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AI artwork featuring #Code Geass: Lelouch of the Rebellion, #C.C. and #Fall Colours
Ücretsiz Oluştur

C.C., Code Geass: Lelouch of the Rebellion

YZ sanatı, HASSEN E tarafından PixAI'de. Tsubaki.3 Flash ile oluşturuldu.

Contest Entry
Colours of Autumn #Fall Colours
#Code Geass: Lelouch of the Rebellion#C.C.
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Yorumlar

character: c.c. 1girl, solo, c.c., long hair, very long green hair, yellow eyes, facing viewer, straight-on, from below, cowboy shot, both arms up, hands behind head, stretching, lazy stretch, elbows out, wide sheer gauze bat-wing sleeve top, translucent fabric, see-through clothing, bare shoulders visible through fabric, backlight, beam of light from behind, rim light, silhouette visible through clothes, body outline through fabric, glowing fabric edges, dark studio void background, light smile, half-closed eyes, A single young woman stands facing the viewer, shot from a slight low angle in a cowboy-shot crop that ends just below her hips, so her raised arms and the whole sweep of the garment fill the upper frame. Her long, very long pale-green hair falls in a heavy unstyled mass down her back and past her waist, a few strands lifted and blown forward over her shoulders by the air her movement stirs; her eyes are gold-yellow, lids half lowered, one corner of her mouth pulled into a faint, lazy, closed-lip smile, chin tipped up and slightly to her left as she looks down toward the lens. Both arms are raised high and folded back so her hands rest behind her head, elbows flared wide out to either side, forearms pressing into her hair and lifting it off her neck; her chest is open, one hip pushed out to her right so her weight rides on that leg while the other knee softens, and the stretch pulls a long diagonal from her right elbow through her ribs to her left hip. She wears one loose, thin, fashion-forward top of sheer gauze mesh with bat-wing sleeves: the fabric hangs off her raised arms in wide translucent drapes that fall from wrist to waist with no seam holding them close to the body, so the cloth swings and pools in soft folds under each elbow and floats free at the hem. The mesh is fine enough to read as a pale haze over her skin rather than an opaque garment, its weave catching a faint grid where the light grazes it, its edges feathering into transparency. She wears nothing visible beneath it, and the fabric is the only thing between her and the light, so no other garment interrupts the shape it reveals. The only light source is a hard beam from directly behind her, raking forward past her shoulders. It throws a bright bloom around her silhouette, rims the crown of her head and the outer edge of each raised arm with a thin hot line, and drives straight through the gauze, so the fabric glows where the beam meets it and her body reads as a soft dark shape inside a lit veil: the waisted line, the curve of her ribs, the inward taper below her bust and the flare of her hips are all legible as denser shadow through the transparent cloth, while the parts of the mesh that hang away from her skin stay almost white with transmitted light. The light scatters inside the fabric, brightest where the mesh is stretched tight across her raised forearms and dimmest where the bat-wing drapes bunch in loose folds. Beyond the beam there is nothing: the background is an even near-black void, no wall, no floor line, no second light, and the darkness closes absolutely around the lit edge of her. Palette is restrained to the pale green of her hair, the warm white-gold of the backlit gauze, the muted olive-grey of the shadowed body inside it, and the flat black void. The sheer fabric is rendered with visible mesh weave, soft light falloff inside the drapes, and a slight bloom where the beam clips its edges; her skin and hair stay matte and unlit except for the rim. Languid and luminous.
Parametreleri Göster
Orijinal Prompt
女主角是C.C.。穿着宽大薄透的时尚网纱蝙蝠袖,面对镜头双手抱头抬起像伸懒腰,背后照过来一束光,光透过衣服把女主角的身材照的一览无余
Mod
flash
Boyut
864 x 1152
İstem Yardımcısı

