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크레딧1

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크레딧1

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character: tatsumaki, copyright: one-punch_man sharp eyes, tatsumaki, one girl, solo, short curly green hair, green eyes, narrowed eyes, piercing gaze, black dress, long sleeves, floating hair, crossed arms, from below, dutch angle, close-up, looking down at viewer, smug, light smile, half-closed eyes, tilt-shift background, dark teal and emerald palette, Low-angle dutch-angle close-up: the camera sits well beneath her chin and rolls a few degrees off level, so her head fills the upper two thirds of a tight vertical frame and the sky behind her tilts with it. She is small-framed and finely built, shoulders drawn back, one arm crossed firmly over the other at chest height, the lower hand clamped on the opposite elbow, the upper hand gripping her own upper arm just above the sleeve; her weight sits entirely on her back hip, the front knee bent and relaxed, so the whole stance slants against the camera roll. Her chin is tipped down toward the lens but her eyelids are dropped halfway and the eyes themselves are hard -- the inner corners pulled tight, the upper lids cutting a sharp straight line across the green irises, the outer corners lifted, the whites catching a thin bright rim of sky. One brow sits a fraction higher than the other. Her mouth is a small closed lopsided smile with no warmth in it, one corner up, the other pressed flat, and a barely visible tension in the jaw under the cheek. She is looking straight down the angle of the lens, and the look is a challenge rather than an invitation. Her short curly green hair is lifted slightly at the ends by a slow updraft, the curls spiralling out from the temples and nape rather than falling flat, a few strands crossing her brow; the black dress has long sleeves closed at the wrists and the fabric hangs heavy and still against her body while only the hem stirs, so the upward drift of the hair reads as the only moving air in the shot. Light comes from a single broad cold source high and behind her left shoulder: it edges her curls and the top of her sleeve in pale green-white, drops her face into a soft cool half-shadow where the only bright accents are the wet gleam on the eyes and a thin line along the lower lip, and throws a short shadow from her chin down across her collar. Behind and below her, a distant city is reduced to a blurred band of pale grey rooftops and a washed strap of sky, pushed far out of focus so her silhouette cuts clean across it and the buildings' scale makes her look small and unreachable at once. The palette stays inside emerald, black and cold off-white -- green in her hair, her irises and the rim light, black in the dress and the shadow under her chin, off-white in the sky and the blurred distance -- and nothing warm enters the frame. Below the frame edge, faint concentric rings of dust lifted off the rooftop below her are the only evidence of the pressure she is holding in the air. Crisp cel linework with flat shadow shapes and clean highlights, quiet menace.
Parametreleri Göster
Orijinal Prompt
One Punch Man - Tatsumaki, sharp eyes
Mod
flash
Boyut
1104 x 1824
İstem Yardımcısı

