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copyright: mobile_suit_gundam, gundam, gundam_seed 1girl, solo, original character, female engineer, short wavy light-green bob, wavy bob, light green hair, large clear blue eyes, blue eyes, cheerful smile, open mouth smile, bright expression, head tilt, blue ribbed turtleneck collar, turtleneck, ribbed collar, work goggles around neck, goggles hanging at neck, open white lab coat, white coat, long sleeves, fitted orange top, low neckline, orange shirt, gray work trousers, grey pants, sturdy boots, brown boots, tool belt, belt pouches, hand on own hip, holding datapad, tablet, three-quarter view, full body, standing, head to boots, mobile suit development lab, machinery, monitors, blurry background, depth of field, bright even lighting, cel shading, clean lineart, early 2000s anime style, Hisashi Hirai-esque face design, Full-body three-quarter view, camera just below chest height tilted a touch upward so she reads tall and confident against the workshop's depth, her whole figure framed head to boots inside a vertical composition. The young woman stands with her weight planted on her right leg, left hip pushed out and left knee slightly relaxed, her right hand resting flat on that hip with the belt's edge crimped under her palm; her left forearm is raised across her chest and her fingers curl around the edge of a matte gray datapad, its lit screen angled toward her shoulder so only a pale glow spills over the collar. Her head tilts to her left, chin lifting, and her bright blue eyes look just off to the right of the lens with an open, easy grin. Her short wavy light-green bob swings a little to the low side of the tilt, the ends brushing the top of the ribbed blue turtleneck collar that wraps snugly around her neck, with the work goggles hanging in a slack loop over that collar onto her chest. The open white lab coat hangs off her shoulders with the lapels falling to either side of the fitted orange top, whose low neckline sits across the chest below the collar; the coat's hem breaks over the gray work trousers and its long sleeves bunch at her wrists. A brown leather tool belt rides low at her waist over the trousers, pouches and a couple of tool handles hanging at her right hip; the gray trousers taper to sturdy brown boots laced tight and standing square on the lab floor, casting short soft shadows directly below. Behind her, the mobile suit development lab recedes out of focus: a scaffolding gantry and a hanging mechanical arm on the left, cool monitor racks with their screens reading as soft illegible rectangles of light on the right, cables dropping from the ceiling and filing cabinets as indistinct shapes. Bright, even neutral lighting falls from wide overhead panels, so her face is lit cleanly without a hard shadow under the chin; the coat's folds split into crisp light and shadow bands, and the boots pick up a faint sheen at the toe caps. The palette stays cool and mechanical in the blurred background, letting her green hair, orange top and blue collar carry all the color forward. Crisp cel shading with clean lineart, flat shadow shapes and a restrained early-2000s palette. Cheerful, effortlessly confident.
Parametreleri Göster
Orijinal Prompt
Full-body character illustration of an original young woman engineer, drawn in the Mobile Suit Gundam SEED anime style — early-2000s Sunrise aesthetic, crisp cel shading, clean lineart, Hisashi Hirai-esque face design. She has a short, wavy light-green bob, large clear blue eyes, and a cheerful smile. A blue ribbed turtleneck collar wraps her neck, a pair of work goggles hangs around her neck, and an open white lab coat is worn over a fitted orange top with a low neckline; below, practical gray work trousers and sturdy boots, with a tool belt slung at her waist. She stands with one hand on her hip and the other holding a datapad, head tilted with a bright expression, three-quarter view inside a mobile suit development lab with machinery and monitors softly blurred behind her, bright even lighting, full figure from head to boots.
