed, on back, arms above head, head tilt, looking at viewer, half-closed eyes, light smirk, bed sheet, pillow, castle bedroom, canopy bed, stone walls, tapestry, candlelight, warm light, from above, dutch angle, close-up, foreshortening, The camera looks down from above at a steep diagonal, tilted a few degrees off level, so the tall curvy woman lying across the castle's master bed fills the frame from her horns to her hips, her legs running away toward the lower corner in strong foreshortening. She lies on her back, spine in a long easy arch over the mattress, one arm flung up above her head with the wrist slack on the pillow, the other bent so her hand rests on her own ribs just under the hem of her black crop top, fingers relaxed and half-curled over the fabric; both shoulders sink into the mattress and the pillow compresses under the back of her skull. Her weight settles into the hips and the left thigh, one knee raised higher than the other so the black thigh-highs pull taut over the bent leg and bunch in a single soft fold behind the other knee; the black short shorts ride up at the hip and the crop top rides up to bare a strip of pale waist, where a scattering of black dragon scales breaks the skin along the hip bone. Her short black hair fans out flat and starfished on the pillow, strands caught in the linen weave; her four tan horns stand clear of it, two short ones jutting just above her brow line and two long ones sweeping back past her crown and curling slightly at the tips, casting small curved shadows onto the pillowcase. Only ordinary human ears sit flat at the sides of her head, uncovered and unobstructed, the pillow creased around them. Her red eyes are half-lidded, the slim slit pupils narrowed in the lamplight, and her gaze comes straight up the tilted axis of the lens with a faint lopsided smirk tugging one corner of her mouth; the black scaly tail slips out from under her hip, drapes across the rumpled sheet and hangs off the mattress edge, its plates catching the candlelight in a hard, glossy line and its tip curling in a slow uncurved loop in the air. The bed is a broad four-poster of dark carved wood, one post and a fold of heavy velvet canopy crossing the top-left of the frame in front of the far stone wall; a tapestry hangs behind the headboard with its figures worn down to unreadable shapes, and the rest of the room falls away into darkness. The only light is a cluster of candles on a bedside table at the right edge, just outside the frame's crop, so the light rakes in low from the right and strikes the right side of her face, the lift of her raised knee and the long sweep of the tail's top surface, while the left side of her body and the hollows of the sheets go deep brown; every scale patch throws a small crisp shadow, and the sheet bunches in bright ridges where her weight has dragged it. Her pale skin, the bone-white linen and the tan horns read as the room's warm lights against the blacks of her shorts, crop top, thigh-highs and tail; the canopy velvet and the tapestry's weave carry muted rose and plum, and the shadowed stone behind settles into cool slate blue-grey, nothing outside those tones admitted. Intimate, quietly predatory.
Jezzabella
AI artwork
Avatar image of Jezzabella
copyright: yu-gi-oh! 1girl, solo, tall female, curvy, thick thighs, wide hips, large breasts, short black hair, bob cut, human ears, no animal ears, bare top of head, four horns, tan horns, dragon horns, two short horns, two long curling horns, pale skin, black scale patches, scales on cheeks, scales on shoulders, scales on forearms, scales on thighs, red eyes, slit pupils, dragon eyes, black dragon tail, black scaly tail, black crop top, midriff, navel, black short shorts, black thigh-high tights, bare shoulders, bare arms, looking up, looking at viewer, from below, low angle, upward angle, foreshortening, standing, one hand on hip, other hand raised, head tilt, light smile, castle interior, master bedroom, four-poster bed, canopy bed, stone walls, arched window, tapestry, candelabra, warm candlelight, dark teal shadows, dust motes, depth of field, From a low angle close to the floor, the camera tilts steeply upward, so the tall half-dragon half-nekomimi woman towers over the lens in strong foreshortening: her black thigh-high tights fill the lower foreground, one long leg planted forward with the knee bent and the full weight carried on that hip while the trailing leg is angled back on the ball of the foot, and her thick curvy figure rises in a tapering column toward her short black bob, which swings forward at the cheeks as she tips her face down to meet the camera. Her head tilts so her chin points almost at the lens, and her red eyes with slim slit pupils look down the angle straight into the viewer, the lids half-lowered and one brow arched, one corner of her lips pulled into a small lopsided smile. Her human ears sit at the sides of her jaw entirely uncovered, the top of her head bare, and above it four tan dragon horns rise: