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鷹の目
YZ sanatı, 鷹の目 tarafından PixAI'de. Tsubaki.3 Flash ile oluşturuldu.
Parametreleri Göster
- Mod
- flash
- Boyut
- 1536 x 2048
Kullanılan Model ve LoRA
Creation Assistant
Agent
Mio.2
Minimal input, professional output
Benzer Görseller
Daha fazla göster2girls, olga_marie_animusphere, long white hair, side braid, hair between eyes, long bangs falling between her eyes, soft bangs covering her forehead, forehead hidden under bangs, orange eyes, pearl earrings, tailored gray jacket, white blouse, collared shirt, no gloves, bare hands, holding small hand mirror, leaning over glass jewelry counter, clerk fastening necklace, delicate silver necklace at her neck, cheeks flushed, slight smile, open mouth, looking at reflection, cowboy shot, from side, profile, jewelry clerk, short brown hair, groomed hair, white button-down shirt, black waistcoat, from side, leaning forward, hands at nape, glass display counter, white velvet jewelry displays, glowing spotlight, luxurious dark wood interior, glass hand mirror, flat cel coloring, delicate linework, soft cel shading, sparkling, backlighting, high-key lighting, refined atmosphere
The camera sits at a low side angle in true profile, so both women read as silhouettes turned across the frame: Olga Marie occupies the left half, her body tilted forward from the hips over the counter, her weight carried on her right leg with the left knee slightly bent and the left hip eased outward, her shoulders low and her chin tipped down. Her right hand grips the stem of a small glass hand mirror held up at chest height, tilting it so the spotlight falls square across its face; her left hand rests fingertips-light on the counter's brass edge, and both hands are bare, ungloved. In the mirror's reflection her own orange eyes look back up at her, wide and bright, and a faint open-lipped smile pulls one corner of her mouth higher than the other. Her white hair keeps its usual style unchanged: long bangs falling between her eyes with a soft fringe across her forehead, the thick braid hanging down over her right shoulder, its tail brushing the gray jacket's lapel and swinging a little forward as she leans, the white strands catching the spotlight in one thin rim. To her right and half a step behind, the clerk leans in from the far side of the counter, his weight on his left foot, right hand raised to the nape of her neck; the delicate silver chain is already lying open across his two fingertips, being closed at the clasp just below the smooth nape, and his eyes are fixed on the clasp, forehead faintly creased in concentration. The counter's glass top sits between them, and Olga Marie's reflection in that glass runs faint and green-edged under the velvet trays. Glowing spotlight from a single low-hung fixture above and just to the right of frame strikes the white velvet trays so the pile glows almost blue-white at the crown of each, and the same beam catches the facets of the necklace so a scatter of hot points lands on her throat and on the underside of her jaw; the dark walnut shelving behind them falls off into deep warm brown shadow, and the cast shadows of both figures stretch to the left across the counter's glass. Palette held to white, warm gray, deep walnut brown and a single silver glitter, with Olga Marie's white hair the brightest mass in the frame. Delicate fine lineart and flat cel coloring throughout, soft shading only inside the velvet and the wood grain, high-key haze from the spotlight's bloom swallowing the far shelves' detail. Refined, sparkling.
