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dozen dezelion
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- Оригінальний промпт
- DEMONS GHOSTS SPAWIYR, FUTURE, OBLE,classroom,school desk,school chair,window,curtains,day,ujimatsu chiya,gochuumon wa usagi desu ka?,black hair,long hair,blunt bangs,flower ornament,green eyes,japanese maid,long sleeve,improve_image,
- Тег якості
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Розмір
- 768 x 864
- Кроки вибірки
- 12
- Метод семплінгу
- Euler
- Масштаб CFG
- 1
- Негативні
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Використано Модель та LoRA
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papa_0620
papa_0620
シ
宇治松千夜・ご注文はうさぎですか？
シオン
character: isuzu_hana, copyright: girls_und_panzer
1girl, solo, isuzu_hana, upper body portrait, cowboy shot framing cut at the waist, standing, looking at viewer, serene elegant smile, closed lips curved softly, head tilted slightly down and to her right, long black hair, hair up, ahoge, black eyes, ooarai school uniform, serafuku, white sailor blouse with long sleeves, black neckerchief tied in front, green pleated skirt, both hands holding a single white flower, holding flower with both hands, flower held at chest height, delicate white petals, standing in flower arrangement club room, wooden table, vase of seasonal flowers, soft window light, from side lighting, warm afternoon, calm graceful mood, clean anime art, official artwork quality, highly detailed,
Shot as an upper body portrait from a slight low angle, three-quarter turned toward her right so her left shoulder sits nearer the lens; the crop closes just below the waist where the green pleated skirt begins to flare, one pleat catching the window light. She stands behind the near end of a low wooden table, weight settled on her left leg with her right knee relaxed forward; her torso leans a whisper toward the camera, chin dipped, eyes lifted straight into the lens with a quiet, composed warmth -- lashes low, the corners of her closed mouth lifted in a serene elegant smile that shows no teeth. Her long black hair is gathered up, a few loose strands drawn forward over her left collarbone by the air; the small ahoge springs from the crown and lifts with the same faint draft.
Both hands are cupped beneath a single white flower, one stem pinched lightly between her right thumb and forefinger, her left palm supporting under the bloom; the flower stands upright just under her chin, its white petals overlapping the black neckerchief's knot without touching it. The knot of the neckerchief sits centered on the white sailor collar, its two short tails resting flat on the blouse; the collar's stripes run out to her shoulders. Wrists angled inward, elbows close to her ribs -- the pose reads as presentation, not offering.
A dark wooden table crosses the lower foreground in front of her waist, its grain running left to right, a shallow bowl of seasonal flowers set on it at the right edge of frame -- a few tall stems, small orange and pale yellow heads, dark glossy leaves, only the upper half of the vase visible before the crop takes it. Behind her, a plaster wall and the soft blurred edge of a shoji frame recede; a hanging scroll and a couple of distant bud vases fall out of focus in the background.
Soft window light enters from the upper left, a broad cool-white wash through paper, laying a bright edge along the left of her cheek, the left side of the sailor collar and the tops of the flower's petals; the shadow side of her face and the right half of the blouse fall into warm gray, and her cast shadow drops softly onto the tabletop beside the vase. Beyond the window's pool the room dims into quiet shadow. Thin visible dust motes drift in the light shaft, and the flower's white petals glow slightly where the light passes near them. Palette held to black, white, the deep green of the skirt, warm wood brown and the pale paper-cream of the room, nothing louder admitted. Composed, tender.
KAMIDA
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