the two short ones curve back close to her crown, the two long ones sweep up and outward and curl a little at the tips, catching the warm light along their ridges. Patches of black dragon scales break out over her pale skin -- a scatter across her right cheekbone, a sheet over her left shoulder and forearm, a band around the top of one thigh where the tights end -- glossy and hard against the soft pale surface around them, each patch showing a fine pebbled grain. Her black crop top sits high and tight across the bust, the hem cut above her navel, and her black short shorts pinch at the hips; her right hand rests flat against the outside of her thigh while her left hand hooks a thumb into the waistband of the shorts and pulls it a fraction. Her black scaly dragon tail hangs behind her legs and swings out to the left out of frame, tip curling up, its scales overlapping like roof tiles. The room behind and above her is the interior of a castle's master bedroom: a massive four-poster bed with a carved dark-wood headboard and a heavy wine-coloured canopy stands to the right, rising out of the top of the frame, and a tall arched window with deep stone reveals lets in a pale violet-blue dusk on the left. A woven tapestry hangs on the cold stone wall between them, and a branched candelabra on a bedside chest burns within arm's reach of her hip. The candles are the dominant source: they light the underside of her chin, the inner edges of her forearms and the flat planes of her thighs, and they throw her elongated shadow up the stone wall behind her, where it stretches because the light sits so low. Cold blue window light rims her horns and shoulders on the side away from the candles, and the room beyond the candle pool drops into deep dark-teal shadow. A thin haze of dust drifts through the nearest candle flame and glows only where it crosses the light. The palette holds to dusty rose, deep brown, muted wine red and warm sand in the skin and fabric tones, while the shadows and the far wall go slate blue-grey, with a single red accent concentrated in her eyes and the canopy's trim. Her rumpled tights show one faint crease at the back of the knee from the bend of her stance. Intimate, quietly commanding.
Jezzabella
AI artwork
n0
character: karis_(elsword), artist: ratatatat74 1girl, solo, demon girl, succubus queen, on bed, seductive pose, reclining, evil grin, smirk, seductive look, confident, malevolent, glowing violet eyes, sharp aristocratic facial features, full pouty lips, cascading obsidian black silky hair, liquid sheen, very long flowing hair, demon horns, large demon wings, long spear-tipped demon tail, vivid midnight black-purple skin, lithe, statuesque, sheer flowing silk outfit, gold filigree waist cinch, bare midriff, bare legs, regal, white outline, dark demon palace background, fancy bedroom background, volumetric lighting, ominous lighting, depth of field, backlighting, rim lighting, from below, close-up, cowboy shot, dutch angle, looking at viewer, high contrast, sharp cel-shading, vibrant accent colors, moody atmosphere, Shot from a low, tilted angle at the foot of an enormous canopied bed, the camera looks up across the mattress at a single demon queen half-reclined against a drift of black silk pillows. The queen — one figure, alone, no one else in the room — lies on her left side: her left forearm is planted in the bedding to hold her torso up off the mattress, her left shoulder rolled forward and the elbow locked so the weight travels down through the forearm into the pillow, while her right hand rests flat on her own left hip where the gold filigree cinches the sheer silk. Her hips are slung slightly toward the lens and her legs are crossed at the ankle and drawn up a little, so the sheer fabric of the outfit parts into a long slit and both legs and the whole bare midriff between the filigree belt and the braid of fabric are laid open to the light. The needle-tipped tail trails off the far edge of the bed and its spear point hangs over the mattress edge in the same hard backlight, and her two large wings are unfurled behind her shoulders, the membrane stretched and the leading edge catching the light while they fold clear of the pillows so they never clip them. Her head is turned down and sideways toward the lens, chin dipped as if looking at something close to the floor rather than at the viewer, and the two horns rise from her hairline. The cascade of almost-liquid black hair spills off the pillow, over her left shoulder, and down between her shoulder blade and the silk, and it reflects the backlight in a long moving ribbon rather than a matte mass. The chamber around the bed is enormous and empty: a vaulted dark-stone palace interior, black ribbed columns and a pointed arch far behind the bed, tall lancet windows beyond the headboard that spill cold light down out of the upper dark, a heavy carved bedframe with a black canopy pulled back to the side, dark brocade hangings, a single tall candelabra standing on the far side