Kullanılan Model ve LoRA

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.07k

Benzer Görseller

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AI artwork
Avatar image of 크레딧1
character: tatsumaki, copyright: one-punch_man sharp eyes, tatsumaki, one girl, solo, short curly green hair, green eyes, narrowed eyes, piercing gaze, black dress, long sleeves, floating hair, crossed arms, from below, dutch angle, close-up, looking down at viewer, smug, light smile, half-closed eyes, tilt-shift background, dark teal and emerald palette, Low-angle dutch-angle close-up: the camera sits well beneath her chin and rolls a few degrees off level, so her head fills the upper two thirds of a tight vertical frame and the sky behind her tilts with it. She is small-framed and finely built, shoulders drawn back, one arm crossed firmly over the other at chest height, the lower hand clamped on the opposite elbow, the upper hand gripping her own upper arm just above the sleeve; her weight sits entirely on her back hip, the front knee bent and relaxed, so the whole stance slants against the camera roll. Her chin is tipped down toward the lens but her eyelids are dropped halfway and the eyes themselves are hard -- the inner corners pulled tight, the upper lids cutting a sharp straight line across the green irises, the outer corners lifted, the whites catching a thin bright rim of sky. One brow sits a fraction higher than the other. Her mouth is a small closed lopsided smile with no warmth in it, one corner up, the other pressed flat, and a barely visible tension in the jaw under the cheek. She is looking straight down the angle of the lens, and the look is a challenge rather than an invitation. Her short curly green hair is lifted slightly at the ends by a slow updraft, the curls spiralling out from the temples and nape rather than falling flat, a few strands crossing her brow; the black dress has long sleeves closed at the wrists and the fabric hangs heavy and still against her body while only the hem stirs, so the upward drift of the hair reads as the only moving air in the shot. Light comes from a single broad cold source high and behind her left shoulder: it edges her curls and the top of her sleeve in pale green-white, drops her face into a soft cool half-shadow where the only bright accents are the wet gleam on the eyes and a thin line along the lower lip, and throws a short shadow from her chin down across her collar. Behind and below her, a distant city is reduced to a blurred band of pale grey rooftops and a washed strap of sky, pushed far out of focus so her silhouette cuts clean across it and the buildings' scale makes her look small and unreachable at once. The palette stays inside emerald, black and cold off-white -- green in her hair, her irises and the rim light, black in the dress and the shadow under her chin, off-white in the sky and the blurred distance -- and nothing warm enters the frame. Below the frame edge, faint concentric rings of dust lifted off the rooftop below her are the only evidence of the pressure she is holding in the air. Crisp cel linework with flat shadow shapes and clean highlights, quiet menace.
크레딧1
AI artwork
Avatar image of 크레딧1
character: tatsumaki, copyright: one-punch_man sharp eyes, tatsumaki, one girl, solo, short curly green hair, green eyes, narrowed eyes, piercing gaze, black dress, long sleeves, floating hair, crossed arms, from below, dutch angle, close-up, looking down at viewer, smug, light smile, half-closed eyes, tilt-shift background, dark teal and emerald palette, Low-angle dutch-angle close-up: the camera sits well beneath her chin and rolls a few degrees off level, so her head fills the upper two thirds of a tight vertical frame and the sky behind her tilts with it. She is small-framed and finely built, shoulders drawn back, one arm crossed firmly over the other at chest height, the lower hand clamped on the opposite elbow, the upper hand gripping her own upper arm just above the sleeve; her weight sits entirely on her back hip, the front knee bent and relaxed, so the whole stance slants against the camera roll. Her chin is tipped down toward the lens but her eyelids are dropped halfway and the eyes themselves are hard -- the inner corners pulled tight, the upper lids cutting a sharp straight line across the green irises, the outer corners lifted, the whites catching a thin bright rim of sky. One brow sits a fraction higher than the other. Her mouth is a small closed lopsided smile with no warmth in it, one corner up, the other pressed flat, and a barely visible tension in the jaw under the cheek. She is looking straight down the angle of the lens, and the look is a challenge rather than an invitation. Her short curly green hair is lifted slightly at the ends by a slow updraft, the curls spiralling out from the temples and nape rather than falling flat, a few strands crossing her brow; the black dress has long sleeves closed at the wrists and the fabric hangs heavy and still against her body while only the hem stirs, so the upward drift of the hair reads as the only moving air in the shot. Light comes from a single broad cold source high and behind her left shoulder: it edges her curls and the top of her sleeve in pale green-white, drops her face into a soft cool half-shadow where the only bright accents are the wet gleam on the eyes and a thin line along the lower lip, and throws a short shadow from her chin down across her collar. Behind and below her, a distant city is reduced to a blurred band of pale grey rooftops and a washed strap of sky, pushed far out of focus so her silhouette cuts clean across it and the buildings' scale makes her look small and unreachable at once. The palette stays inside emerald, black and cold off-white -- green in her hair, her irises and the rim light, black in the dress and the shadow under her chin, off-white in the sky and the blurred distance -- and nothing warm enters the frame. Below the frame edge, faint concentric rings of dust lifted off the rooftop below her are the only evidence of the pressure she is holding in the air. Crisp cel linework with flat shadow shapes and clean highlights, quiet menace.
크레딧1
AI artwork
Avatar image of 크레딧1
character: tatsumaki, copyright: one-punch_man sharp eyes, tatsumaki, one girl, solo, short curly green hair, green eyes, narrowed eyes, piercing gaze, black dress, long sleeves, floating hair, crossed arms, from below, dutch angle, close-up, looking down at viewer, smug, light smile, half-closed eyes, tilt-shift background, dark teal and emerald palette, Low-angle dutch-angle close-up: the camera sits well beneath her chin and rolls a few degrees off level, so her head fills the upper two thirds of a tight vertical frame and the sky behind her tilts with it. She is small-framed and finely built, shoulders drawn back, one arm crossed firmly over the other at chest height, the lower hand clamped on the opposite elbow, the upper hand gripping her own upper arm just above the sleeve; her weight sits entirely on her back hip, the front knee bent and relaxed, so the whole stance slants against the camera roll. Her chin is tipped down toward the lens but her eyelids are dropped halfway and the eyes themselves are hard -- the inner corners pulled tight, the upper lids cutting a sharp straight line across the green irises, the outer corners lifted, the whites catching a thin bright rim of sky. One brow sits a fraction higher than the other. Her mouth is a small closed lopsided smile with no warmth in it, one corner up, the other pressed flat, and a barely visible tension in the jaw under the cheek. She is looking straight down the angle of the lens, and the look is a challenge rather than an invitation. Her short curly green hair is lifted slightly at the ends by a slow updraft, the curls spiralling out from the temples and nape rather than falling flat, a few strands crossing her brow; the black dress has long sleeves closed at the wrists and the fabric hangs heavy and still against her body while only the hem stirs, so the upward drift of the hair reads as the only moving air in the shot. Light comes from a single broad cold source high and behind her left shoulder: it edges her curls and the top of her sleeve in pale green-white, drops her face into a soft cool half-shadow where the only bright accents are the wet gleam on the eyes and a thin line along the lower lip, and throws a short shadow from her chin down across her collar. Behind and below her, a distant city is reduced to a blurred band of pale grey rooftops and a washed strap of sky, pushed far out of focus so her silhouette cuts clean across it and the buildings' scale makes her look small and unreachable at once. The palette stays inside emerald, black and cold off-white -- green in her hair, her irises and the rim light, black in the dress and the shadow under her chin, off-white in the sky and the blurred distance -- and nothing warm enters the frame. Below the frame edge, faint concentric rings of dust lifted off the rooftop below her are the only evidence of the pressure she is holding in the air. Crisp cel linework with flat shadow shapes and clean highlights, quiet menace.
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