Mod
pro
Boyut
768 x 1280
Örnekleme Yöntemi
Euler
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
İstem Yardımcısı

Kullanılan Model ve LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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copyright: mobile_suit_gundam, gundam, gundam_seed 1girl, solo, full body, head to boots, three-quarter view, standing, head tilt, cheerful smile, bright expression, open mouth, large blue eyes, short hair, light green hair, wavy bob, blue ribbed turtleneck collar, work goggles around neck, goggles hanging at chest, open white lab coat, long sleeves, fitted orange top, low neckline, collarbone visible, gray trousers, tool belt, belt pouches, sturdy boots, hand on hip, holding datapad, looking at viewer, mobile suit development lab, machinery, computer monitors, blurred background, depth of field, bright even lighting, crisp cel shading, clean lineart, early 2000s anime, flat cel colors, A full-body three-quarter view of one young woman engineer, framed from the crown of her head down to the soles of her boots, her body angled about forty degrees to the camera with her right shoulder closer to the lens while her face turns back toward the viewer. She stands in a relaxed contrapposto inside a mobile suit development lab: weight settled on her left leg, right knee slightly bent and right hip pushed out, her right hand planted flat on that hip with the fingers spread and the thumb hooked forward along the waistband, so the tool belt rides a little higher on that side. Her left arm is bent at the elbow, forearm level and slightly forward, and her left hand grips a slim datapad by its lower edge, screen tilted up toward her chest at a readable angle; her fingertips curl over the front bezel and her thumb braces the underside. Her head tips toward her left shoulder in a light, lively tilt, chin lifted, and she looks straight out at the viewer with a wide cheerful smile that parts her lips and shows a sliver of teeth, her large clear blue eyes catching two crisp highlights each. Her short light-green hair is a wavy bob that ends just below her jaw, the waves kicking outward at the ends on both sides, one lock swinging slightly forward across her left cheek as her head tips. The clothing reads top to bottom in the same order the eye travels. A blue ribbed turtleneck collar hugs her neck in tight vertical ribs, folded over once. Below it, a pair of work goggles hangs around her neck on a dark strap, the round lenses resting flat against her chest just under her collarbones, the strap running up behind the collar and disappearing at her nape. The white lab coat is open and unbelted, its lapels falling back on both sides in clean triangular planes and its hem reaching mid-thigh, so the orange top beneath shows through the full length of the opening; that top is fitted and close to the body, its neckline cutting low and straight across so her collarbones and the tops of her breasts are bare, the fabric stretched taut over the curve. Gray work trousers, roomy through the thigh and tapering to the ankle, break in a single crease over the instep of sturdy lace-up boots with thick lugged soles and scuffed toe caps. A tan leather tool belt sits at her waist over the trousers, with two closed pouches and a hammer handle and a screwdriver poking up from the loops. Behind her the mobile suit development lab recedes in soft focus: the dark mass of a gantry and a partially assembled mobile suit frame in the left background, a bank of monitors in the right background throwing cool pale rectangles of light, cables and scaffolding bars crossing diagonally. All of it is blurred by shallow depth of field, the shapes legible only as machinery and screen glow, and no background element overlaps her silhouette. The lighting is bright, even and diffuse, coming from large overhead panels: it lays flat, gentle highlights across her forehead, nose and collarbones, leaves only shallow soft shadow under her chin and inside the folds of the lab coat, and casts no hard shadow anywhere. The palette is clean and graphic, the white coat, gray trousers and cool lab grays holding the frame while her light-green hair and the orange top supply the two warm accents. Early-2000s Sunrise anime rendering throughout: crisp cel shading with hard-edged shadow shapes, clean thin lineart, flat color fields, and a face built on the era's soft rounded jaw, small nose and wide high-set eyes. Effortlessly bright and upbeat.
どうするどうする？
AI artwork
ど
copyright: mobile_suit_gundam, gundam, gundam_seed 1girl, solo, full body, head to boots, three-quarter view, standing, head tilt, cheerful smile, bright expression, open mouth, large blue eyes, short hair, light green hair, wavy bob, blue ribbed turtleneck collar, work goggles around neck, goggles hanging at chest, open white lab coat, long sleeves, fitted orange top, low neckline, collarbone visible, gray trousers, tool belt, belt pouches, sturdy boots, hand on hip, holding datapad, looking at viewer, mobile suit development lab, machinery, computer monitors, blurred background, depth of field, bright even lighting, crisp cel shading, clean lineart, early 2000s anime, flat cel colors, A full-body three-quarter view of one young woman engineer, framed from the crown of her head down to the soles of her boots, her body angled about forty degrees to the camera with her right shoulder closer to the lens while her face turns back toward the viewer. She stands in a relaxed contrapposto inside a mobile suit development lab: weight settled on her left leg, right knee slightly bent and right hip pushed out, her right hand planted flat on that hip with the fingers spread and the thumb hooked forward along the waistband, so the tool belt rides a little higher on that side. Her left arm is bent at the elbow, forearm level and slightly forward, and her left hand grips a slim datapad by its lower edge, screen tilted up toward her chest at a readable angle; her fingertips curl over the front bezel and her thumb braces the underside. Her head tips toward her left shoulder in a light, lively tilt, chin lifted, and she looks straight out at the viewer with a wide cheerful smile that parts her lips and shows a sliver of teeth, her large clear blue eyes catching two crisp highlights each. Her short light-green hair is a wavy bob that ends just below her jaw, the waves kicking outward at the ends on both sides, one lock swinging slightly forward across her left cheek as her head