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AI art "百鬼夜行"
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百鬼夜行

意外に結構やれるなぁ💀

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Ultimate One-Prompt Challenge!!!
#Hayvan kulakları#kimono#Gökyüzü#ay#Açık hava#Oni#Obi#Boynuzlar#Tengu#Haori#mavi oni#Yōkai#Tengu maskesi#fener#Gece#Kırmızı oni#dolunay#Mavi ten#Kırmızı ten#Kağıt fener#dikenli gürz#Renkli cilt
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hyakki yagyo, night parade of a hundred demons, crowd of yokai demons parading at night, many characters, large crowd, wide shot, from below, low angle, dutch angle, night, full moon, paper lanterns, festival procession, japanese folklore creatures, oni with horns, kasa-obake umbrella spirit with one eye and a long tongue, chouchin-obake lantern ghost, rokurokubi long-necked woman, yuki-onna, kappa with a water dish on its head, tengu with a long nose and feathered wings, noppera-bo blank faceless face, giant skeleton, cat yokai with forked tail, fox spirits with multiple tails, drowned-hair ghost, one-eyed boy spirit, hyottoko masks, straw sandals, yukata and tattered kimono, holding lanterns aloft, open mouths, laughing, leering, procession formation, stamping feet, banging drums, single light source lanterns, warm orange lantern light, indigo night, cold moon rimlight, mist, drifting fog, ground reflections The camera sits low to the ground and tilted a few degrees off level, so the procession sweeps diagonally from the lower right of the frame toward the upper left and the nearest figures tower over the lens, foreshortened, while the far ranks compress into a luminous haze. A hundred-strong night parade fills a narrow shrine approach: at the front a red-skinned oni with two curved horns and a tiger-skin sash strides with one sandalled foot planted flat and the other lifting, his drum mallet arm swung back and his mouth open around a shout; beside him a one-eyed paper umbrella spirit hops on its single wooden leg, its long tongue lolling sideways, its one eye rolled toward the oni. Behind them a lantern ghost bobs at head height with its slit mouth glowing from within, and a long-necked woman's head rises above the crowd on an unnaturally extended throat, chin tilted, hair hanging straight down the nape. At the right edge a fox spirit in a white yukata carries a stack of paper lanterns on a pole across one shoulder, her free hand steadying the lowest lantern against her hip. Further back the ranks compress into silhouettes -- a long-nosed winged tengu with feathers fanned behind his shoulders, a faceless pale figure with its hand raised as if greeting, a snow woman whose breath fogs and does not disperse, a reptilian kappa with a water-filled dish balanced on his skull and both webbed hands pressed together -- all of them packed shoulder to shoulder, all of them facing the procession's direction of travel, gazes aimed forward and up the slope, none of them at the lens. The lanterns are the only light: each paper globe glows from a flame inside, throwing warm orange onto the undersides of chins, noses, shoulders, and the tops of feet, while the backs of every head and the far side of every body fall into cold indigo; above the crowd a full moon hangs in the upper left and lays a thin silver rim along the umbrella spirit's ribs, the tengu's feathers and the oni's horns, and beyond the last lantern the darkness is absolute. Fog pools knee-deep on the flagstones, and where each figure steps the mist is punched into visible swirls and dragged into thin wakes behind their heels; the nearest lanterns smear long soft reflections down the wet stone. Palette is restricted to lantern orange, deep indigo and moon silver over black, with one red oni skin and one white fox yukata as the only other colours admitted. Detail is spent on the front three figures -- horn texture, the paper ribs and torn seams of the umbrella, the flame visible through the lantern paper -- and thins progressively backward into silhouette and mist. Festive and eerie, a slow-building dread under the drums.
Parametreleri Göster
Orijinal Prompt
百鬼夜行
Mod
pro
Boyut
1888 x 1056
Örnekleme Yöntemi
Euler
Negatif
lowres, worst quality, low quality, bad anatomy, explicit