鷹の目
character: olga_marie_animusphere, character: fujimaru_ritsuka_(male), artist: takeuchi_takashi, copyright: fate/grand_order. Olga Marie leaning slightly over a glass display counter in a jewelry shop, eyes shining as she gazes at a sparkling necklace on a velvet stand, her reflection visible in the glass, wearing a beige beret, white short jacket and pleated skirt with a small shoulder bag, Ritsuka standing beside her watching her delighted face with a soft smile and one hand in his pocket as if secretly planning to buy it for her, delicate silver and gemstone displays glowing under refined boutique lighting, full bangs framing her face, no horn, flat coloring with delicate linework, two-shot seen across the counter, sparkling romantic atmosphere
鷹の目
character: olga_marie_animusphere, artist: takeuchi_takashi, copyright: type-moon
1girl, 1boy, olga_marie_animusphere, solo focus, long hair, white hair, very long hair, single side braid, neat braid, smooth bare forehead, forehead visible, head completely bare, hair completely unadorned, no hair ribbon, no hair ornaments, no headwear, orange eyes, yellow eyes, cowboy shot, sitting, sitting on stool, velvet stool, leaning forward, one ankle resting on knee, crossed legs, ankle, bare ankle, trying on shoes, high heels, dark red high heels, holding shoe, inspecting, critical but pleased expression, light smile, raised eyebrow, half-closed eyes, looking at object, looking down, navy pea coat, double-breasted coat, cream slacks, white blouse, open collar, long sleeves, reaching, warm lighting, spotlight, boutique interior, shoe salon, shoe boxes, stacked boxes, box stack, blurred background, depth of field, blurry, motion blur, 1boy, clerk, seen from behind, standing, background, flat color, cel shading, delicate linework, bishoujo, lustrous texture, crystal-like eyes, fine hair detail, warm color palette, amber light, wood and velvet, high-key, atmospheric haze, cinematic depth, golden rim light
Cowboy shot framed from just above the knee to above the head, camera lowered slightly and set three-quarters off her right side so she reads in near-profile turned partly toward the lens; she is seated on a low round velvet stool behind the fitting bench of the salon, spine tilted forward from the hips, shoulders hunched into the effort of the examination, weight settled on her left hip and the stool's padded top, right leg crossed so that the right ankle rests across her left knee, that foot bare except for the dark red high-heeled shoe she is working onto it. Both hands are on the shoe: the left palm cups the heel counter and pushes from behind, the right thumb and forefinger pinch the shoe's throat and guide it, and her chin is dipped toward the shoe so the shoe sits in the pocket of air between her face and her hands. Her brow is drawn into a faint crease above a narrowed, considering stare, one corner of the mouth lifted into a small satisfied curve against the flat of the other, lower lip caught slightly under her teeth; she is looking directly down at the shoe on her foot and nothing else. Her white hair falls in a long swept mass over her far shoulder and back, and a single neat side braid runs down the near side of her neck, its taper lying against the coat's lapel; with her head tipped down the tail of the braid slides forward off her shoulder and the fine, loose strands at the crown catch the light. The navy pea coat is unbuttoned, its wide lapels folded open over the white blouse, and the cream slacks pull into a tight diagonal fold across the raised thigh and bunch at the crotch of the crossed leg. Warm boutique spot lighting comes from high and behind her right shoulder, a battery of small hot lamps in the ceiling wash: it rim-lights the top of her white head, the outside of the braid, and the shoulder seam of the coat, drops sheen down the glossy curve of the dark red shoe's vamp, and leaves the underside of her chin, the hollow of the coat's open front and the floor beneath the stool in warm shadow. Behind and to the left of her, out of focus at f/2.2, a blurred clerk in a dark uniform kneels at a low shelf with their back to the camera, one arm extended toward the boxes; the whole behind her is stacked shoe boxes — pale cardboard cartons stamped with illegible fine print, a couple of lids ajar and tissue paper furled over the edges — rising in an uneven wall that dissolves into haze toward the top of the frame. The salon itself is only implied: warm wood paneling, a tall mirror throwing the corner of a brass fitting rail, the soft ochre and dusty rose of velvet cushions. Flat cel coloring with crisp, delicate contour line work, minimal gradients, the hair rendered as broad white planes broken by a few thin lustrous highlights; warm ochre, deep navy, cream, and a single saturated dark-red accent confined to the shoe on her foot. Because she is bent forward over a crossed leg, the shadow of her head and shoulders falls onto the boxes and the bench beside her rather than onto the floor behind. Intimate, absorbed, quietly delighted.
