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Михаил Филинов

Avatar image of Михаил Филинов

Михаил Филинов

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village:1.3, lake village, lake, state farm, forest nearby, large pastures, winter, masterpiece, ultra detailed, landscape, snow covered, rural scenery, peaceful, daytime, scenic view, nature, countryside
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Оригінальний промпт
(village:1.3), lake village, lake, state farm, forest nearby, large pastures, winter,
Розмір
512 x 768
Кроки вибірки
28
Метод семплінгу
Euler a
Масштаб CFG
5
Негативні
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Використано Модель та LoRA

DnD Map Generator - AI Model cover image

SD

DnD Map Generator
54

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ew
A vast, dense snow-covered hunting woodland deep within a remote European forest during winter. Immersive first-person environmental perspective from within the forest itself, as though the viewer is surrounded by the woodland in every direction. Wide 16:9 landscape composition, realistic natural forest density, no visible human presence. The entire scene is filled with closely growing mature trees of varying species, trunk widths, heights, and natural spacing. Massive old oak and beech trunks stand among dense fir and spruce trees, their rough dark bark covered in patches of frost. Numerous overlapping trunks occupy the foreground, middle distance, and background, creating multiple layers of woodland depth. Trees extend continuously across the entire width of the image, including both the far left and far right edges. The forest must remain dense and visually enclosed, with no deliberate opening in the center. Heavy winter snow rests on evergreen branches, tangled bare twigs, low bushes, exposed roots, fallen timber, and irregular clusters of woodland vegetation. The forest floor is uneven and completely covered in natural snow, with scattered rocks, buried roots, fallen branches, and dense undergrowth breaking up the terrain. Snow accumulates naturally around tree bases and on fallen logs. Small animal footprints appear irregularly between the trees, partially obscured by fresh snowfall, without forming any trail or continuous track. Thick interlocking branches overlap overhead, partially obscuring the pale winter sky. Fine snow clings to the vegetation, while subtle gray daylight filters through small irregular gaps in the canopy. The light is diffuse and naturally obstructed by the dense trees, producing realistic variations of shadow across the snowy forest floor. The color palette consists of snow white, cold slate gray, deep bark brown, and subdued evergreen. The composition must emphasize the sensation of being physically inside a deep, extensive forest, surrounded by natural woodland in every direction. Foreground tree trunks partially overlap distant trees, and the background remains filled with more trees and tangled branches. Natural irregularity is essential: no symmetrical arrangement, no evenly spaced rows, no landscaped vegetation, and no artificial framing. STRICT ENVIRONMENT REQUIREMENTS: absolutely no roads, no paths, no trails, no clearings, no open central corridor, no visible forest entrance, no horizon-wide opening, no stream, no lake, no buildings, no fences, no signposts, and no man-made structures. Do not separate trees on the left and right to create a passage or frame a distant view. Do not create a central vanishing point. Do not arrange trees as a corridor. The forest must be densely occupied by trees across the full image, with no route through the woodland. Absolutely no people, hunters, human figures, faces, silhouettes, weapons, bows, arrows, firearms, hunting equipment, human-shaped forms, or supernatural creatures. No blood, carcasses, or injured animals. Natural woodland environment only. Photorealistic environmental concept art, highly detailed winter vegetation, realistic snow accumulation, natural tree distribution, dense layered forest depth, restrained winter lighting, wide 16:9 landscape composition, no readable text, no watermark.
ethan wong
AI artwork
ot
(((((1boy))))), (((boy focus))),ikeman,handsome,extremly handsome, beautiful face, tall,masterpiece, best quality, aesthetic, 1990s film photography, vintage disposable camera aesthetic, analog film, 35mm film, point and shoot camera, nighttime, winter night, heavy snowfall, snowstorm, blizzard, thick falling snow, large snowflakes, countless snowflakes, snowflakes close to camera, foreground snowflakes, out of focus snowflakes, bright white snowflakes, glowing snowflakes, circular bokeh, large bokeh circles, overlapping bokeh, scattered white light spots, flash illuminated snowflakes, direct camera flash, harsh on-camera flash, flash photography, light scattering, backscatter, overexposed snowflakes, blown out highlights, intense flash reflections, deep black night sky, pitch black background, high contrast, atmospheric perspective, dense snowy atmosphere, snow covered ground, thick accumulated snow, uneven snow surface, deep snow, footprints in snow, snowbanks, snow covered roadside, snow covered objects, snow covered metal railings, yellow metal guardrail, faint background structures, outdoor residential street, dark winter street, low visibility, grainy film, visible film grain, soft focus, slight motion blur, imperfect exposure, muted colors, faded colors, cool gray shadows, bluish white snow, subtle warm yellow accents, candid snapshot aesthetic, nostalgic atmosphere, chaotic snowflake composition, vertical composition, eye level shot, wide angle snapshot, A dark winter night captured with a vintage point-and-shoot film camera using a strong direct flash. Countless large, soft white snowflakes fill the entire frame at different distances from the lens. Snowflakes extremely close to the camera appear as enormous, glowing, blurry circular spots, while smaller, sharper flakes scatter densely throughout the dark background. The flash reflects intensely off the falling snow, creating irregular bright white blobs, translucent halos, and overlapping circular bokeh. The night sky is almost completely black, contrasting dramatically with the illuminated snow. Thick, uneven snow blankets the street, with deep footprints, snowbanks, partially buried objects, and a faint yellow metal railing in the background. Slightly washed-out colors, rough analog film grain, imperfect focus, and blown-out white highlights create the feeling of a spontaneous winter snapshot taken during an exceptionally heavy snowfall.
Op Tho

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