Kullanılan Model ve LoRA

Benzer Görseller

Daha fazla göster
AI artwork
he
character: c.c. backlighting, strong backlight, 1girl, solo, long hair, very long hair, green hair, yellow eyes, facing viewer, from front, cowboy shot, standing, both hands behind head, arms up, stretching, eyes closed, light smile, sheer mesh top, translucent clothing, bat-wing sleeves, dolman sleeves, wide sleeves, loose fabric, bare shoulders, white shirt under mesh removed, silhouette visible through clothes, body contour visible through fabric, light beam from behind, rim light, volumetric light, dark background, high contrast Frontal cowboy-shot view of a single young woman facing the camera, feet to mid-thigh in frame, centered against a deep near-black interior so the backlight has something to cut through. She stands with her weight settled on her back leg, hips shifted a little to one side, ribcage lifted: both arms are raised and folded back so her hands clasp behind her head, elbows flared wide and slightly forward of her ears, forearms pressing into the hair at her nape. Her chin tilts up a touch and her eyes are shut, lashes low, lips softly parted in a light, easy smile of a long stretch caught at its peak — a small inhale visible in the raised chest. The garment is the whole point: a loose, thin, sheer black mesh top in a fashion cut with bat-wing dolman sleeves, the fabric gossamer and semi-transparent, hanging in soft folds off her shoulders and falling in wide drapes from wrist to hip. The sleeves slide back toward her elbows as her arms go up, baring the line of her forearms and the underside of her upper arms; the neckline droops loose across her collarbones. Underneath, a simple dark fitted bodice and dark lower garment keep her modest while the mesh does its work: the overhead-and-behind light punches straight through the sheer layer from behind, so the mesh glows at its edges, the hems catch a bright fringe, and the outline of her torso, the narrow of her waist, the curve of her hips and the long line of her legs read clearly as a soft dark silhouette inside the lit fabric, brighter where the cloth is thinnest and the body nearest it. One hard shaft of warm white light enters from behind her right shoulder, angled down and slightly across, striking the far edge of her hair so a green-gold halo flares along the loose strands, rimming the top of both raised elbows and the drape of the sleeves, and spilling past her hip onto the floor. Because she is lit from behind, her face and the front of the fabric sit in cool shadow, with only a faint bounce catching her cheekbone, the tip of her nose and the front folds of the mesh; a soft, darker cast shadow of her stretched silhouette falls forward onto the floor in front of her feet. Nothing else in the frame is lit — beyond the beam the black falls off into absolute darkness, so the shaft itself is visible only as a faint pale haze in the air directly behind her, thicker at the edges of the folds where cloth scatters it. Palette held to green hair, warm white light, and deep near-black ground, with her yellow eyes barely catching a glint under her closed lids. The fabric reads as fine mesh with a faint open-weave texture where the light grazes it, all edges soft and luminous from the backlight. Quiet, warm, languid.
HASSEN E
AI artwork
he
character: c.c. backlighting, strong backlight, 1girl, solo, long hair, very long hair, green hair, yellow eyes, facing viewer, from front, cowboy shot, standing, both hands behind head, arms up, stretching, eyes closed, light smile, sheer mesh top, translucent clothing, bat-wing sleeves, dolman sleeves, wide sleeves, loose fabric, bare shoulders, white shirt under mesh removed, silhouette visible through clothes, body contour visible through fabric, light beam from behind, rim light, volumetric light, dark background, high contrast Frontal cowboy-shot view of a single young woman facing the camera, feet to mid-thigh in frame, centered against a deep near-black interior so the backlight has something to cut through. She stands with her weight settled on her back leg, hips shifted a little to one side, ribcage lifted: both arms are raised and folded back so her hands clasp behind her head, elbows flared wide and slightly forward of her ears, forearms pressing into the hair at her nape. Her chin tilts up a touch and her eyes are shut, lashes low, lips softly parted in a light, easy smile of a long stretch caught at its peak — a small inhale visible in the raised chest. The garment is the whole point: a loose, thin, sheer black mesh top in a fashion cut with bat-wing dolman sleeves, the fabric gossamer and semi-transparent, hanging in soft folds off her shoulders and falling in wide drapes from wrist to hip. The sleeves slide back toward her elbows as her arms go up, baring the line of her forearms and the underside of her upper arms; the neckline droops loose across her collarbones. Underneath, a simple dark fitted bodice and dark lower garment keep her modest while the mesh does its work: the overhead-and-behind light punches straight through the sheer layer from behind, so the mesh glows at its edges, the hems catch a bright fringe, and the outline of her torso, the narrow of her waist, the curve of her hips and the long line of her legs read clearly as a soft dark silhouette inside the lit fabric, brighter where the cloth is thinnest and the body nearest it. One hard shaft of warm white light enters from behind her right shoulder, angled down and slightly across, striking the far edge of her hair so a green-gold halo flares along the loose strands, rimming the top of both raised elbows and the drape of the sleeves, and spilling past her hip onto the floor. Because she is lit from behind, her face and the front of the fabric sit in cool shadow, with only a faint bounce catching her cheekbone, the tip of her nose and the front folds of the mesh; a soft, darker cast shadow of her stretched silhouette falls forward onto the floor in front of her feet. Nothing else in the frame is lit — beyond the beam the black falls off into absolute darkness, so the shaft itself is visible only as a faint pale haze in the air directly behind her, thicker at the edges of the folds where cloth scatters it. Palette held to green hair, warm white light, and deep near-black ground, with her yellow eyes barely catching a glint under her closed lids. The fabric reads as fine mesh with a faint open-weave texture where the light grazes it, all edges soft and luminous from the backlight. Quiet, warm, languid.
HASSEN E