tips. The clothing reads top to bottom in the same order the eye travels. A blue ribbed turtleneck collar hugs her neck in tight vertical ribs, folded over once. Below it, a pair of work goggles hangs around her neck on a dark strap, the round lenses resting flat against her chest just under her collarbones, the strap running up behind the collar and disappearing at her nape. The white lab coat is open and unbelted, its lapels falling back on both sides in clean triangular planes and its hem reaching mid-thigh, so the orange top beneath shows through the full length of the opening; that top is fitted and close to the body, its neckline cutting low and straight across so her collarbones and the tops of her breasts are bare, the fabric stretched taut over the curve. Gray work trousers, roomy through the thigh and tapering to the ankle, break in a single crease over the instep of sturdy lace-up boots with thick lugged soles and scuffed toe caps. A tan leather tool belt sits at her waist over the trousers, with two closed pouches and a hammer handle and a screwdriver poking up from the loops. Behind her the mobile suit development lab recedes in soft focus: the dark mass of a gantry and a partially assembled mobile suit frame in the left background, a bank of monitors in the right background throwing cool pale rectangles of light, cables and scaffolding bars crossing diagonally. All of it is blurred by shallow depth of field, the shapes legible only as machinery and screen glow, and no background element overlaps her silhouette. The lighting is bright, even and diffuse, coming from large overhead panels: it lays flat, gentle highlights across her forehead, nose and collarbones, leaves only shallow soft shadow under her chin and inside the folds of the lab coat, and casts no hard shadow anywhere. The palette is clean and graphic, the white coat, gray trousers and cool lab grays holding the frame while her light-green hair and the orange top supply the two warm accents. Early-2000s Sunrise anime rendering throughout: crisp cel shading with hard-edged shadow shapes, clean thin lineart, flat color fields, and a face built on the era's soft rounded jaw, small nose and wide high-set eyes. Effortlessly bright and upbeat.
どうするどうする？
AI artwork
ど
copyright: mobile_suit_gundam, gundam, gundam_seed 1girl, solo, full body, head to boots, three-quarter view, standing, head tilt, cheerful smile, bright expression, open mouth, large blue eyes, short hair, light green hair, wavy bob, blue ribbed turtleneck collar, work goggles around neck, goggles hanging at chest, open white lab coat, long sleeves, fitted orange top, low neckline, collarbone visible, gray trousers, tool belt, belt pouches, sturdy boots, hand on hip, holding datapad, looking at viewer, mobile suit development lab, machinery, computer monitors, blurred background, depth of field, bright even lighting, crisp cel shading, clean lineart, early 2000s anime, flat cel colors, A full-body three-quarter view of one young woman engineer, framed from the crown of her head down to the soles of her boots, her body angled about forty degrees to the camera with her right shoulder closer to the lens while her face turns back toward the viewer. She stands in a relaxed contrapposto inside a mobile suit development lab: weight settled on her left leg, right knee slightly bent and right hip pushed out, her right hand planted flat on that hip with the fingers spread and the thumb hooked forward along the waistband, so the tool belt rides a little higher on that side. Her left arm is bent at the elbow, forearm level and slightly forward, and her left hand grips a slim datapad by its lower edge, screen tilted up toward her chest at a readable angle; her fingertips curl over the front bezel and her thumb braces the underside. Her head tips toward her left shoulder in a light, lively tilt, chin lifted, and she looks straight out at the viewer with a wide cheerful smile that parts her lips and shows a sliver of teeth, her large clear blue eyes catching two crisp highlights each. Her short light-green hair is a wavy bob that ends just below her jaw, the waves kicking outward at the ends on both sides, one lock swinging slightly forward across her left cheek as her head tips. The clothing reads top to bottom in the same order the eye travels. A blue ribbed turtleneck collar hugs her neck in tight vertical ribs, folded over once. Below it, a pair of work goggles hangs around her neck on a dark strap, the round lenses resting flat against her chest just under her collarbones, the strap running up behind the collar and disappearing at her nape. The white lab coat is open and unbelted, its lapels falling back on both sides in clean triangular planes and its hem reaching mid-thigh, so the orange top beneath shows through the full length of the opening; that top is fitted and close to the body, its neckline cutting low and straight across so her collarbones and the tops of her breasts are bare, the fabric stretched taut over the curve. Gray work trousers, roomy through the thigh and tapering to the ankle, break in a single crease over the instep of sturdy lace-up boots with thick lugged soles and scuffed toe caps. A tan leather tool belt sits at her waist over the trousers, with two closed pouches and a hammer handle and a screwdriver poking up from the loops. Behind her the mobile suit development lab recedes in soft focus: the dark mass of a gantry and a partially assembled mobile suit frame in the left background, a bank of monitors in the right background throwing cool pale rectangles of light, cables and scaffolding bars crossing diagonally. All of it is blurred by shallow depth of field, the shapes legible only as machinery and screen glow, and no background element overlaps her silhouette. The lighting is bright, even and diffuse, coming from large overhead panels: it lays flat, gentle highlights across her forehead, nose and collarbones, leaves only shallow soft shadow under her chin and inside the folds of the lab coat, and casts no hard shadow anywhere. The palette is clean and graphic, the white coat, gray trousers and cool lab grays holding the frame while her light-green hair and the orange top supply the two warm accents. Early-2000s Sunrise anime rendering throughout: crisp cel shading with hard-edged shadow shapes, clean thin lineart, flat color fields, and a face built on the era's soft rounded jaw, small nose and wide high-set eyes. Effortlessly bright and upbeat.
