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Göğüs, Büyümüş
YZ sanatı, Razzy tarafından PixAI'de. Etiketler: Açık hava, büyük göğüsler, Kaslı, Sarı saç, Kısa elbise. Haruka v2 ile oluşturuldu.
Parametreleri Göster
- Boyut
- 1024 x 1024
- Örnekleme Adımları
- 28
- Örnekleme Yöntemi
- Euler a
- CFG Ölçeği
- 5
- Negatif
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Kullanılan Model ve LoRA
Benzer Görseller
Daha fazla gösterclose-up, , star \(symbol\), blonde , Blonde hair, lilac shinning eyes, tight white dress, thick thighs, elegant legs, heels, parading, arrogant expression, crossing the street, pedestrian crossing, car crash, car upsidedown ,krekkov style,
Razzy
k
1girl, solo, tan skin, light blue hair, ponytail, bright blue eyes, light blue lips, slim athletic build, grey and purple very tight leotard, small black choker, small golden earrings, slim belt, gray gloves, gray knee-high boots, sitting, stationary blue open-top hovercar, open door, one hand on steering wheel, holding sunglasses, purple sunglasses, sunglasses near mouth, one leg out of car, foot on pavement, looking at viewer, inviting smile, smile, half-closed eyes, head tilt, leaning back, foreshortening, from below, cowboy shot, futuristic city background, mature style, soft lighting, detailed background, depth of field,
A low three-quarter angle from just below the height of the hovercar's sill, so the open door and the long line of her outstretched leg lead the eye up to her face. She lounges low in the driver's seat of a stationary blue open-top hovercar, back settled into the seat and hips slid forward, spine slack in a lazy S; her right hand rests on the top of the steering wheel, forearm draped over the rim, fingers hooked loosely, no grip at all. Her left elbow is braced on the door's upper edge and her gloved hand holds a pair of purple-tinted sunglasses up beside her mouth, one lens edge nearly touching her lower lip, the temple arms pinched between thumb and forefinger. Her right leg stays inside the footwell, knee folded against the seat; her left leg swings out through the open door, knee extended, and the sole of her grey knee-high boot is planted flat on the pale paving, the boot's shaft hugging her calf and creasing once at the ankle over the instep. The open door hangs out over the pavement, its underside in shade and its edge cutting a clean line across the lower right of the frame, and her boot sits just beyond that edge on sun-warmed stone. The very tight grey and purple leotard clings over her shoulders, ribs and hips, drawing taut in fine folds where her torso twists toward the door. The slim belt crosses her waist low; the small black choker sits snug at her throat with clear skin above and below it; the two small golden earrings catch the light at her earlobes, one visible on the near side and the second just past the curve of her jaw. Her light blue ponytail is gathered high at the back of her head and falls forward over her far shoulder, the tail's tip resting against the leotard's grey panel, a few loose strands lifting in the warm updraught off the pavement. Her chin tips down while her bright blue eyes stay up on the viewer, and her smile is open and unbothered, corners raised, light blue lips parted a fraction around a held breath, one brow slightly higher than the other; her gaze meets the lens directly across the top of the lowered sunglasses. Warm late-day sun comes from the upper left, raking the tan of her cheek and shoulder and laying the door's shadow diagonally across her thigh and the pavement; the underside of her chin and the inner wall of the car fall into soft cool shade, and the car's blue bodywork throws a faint blue bounce into the shadow along her jaw. Behind her the futuristic city stacks up in soft-focus layers -- pale towers with sweeping glass curves, thin transit rails, glowing signage rendered as illegible streaks -- desaturated toward atmospheric haze so the saturated blue of the hovercar and the purple of the leotard and sunglasses stay the loudest colours in the frame, with grey reading through the leotard panel, the gloves and the boots. Only the narrow band of paving at her boot and the door's outer skin are in crisp focus below the waist; everything past the car softens. Mature, easy confidence, warm.
Klodvig
k
1girl, solo, mature female, slim athletic build, tan skin, light blue hair, ponytail, bright blue eyes, light blue lips, inviting smile, looking at viewer, grey and purple very tight leotard, small black choker, slim belt, small golden earrings, stylish gray gloves, gray knee-high boots, toned purple sunglasses, holding sunglasses, sunglasses near mouth, one hand on steering wheel, sitting, stationary hovercar, blue hovercar, open door, futuristic city, soft light, cowboy shot, from side, three-quarter view, leaning back, head turned toward viewer, looking over sunglasses, arm support, outdoors, day
The camera sits just outside the open driver's door of the hovercar, a from-side three-quarter view tilted slightly upward so the car's front fender and the length of her thigh lead the eye in. She is a slim, athletic woman with tan skin, her light blue hair drawn back in a high ponytail whose tail falls over her right shoulder. Bright blue eyes turn to the viewer beneath a raised brow, and a light blue-lipped inviting smile pulls one corner of her mouth higher. She wears a very tight leotard of matte grey panels banded with a glossy purple stripe down the flank, a slim belt cinched at the waist, a small black choker snug to her throat, small golden earrings catching the light at both ears, and stylish gray gloves with a soft cuff. Her gray knee-high boots rest flat on the floorwell, the near foot planted firmly as she reclines against the seat back. Her left hand grips the steering wheel, gloved thumb hooked through the rim. Her right hand lifts a pair of toned purple sunglasses close to her mouth, one temple between her fingers, one lens catching sky. The car door is swung fully open beside her knee, the hinge shadow falling across the sill. The hovercar body is a fancy, sporty deep blue with a swept nose, chrome trim and a low windshield, hovering a hand's width above the street with a faint warm underglow. Beyond it a futuristic city fills the far plane, glass-and-steel towers with violet signage, all pushed soft by haze. Soft daylight drops from above and behind the camera, silvering the windshield edge, catching the mauve band of her leotard, leaving the doorwell and the car's underside in cool shadow. The world is quiet, present, lit gently.
Klodvig
jd
herio style, 1girl, blonde hair, short hair, red eyes, huge breasts, latex suit, cybernetic suit, leg light strips, exoskeleton, metal plates, standing in front of a Ford Mustang, parked Ford Mustang in background
Jonny Depablos
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リオ
Sg75
...
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이름
이름
2
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the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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