AI artwork
he
character: c.c. backlighting, strong backlight, 1girl, solo, long hair, very long hair, green hair, yellow eyes, facing viewer, from front, cowboy shot, standing, both hands behind head, arms up, stretching, eyes closed, light smile, sheer mesh top, translucent clothing, bat-wing sleeves, dolman sleeves, wide sleeves, loose fabric, bare shoulders, white shirt under mesh removed, silhouette visible through clothes, body contour visible through fabric, light beam from behind, rim light, volumetric light, dark background, high contrast Frontal cowboy-shot view of a single young woman facing the camera, feet to mid-thigh in frame, centered against a deep near-black interior so the backlight has something to cut through. She stands with her weight settled on her back leg, hips shifted a little to one side, ribcage lifted: both arms are raised and folded back so her hands clasp behind her head, elbows flared wide and slightly forward of her ears, forearms pressing into the hair at her nape. Her chin tilts up a touch and her eyes are shut, lashes low, lips softly parted in a light, easy smile of a long stretch caught at its peak — a small inhale visible in the raised chest. The garment is the whole point: a loose, thin, sheer black mesh top in a fashion cut with bat-wing dolman sleeves, the fabric gossamer and semi-transparent, hanging in soft folds off her shoulders and falling in wide drapes from wrist to hip. The sleeves slide back toward her elbows as her arms go up, baring the line of her forearms and the underside of her upper arms; the neckline droops loose across her collarbones. Underneath, a simple dark fitted bodice and dark lower garment keep her modest while the mesh does its work: the overhead-and-behind light punches straight through the sheer layer from behind, so the mesh glows at its edges, the hems catch a bright fringe, and the outline of her torso, the narrow of her waist, the curve of her hips and the long line of her legs read clearly as a soft dark silhouette inside the lit fabric, brighter where the cloth is thinnest and the body nearest it. One hard shaft of warm white light enters from behind her right shoulder, angled down and slightly across, striking the far edge of her hair so a green-gold halo flares along the loose strands, rimming the top of both raised elbows and the drape of the sleeves, and spilling past her hip onto the floor. Because she is lit from behind, her face and the front of the fabric sit in cool shadow, with only a faint bounce catching her cheekbone, the tip of her nose and the front folds of the mesh; a soft, darker cast shadow of her stretched silhouette falls forward onto the floor in front of her feet. Nothing else in the frame is lit — beyond the beam the black falls off into absolute darkness, so the shaft itself is visible only as a faint pale haze in the air directly behind her, thicker at the edges of the folds where cloth scatters it. Palette held to green hair, warm white light, and deep near-black ground, with her yellow eyes barely catching a glint under her closed lids. The fabric reads as fine mesh with a faint open-weave texture where the light grazes it, all edges soft and luminous from the backlight. Quiet, warm, languid.
HASSEN E
AI artwork
he
character: c.c. backlighting, strong backlight, 1girl, solo, long hair, very long hair, green hair, yellow eyes, facing viewer, from front, cowboy shot, standing, both hands behind head, arms up, stretching, eyes closed, light smile, sheer mesh top, translucent clothing, bat-wing sleeves, dolman sleeves, wide sleeves, loose fabric, bare shoulders, white shirt under mesh removed, silhouette visible through clothes, body contour visible through fabric, light beam from behind, rim light, volumetric light, dark background, high contrast Frontal cowboy-shot view of a single young woman facing the camera, feet to mid-thigh in frame, centered against a deep near-black interior so the backlight has something to cut through. She stands with her weight settled on her back leg, hips shifted a little to one side, ribcage lifted: both arms are raised and folded back so her hands clasp behind her head, elbows flared wide and slightly forward of her ears, forearms pressing into the hair at her nape. Her chin tilts up a touch and her eyes are shut, lashes low, lips softly parted in a light, easy smile of a long stretch caught at its peak — a small inhale visible in the raised chest. The garment is the whole point: a loose, thin, sheer black mesh top in a fashion cut with bat-wing dolman sleeves, the fabric gossamer and semi-transparent, hanging in soft folds off her shoulders and falling in wide drapes from wrist to hip. The sleeves slide back toward her elbows as her arms go up, baring the line of her forearms and the underside of her upper arms; the neckline droops loose across her collarbones. Underneath, a simple dark fitted bodice and dark lower garment keep her modest while the mesh does its work: the overhead-and-behind light punches straight through the sheer layer from behind, so the mesh glows at its edges, the hems catch a bright fringe, and the outline of her torso, the narrow of her waist, the curve of her hips and the long line of her legs read clearly as a soft dark silhouette inside the lit fabric, brighter where the cloth is thinnest and the body nearest it. One hard shaft of warm white light enters from behind her right shoulder, angled down and slightly across, striking the far edge of her hair so a green-gold halo flares along the loose strands, rimming the top of both raised elbows and the drape of the sleeves, and spilling past her hip onto the floor. Because she is lit from behind, her face and the front of the fabric sit in cool shadow, with only a faint bounce catching her cheekbone, the tip of her nose and the front folds of the mesh; a soft, darker cast shadow of her stretched silhouette falls forward onto the floor in front of her feet. Nothing else in the frame is lit — beyond the beam the black falls off into absolute darkness, so the shaft itself is visible only as a faint pale haze in the air directly behind her, thicker at the edges of the folds where cloth scatters it. Palette held to green hair, warm white light, and deep near-black ground, with her yellow eyes barely catching a glint under her closed lids. The fabric reads as fine mesh with a faint open-weave texture where the light grazes it, all edges soft and luminous from the backlight. Quiet, warm, languid.
HASSEN E

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