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二人の花嫁

"二人の花嫁" YZ sanatı, 久方ブリ tarafından PixAI'de. Tsubaki.3 ile oluşturuldu.

Yayınlanma tarihi: Nov 14, 2026

久方ブリ

character: asmodeus_(the_seven_deadly_sins), satan_(the_seven_deadly_sins), copyright: the_seven_deadly_sins 2girls, satan \(the seven deadly sins\), asmodeus \(the seven deadly sins\), long hair, red hair, pink hair, antenna hair, purple eyes, green eyes, pointy ears, demon horns, demon tail, white lace wedding dress, lingerie-like dress, large open chest, keyhole cleavage, visible white lace bra, white lace elbow gloves, garter belt, bare shoulders, bridal veil, ruined church, broken pews, collapsed roof, rubble, two women, smiling, open-mouth smile, blush, happy, holding hands, pledging vows, man facing them, male from behind, pov, full body, from below, enlarged composition, close framing, soft light, dust motes in sunbeams, white and pale gold palette, Tsubaki.2 light mode style The camera sits low on the viewer's side, tilted slightly up: a close, enlarged full-body shot in which the man is a near-camera silhouette from behind, his shoulders and the back of his head cutting across the bottom-left foreground, out of focus, while the two brides stand full-length in the midground beyond him, facing him and facing us. Both women are drawn to the toes of their shoes. On the left, the red-haired demon has long hair falling past her waist, purple eyes, pointed ears and curved horns rising from her crown; on the right, the pink-haired demon has long hair with a single antenna strand curling above her forehead, green eyes, pointed ears, horns, and her tail sweeping out behind her hip. Both wear white lace wedding dresses cut like lingerie: a deep keyhole opening bares the centre of each chest and the top of the sternum, the white lace bra visible inside the opening, translucent lace sleeves ending in long white lace gloves that run to the elbow, and over the bare upper thighs a white garter belt with straps. A short veil hangs from the back of each head. They stand turned three-quarters toward the man, shoulders almost touching, and their hands meet between them at waist height, her fingers laced with hers, the lace stretching taut at the knuckles. Both look straight at the man's face, eyes bright, mouths open in wide happy smiles, cheeks flushed; each leans in slightly toward him, weight on the forward foot, chins lifted. The church around them is wrecked: a great shattered window behind them pours pale daylight through empty stone tracery, roof beams gone so the sky shows, pews toppled and scattered on the stone floor, rubble and dust gathered along the walls. The one light source is that window, so the two brides are rimmed with bright edges, their white lace glowing, while their fronts fall into soft shadow and long shadows stretch from their feet toward the camera and the man. Fine dust drifts in the light shafts and settles on the upward-facing edges of the broken stone. Palette of white lace, pale stone grey, pale gold light against the two bright heads of red and pink hair. The lace reads as delicate mesh and thread, the stone rough and powdery. Tender, radiant.

二人の花嫁

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