Kullanılan Model ve LoRA

Benzer Görseller

Daha fazla göster
AI artwork
th
mysterious traditional Japanese inn at night, Higan Inn, glowing paper lanterns under the eaves, warm orange lantern light cutting through fog, young woman in elegant kimono at the entrance, holding a paper lantern, yokai and monsters in the background, yokai carrying luggage, vintage travel trunks and cloth-wrapped bundles, Halloween mood, wide shot, from below, dutch angle, low camera, layered depth, foreground lantern glow, midground inn entrance, background procession, night, fog, cinematic lighting, detailed anime style, warm orange against deep indigo and plum, volumetric light shafts, wooden signage. The shot is a wide, slightly tilted low-angle view looking up at the eaves of a two-storey wooden ryokan, so the roofline cuts diagonally across the upper frame and the fog rolls behind the building into a black-blue night sky. A long vertical wooden signboard hangs from the eaves above the entrance, its carved characters reading "Higan Inn" in warm lamplight, weathered wood grain and painterly edges, the signboard clear and legible against the fog. Rows of paper lanterns hang beneath the eaves in a warm ladder of orange glows, each painted with a single dark character, their light spilling downward in soft shafts that catch drifting fog and halo each lantern. At the entrance, a young woman stands on the stone step, wearing an elegant deep-plum silk kimono patterned with gold floral embroidery, her black hair tied back with a matching fabric ribbon, her obi cinched neatly at her waist. Her sandals rest precisely on the step. In her raised right hand she holds a wooden paper lantern on a short handle, the parchment glowing warm orange and lighting the underside of her face and the gold thread of her kimono. Her left hand rests at her obi, and her head is turned to look toward the procession approaching from the right side of the frame, a faint closed-lip smile of greeting. Behind her, the shoji entrance doors are slid open, warm light spilling out across the wet flagstones. In the midground and background a scattered procession of yokai and monsters approaches along the stone path, drawn in silhouette and midtone rather than fine detail: a tall horned figure in a traveler's cape, a one-eyed round creature, a fox-masked figure, all moving toward the entrance through the mist. Several carry vintage leather-and-wood travel trunks strapped to their backs, and a few carry cloth-wrapped bundles tied with cords held in their claws. Their faces catch the lantern glow as they pass beneath the eaves. Light comes from the lanterns and the open entrance, warm orange against the deep indigo night and plum shadows, everything beyond the lantern pool fading into blue-dark fog. The fog itself is thinner near the building so the lanterns read clearly and thicker in the distance where the procession disappears. A cold pale moonlight edge touches the wet stones, giving a Halloween chill against the warm inn. Painterly anime rendering with crisp linework and layered atmospheric depth, cinematic moody and inviting.
Trung Hải Phan
AI artwork
th
mysterious traditional Japanese inn at night, Higan Inn, glowing paper lanterns under the eaves, warm orange lantern light cutting through fog, young woman in elegant kimono at the entrance, holding a paper lantern, yokai and monsters in the background, yokai carrying luggage, vintage travel trunks and cloth-wrapped bundles, Halloween mood, wide shot, from below, dutch angle, low camera, layered depth, foreground lantern glow, midground inn entrance, background procession, night, fog, cinematic lighting, detailed anime style, warm orange against deep indigo and plum, volumetric light shafts, wooden signage. The shot is a wide, slightly tilted low-angle view looking up at the eaves of a two-storey wooden ryokan, so the roofline cuts diagonally across the upper frame and the fog rolls behind the building into a black-blue night sky. A long vertical wooden signboard hangs from the eaves above the entrance, its carved characters reading "Higan Inn" in warm lamplight, weathered wood grain and painterly edges, the signboard clear and legible against the fog. Rows of paper lanterns hang beneath the eaves in a warm ladder of orange glows, each painted with a single dark character, their light spilling downward in soft shafts that catch drifting fog and halo each lantern. At the entrance, a young woman stands on the stone step, wearing an elegant deep-plum silk kimono patterned with gold floral embroidery, her black hair tied back with a matching fabric ribbon, her obi cinched neatly at her waist. Her sandals rest precisely on the step. In her raised right hand she holds a wooden paper lantern on a short handle, the parchment glowing warm orange and lighting the underside of her face and the gold thread of her kimono. Her left hand rests at her obi, and her head is turned to look toward the procession approaching from the right side of the frame, a faint closed-lip smile of greeting. Behind her, the shoji entrance doors are slid open, warm light spilling out across the wet flagstones. In the midground and background a scattered procession of yokai and monsters approaches along the stone path, drawn in silhouette and midtone rather than fine detail: a tall horned figure in a traveler's cape, a one-eyed round creature, a fox-masked figure, all moving toward the entrance through the mist. Several carry vintage leather-and-wood travel trunks strapped to their backs, and a few carry cloth-wrapped bundles tied with cords held in their claws. Their faces catch the lantern glow as they pass beneath the eaves. Light comes from the lanterns and the open entrance, warm orange against the deep indigo night and plum shadows, everything beyond the lantern pool fading into blue-dark fog. The fog itself is thinner near the building so the lanterns read clearly and thicker in the distance where the procession disappears. A cold pale moonlight edge touches the wet stones, giving a Halloween chill against the warm inn. Painterly anime rendering with crisp linework and layered atmospheric depth, cinematic moody and inviting.
Trung Hải Phan

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