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1boy, solo, half-body portrait, cowboy shot, from below, slight low angle, looking at viewer, head tilted down, messy long hair, spiky hair, pointed hair strands, blood-red hair, hair over one eye, one eye covered, dark red eyes, sharp eyes, narrow eyes, wide grin, sinister smile, confident smirk, teeth visible, thin tattoo line under eye, facial mark, very pale skin, crossed arms, arms crossed over chest, hands tucked against opposite upper arms, open black jacket, jacket folds, black leather jacket, white shirt, zigzag pattern, jagged tooth pattern on collar and chest, bare neck, plain white background, solid white background, sketch, rough sketch lines, high contrast, black and red palette, brush strokes, dynamic linework, simple lighting, detailed hair strands
A half-body portrait seen from slightly below, the figure filling the frame from crown to waist against a completely flat, plain white field with nothing drawn on it. His head tips a little down while his eyes stay level with the lens, so the sharp dark-red irises look out from under lowered lids; the mouth is pulled wide in a sinister, confident grin, one corner riding higher than the other, teeth catching a thin hard highlight. Long blood-red hair falls in ragged, pointed spikes, and one thick lock swings across his right eye, leaving only a sliver of that eye visible beneath the red strands while the left eye stays fully exposed; the rest of the hair breaks into separate sharp tips at the jaw and shoulders, some ends flicking outward. A single thin tattoo line runs under the visible eye, close to the lower lid, faint and precise against very pale, almost colourless skin. His arms are crossed tight over the chest, the right forearm laid over the left, each hand gripping the opposite upper arm so the sleeves bunch: an open black jacket, its lapels thrown wide, hangs in thick folds at the shoulders and elbows with hard sketched creases; under it a white shirt carries a bold zigzag pattern of jagged tooth shapes running across the collar and upper chest, and his throat and collarbone are bare above it, nothing at the neck. Only one simple, soft directional light from the upper front: it planes the cheekbones and the knuckles, drops the sockets and the inside of the open jacket into plain grey-black shadow, and casts no glow of any kind anywhere — no neon, no rim light, no coloured bounce, the whole picture resting on white with high-contrast black linework and blood-red strokes that break and taper at the ends of the hair and the jacket seams. Crisp, aggressive, effortlessly stylish.
Nov 2, 2026 12:19 AM