鷹の目
1girl, 1boy, olga_marie_animusphere, solo focus, long hair, white hair, very long hair, single side braid, neat braid, hair between eyes, long bangs falling between her eyes, soft bangs covering her forehead, forehead hidden under bangs, orange eyes, yellow eyes, cowboy shot, sitting, sitting on stool, velvet stool, leaning forward, one ankle resting on knee, crossed legs, ankle, bare ankle, trying on shoes, high heels, dark red high heels, holding shoe, inspecting, critical but pleased expression, light smile, raised eyebrow, half-closed eyes, looking at object, looking down, navy pea coat, double-breasted coat, cream slacks, white blouse, open collar, long sleeves, reaching, warm lighting, spotlight, boutique interior, shoe salon, shoe boxes, stacked boxes, box stack, blurred background, depth of field, blurry, motion blur, 1boy, clerk, seen from behind, standing, background, flat color, cel shading, delicate linework, bishoujo, lustrous texture, crystal-like eyes, fine hair detail, warm color palette, amber light, wood and velvet, high-key, atmospheric haze, cinematic depth, golden rim light
Cowboy shot framed from just above the knee to above the head, camera lowered slightly and set three-quarters off her right side so she reads in near-profile turned partly toward the lens; she is seated on a low round velvet stool behind the fitting bench of the salon, spine tilted forward from the hips, shoulders hunched into the effort of the examination, weight settled on her left hip and the stool's padded top, right leg crossed so that the right ankle rests across her left knee, that foot bare except for the dark red high-heeled shoe she is working onto it. Both hands are on the shoe: the left palm cups the heel counter and pushes from behind, the right thumb and forefinger pinch the shoe's throat and guide it, and her chin is dipped toward the shoe so the shoe sits in the pocket of air between her face and her hands. Her brow is drawn into a faint crease above a narrowed, considering stare, one corner of the mouth lifted into a small satisfied curve against the flat of the other, lower lip caught slightly under her teeth; she is looking directly down at the shoe on her foot and nothing else. Her white hair falls in a long swept mass over her far shoulder and back, her usual hairstyle unchanged: long bangs drop between her eyes and a soft fringe sweeps across her forehead, and a single neat side braid runs down the near side of her neck, its taper lying against the coat's lapel; with her head tipped down the tail of the braid slides forward off her shoulder and the fine, loose strands at the crown catch the light. The navy pea coat is unbuttoned, its wide lapels folded open over the white blouse, and the cream slacks pull into a tight diagonal fold across the raised thigh and bunch at the crotch of the crossed leg. Warm boutique spot lighting comes from high and behind her right shoulder, a battery of small hot lamps in the ceiling wash: it rim-lights the top of her white head, the outside of the braid, and the shoulder seam of the coat, drops sheen down the glossy curve of the dark red shoe's vamp, and leaves the underside of her chin, the hollow of the coat's open front and the floor beneath the stool in warm shadow. Behind and to the left of her, out of focus at f/2.2, a blurred clerk in a dark uniform kneels at a low shelf with their back to the camera, one arm extended toward the boxes; the whole behind her is stacked shoe boxes — pale cardboard cartons stamped with illegible fine print, a couple of lids ajar and tissue paper furled over the edges — rising in an uneven wall that dissolves into haze toward the top of the frame. The salon itself is only implied: warm wood paneling, a tall mirror throwing the corner of a brass fitting rail, the soft ochre and dusty rose of velvet cushions. Flat cel coloring with crisp, delicate contour line work, minimal gradients, the hair rendered as broad white planes broken by a few thin lustrous highlights; warm ochre, deep navy, cream, and a single saturated dark-red accent confined to the shoe on her foot. Because she is bent forward over a crossed leg, the shadow of her head and shoulders falls onto the boxes and the bench beside her rather than onto the floor behind. Intimate, absorbed, quietly delighted.
鷹の目
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Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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