どうするどうする？
AI artwork
ど
copyright: mobile_suit_gundam, gundam, gundam_seed 1girl, solo, full body, head to boots, three-quarter view, standing, head tilt, cheerful smile, bright expression, open mouth, large blue eyes, short hair, light green hair, wavy bob, blue ribbed turtleneck collar, work goggles around neck, goggles hanging at chest, open white lab coat, long sleeves, fitted orange top, low neckline, collarbone visible, gray trousers, tool belt, belt pouches, sturdy boots, hand on hip, holding datapad, looking at viewer, mobile suit development lab, machinery, computer monitors, blurred background, depth of field, bright even lighting, crisp cel shading, clean lineart, early 2000s anime, flat cel colors, A full-body three-quarter view of one young woman engineer, framed from the crown of her head down to the soles of her boots, her body angled about forty degrees to the camera with her right shoulder closer to the lens while her face turns back toward the viewer. She stands in a relaxed contrapposto inside a mobile suit development lab: weight settled on her left leg, right knee slightly bent and right hip pushed out, her right hand planted flat on that hip with the fingers spread and the thumb hooked forward along the waistband, so the tool belt rides a little higher on that side. Her left arm is bent at the elbow, forearm level and slightly forward, and her left hand grips a slim datapad by its lower edge, screen tilted up toward her chest at a readable angle; her fingertips curl over the front bezel and her thumb braces the underside. Her head tips toward her left shoulder in a light, lively tilt, chin lifted, and she looks straight out at the viewer with a wide cheerful smile that parts her lips and shows a sliver of teeth, her large clear blue eyes catching two crisp highlights each. Her short light-green hair is a wavy bob that ends just below her jaw, the waves kicking outward at the ends on both sides, one lock swinging slightly forward across her left cheek as her head tips. The clothing reads top to bottom in the same order the eye travels. A blue ribbed turtleneck collar hugs her neck in tight vertical ribs, folded over once. Below it, a pair of work goggles hangs around her neck on a dark strap, the round lenses resting flat against her chest just under her collarbones, the strap running up behind the collar and disappearing at her nape. The white lab coat is open and unbelted, its lapels falling back on both sides in clean triangular planes and its hem reaching mid-thigh, so the orange top beneath shows through the full length of the opening; that top is fitted and close to the body, its neckline cutting low and straight across so her collarbones and the tops of her breasts are bare, the fabric stretched taut over the curve. Gray work trousers, roomy through the thigh and tapering to the ankle, break in a single crease over the instep of sturdy lace-up boots with thick lugged soles and scuffed toe caps. A tan leather tool belt sits at her waist over the trousers, with two closed pouches and a hammer handle and a screwdriver poking up from the loops. Behind her the mobile suit development lab recedes in soft focus: the dark mass of a gantry and a partially assembled mobile suit frame in the left background, a bank of monitors in the right background throwing cool pale rectangles of light, cables and scaffolding bars crossing diagonally. All of it is blurred by shallow depth of field, the shapes legible only as machinery and screen glow, and no background element overlaps her silhouette. The lighting is bright, even and diffuse, coming from large overhead panels: it lays flat, gentle highlights across her forehead, nose and collarbones, leaves only shallow soft shadow under her chin and inside the folds of the lab coat, and casts no hard shadow anywhere. The palette is clean and graphic, the white coat, gray trousers and cool lab grays holding the frame while her light-green hair and the orange top supply the two warm accents. Early-2000s Sunrise anime rendering throughout: crisp cel shading with hard-edged shadow shapes, clean thin lineart, flat color fields, and a face built on the era's soft rounded jaw, small nose and wide high-set eyes. Effortlessly bright and upbeat.
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