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AI art "MJ's Incoming Foot" featuring #фемдом, #мінідівчина, #Велетка, #Велетень, #Наксуплені брови and #рука в бік
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MJ's Incoming Foot

Мистецтво ШІ «MJ's Incoming Foot» від MAX POWER на PixAI. Теги: мінідівчина, Велетка, Велетень, Наксуплені брови, рука в бік. Створено за допомогою Illustrious-XL-v1.0.

Mary-Jean has spotted two tinies squirming around her house. As the two tinies try to outrun her heeled foot, MJ wouldn't doubt on use force to make sure they're gone (in the other way...) Mary-Jean Leheron is from A Weekend Alone by KevinFred © Interweb Comics Model/Lora by AWAfanEDITS

#мінідівчина#Велетка#Велетень#Наксуплені брови#рука в бік
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Коментарі

maryjean, aweekendalone, masterpiece, high quality, clean lineart, soft shading, anime style, long brown hair, red long-sleeve fitted blouse, cleavage, black high heels, black thigh-high stockings, large breasts, black skirt, pov from below, foreshortening, close-up, giantess, foot, looming foot, boobs, hanging boobs, looming breasts
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Оригінальний промпт
MaryJean, AWeekendAlone, masterpiece, high quality, clean lineart, soft shading, anime style, long brown hair, red long-sleeve fitted blouse, cleavage, black high heels, Black thigh-high stockings, large breasts, black skirt, ,povfsrevext, from_below, foreshortening, close-up, giantess, clean lineart, soft shading, anime style, AweekendAlone, masterpiece, high quality, foot, looming foot, povfsrevext, from_below, foreshortening, close-up, giantess, clean lineart, soft shading, anime style, AweekendAlone, masterpiece, high quality, boobs, hanging boobs, looming breasts,
Тег якості
﹝Prompts﹞, masterpiece, best quality, amazing quality, very aesthetic, absundres
Розмір
768 x 1280
Кроки вибірки
28
Метод семплінгу
Euler a
Масштаб CFG
6.5
Негативні
worst quality, bad quality, very displeasing, displeasing, bad anatomy, artistic error, lowres, bad hands, signature, artist name, multiple views, variations, old, oldest, missing fingers, excess fingers, extra hands, excess hands

Використано Модель та LoRA

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A digital anime illustration of Misaka Mikoto in the exact same pose and composition as image1. Captured from a dramatic low angle, she steps forward with one bare foot dominating the extreme foreground, the sole pressing toward the viewer. Misaka has short brown hair adorned with a hairclip, and brown eyes. She is dressed in the summer Tokiwadai school uniform, featuring a white short-sleeved collared shirt under a brown V-neck sweater vest, and a grey pleated skirt. The background retains the dimly lit traditional Japanese room from image1, complete with dark wooden ceiling beams and shoji panels. The art style stays the same as the input image1.
Diogo Costa
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Avatar image of むぎ
1girl, solo, small adult female mannequin, petite body, adult woman, inward-curled bob, rounded Showa-style silhouette, short black bob, calm neutral expression, expressionless, black socks, black 1-bun-length spats, pink lace-style shorts, shorts layered over spats, one leg lightly bent, knee slightly bent, standing, extreme ultra low-angle shot from floor level, camera on the floor directly in front of toes, sharply tilted upward, from below, strong foreshortening, legs and feet emphasized, dramatic perspective, nighttime stretch gym, dim warm lights, exercise mats, stretching bars, floor reflections, high-detail textures, wide shot, The view is an extreme ultra low-angle shot from floor level: the lens sits on the floor directly in front of her toes, almost grazing the ground, and is tilted sharply upward so her feet and shins fill the bottom of the frame, huge and close, while her hips, torso and head recede and narrow toward the top edge. Strong foreshortening rules the whole image — the nearest foot is a broad slab of black cotton with the toe seam stitching legible, its sole pressing a soft dull contact shadow into the vinyl, and the further foot stands behind and above it, half-hidden by the near leg, smaller by the perspective and pushed toward the upper left of the frame. Her right leg carries her weight, straight to the floor; her left leg is lightly bent at the knee, the joint drifting a few centimetres forward and inward, lifting the heel just perceptibly so only the toe of that sock bears weight, and the bend makes the lace hem above it ride and bunch. Black socks wrap her feet and ankles tightly, knit stretched thin and slightly shiny over the knuckles of her toes, with a faint darker ring where the cuff presses into the skin above the ankle. Above them, black one-bun-length spats fit snug at the thigh, their short own hem cutting a horizontal line that the pink lace-style shorts layered on top break with a scalloped lace edge, the pink floating over the black in overlapping ruffles, a few lace points curling up and catching the warm light while a deeper shadow sits in the fold between the layers. The spats' matte fabric shows the little stress creases running up from the crotch of each leg as she shifts her weight. Her head is small at the top of the frame, tilted minutely down so her chin is faintly drawn in; her eyes are calm, level and neutral, lids relaxed, mouth closed in a flat soft line, brow uncreased — a quiet, self-contained stillness, no smile. The inward-curled bob holds its rounded Showa silhouette, heavy dark hair curving forward under the jaw and inward at the nape, the fringe a clean blunt arc across the forehead, and its weight keeps the shape even as the upward camera exaggerates the underside of the cut. The gym is a controlled, dim warm room at night: a black-cored exercise mat with a rubber-studded surface lies beneath her, its grid of texture running away in rushing perspective toward the back wall; parallel stretching bars of dull steel with worn grips recede in a row along the left, catching a soft broken highlight; more mats stack flat against the far wall. The warm lights are low and overhead, small pools of amber in the ceiling darkness, and because they sit high every surface that faces up takes the glow while undersides stay deep brown. The floor is a polyurethane coat polished by use, and it carries a mirror-soft reflection of her feet and legs — the reflected shapes darker and softer-edged than the real ones, trembling slightly where the near sock's contact shadow breaks them. The palette is warm amber and brown darkness against the pure blacks of her socks and spats, with the pink lace as the only clean cool note, plus the pale fleshy neutral of her skin above the sock cuffs. High-detail textures run throughout: knit loops, lace mesh, rubber mat studs, brushed steel, the faint orange-peel grain of the varnish. Quiet, still, faintly lonely calm.
むぎ

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