of the bed. That window and that candelabra are the only light sources: the window throws a hard cold rim along the top of her shoulder, the curve of her hip and the outer edge of each wing membrane, and the candelabra throws a separate warm, much weaker glow up onto the near side of her face, her collarbones, the sheer fabric and the gold filigree, so that everything beyond those two pools falls away into absolute black. The background is thrown out of focus so its vaulting reads as soft dark shapes and bokeh points while she stays sharp. The palette is closed and disciplined — midnight black-purple in her skin, deepest black in the hair, the stone and the hangings, one cold blue-white in the window light, and a thin gold in the filigree belt plus a warm candle gold on the near cheek — with a single saturated violet reserved for the eyes, which glow from beneath her lashes and throw the faintest violet sheen onto the ridge of the pillow beneath her chin. The whole figure is held together by a crisp white contour, a bright unbroken line riding her silhouette against the dark, brightest where her wing edge and shoulder cut the window light, and the same white edge picks out the spear tip of her tail. Depth of field is shallow: the bedding in the near foreground sinks out of focus before her hands, and the far arches soften away. Her lips are slightly parted over the grin, one corner pulled up around the small pointed facial anatomy. High-contrast cel shading with crisp borders, ominous and regal.
nyx03
AI artwork
Avatar image of Jezzabella
copyright: yu-gi-oh! 1girl, solo, tall female, curvy, thick body, wide hips, full bust, half dragon, dragon girl, maid, short black hair, bob cut, human ears, four horns, tan horns, dragon horns, two short horns, two long curled horns, red eyes, slit pupils, dragon pupils, black scale patches on skin, pale skin, black scaly dragon tail, black maid dress, frilled apron, black thighhighs, black high heels, from below, looking up at viewer, upward angle, low angle, looking down at viewer, standing, hand on chest, head tilt, castle bedroom interior, canopy bed, four-poster bed, stone walls, candlelight, warm interior The camera sits low near the stone floor and tilts steeply upward, so the tall curvy maid towers into the top of the frame: her chin dips toward the lens, red eyes with slim vertical slit pupils aimed straight down at the viewer, one brow faintly arched, lips parted a breath's width in a cool, unimpressed half-smile. Her short black hair hangs close to her jaw and is stirred slightly aside as if she has just turned her head down; two normal human ears sit flat against the sides of her head, bare and unobstructed at the crown, while above them four tan dragon horns rise from her hairline — the two short ones forward and blunt, the two long ones sweeping back in a gentle curl, their tips catching the candle glow. Patches of black dragon scales roughen the pale skin along her neck, her right collarbone and the outside of her left forearm; her figure is thick and full through the bust, waist and hips, the all-black maid dress cut close over a wide-hipped silhouette with a high-collared bodice, puffed sleeves, a frilled apron panel and layered hem all in unrelieved black, each ruffle edged only by a thin sheen of light so the dark cloth still reads as folds. The black scall Her right hand rests flat against her collarbone, fingertips just touching a scale patch, while her left arm hangs and her fingers close loosely around a fold of the skirt. She stands with her weight settled onto one hip, the other leg relaxed, black thigh-high tights shading from a soft matte at the knee to a tight sheen at the top, and black heels planted on the wide stone floor slabs whose joints run back toward the bed. Her black scaled dragon tail sweeps out from behind her hip and curls low across the floor, its weight resting on the stone, a single highlight tracking the ridged scales along its upper curve. Behind and around her the castle master bedroom opens in deep shadow: a four-poster canopy bed with heavy dark hangings on the left, a stone arch and a narrow leaded window on the right, a heavy chest and a chair in the midground, a patterned rug fading toward the far wall. Candles in a wall sconce and on a side table to her right are the only light source, warm and low; the flames carve a rim along her right cheek, the long curling horns and the shoulder of her sleeve while the left side of her face and body falls into a soft, deep brown darkness. Her dress and hair sit as near-black silhouettes against the slate grey and dusty rose castle interior, warmed toward tan and wine where the light reaches and cooled toward blue-grey in the depths; her skin pale cream, the scale patches polished black, the horns a muted tan. The whole upward view makes the ceiling beams converge above her as the candle flames bend and gutter in a faint draught. Quiet, imposing.
Jezzabella

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