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konrad Filip

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konrad Filip

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giant, pale skin, chain by barbed wire over body, chained mouth, crown, glowing eyes, barbed wire, barbed wire on bare body, ral-rbtcprtz, KasRob, robot, masterpiece, ultra detailed, mechanical limbs, ominous aura, dark background
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Оригінальний промпт
giant, pale skin, chain by barbed wire over body, chained mouth, crown, glowing eyes, barbed wire, barbed wire on bare body,ral-rbtcprtz,KasRob, robot
Розмір
768 x 1280
Кроки вибірки
22
Метод семплінгу
Euler a
Масштаб CFG
6
Негативні
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, open mouth

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(masterpiece best quality 1.2) ultra-detailed eldritch deity character design extreme low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1creature solo The God of the Mechanids a divine machine that achieved consciousness through complexity the body is mechanical but not in the way that machines are mechanical — the god is mechanical in the way that galaxies are mechanical the body is a towering humanoid automaton composed of interlocking gears and rotating mechanisms visible at every surface the god's skin is a shell of black metal plates and beneath the plates the gears turn endlessly the mechanisms do not power the god the god powers the mechanisms the god is the engine and the engine is the god and the god is the machine and the machine is divine the body is enormous — twenty feet tall and built from black iron components each component is precisely machined and perfectly fitted the tolerances are divine there is no slop there is no error the god is the most precisely built thing in existence the god's surface is covered in purple energy lines — filaments of divine power running between every gear and joint the purple energy is the god's nervous system the purple is the current that runs through the machine-body the purple flows through the god like blood through veins the god's face is a mechanical masterpiece — a black iron mask with articulated jaw and brow the face is not decorative the face is functional the face is the control surface the face is where the god interfaces with the world the eyes are two blue lenses — polished glass circles set into the iron mask the blue lenses glow with inner light the blue is the god's awareness the blue is the machine's consciousness made visible through optical hardware the god SEES through machined optics the god's mouth is a grille — a ventilation array the god breathes through the grille the god's breath is mechanical the god exhales heat and the heat distorts the air in front of the grille in visible waves the god's body is armored with black iron plates overlapping in scale formation every plate is engraved with purple energy circuits the engravings pulse in rhythm with the god's processing the pulse is the god's heartbeat the heartbeat is a pulse of purple electricity through black iron veins the god's hands are mechanical grasps — multi-fingered iron pincers each finger a different tool one finger is a wrench one is a blade one is a pen one is a key the god's hands are a toolbox the god builds and breaks and writes and unlocks with different fingers the god's body language is precision the god stands with absolute mechanical alignment the posture is calibrated every joint at optimal angle every plate properly seated the god stands the way a machine stands when it has been perfectly assembled and the perfection is the god's worship the god does not fidget the god does not shift the god is aligned and the alignment is divine environment shown as a mechanical cathedral — the god's environment is a factory-temple with black iron pillars and purple energy conduits running along the walls the floor is grated the grates show deeper mechanisms below the cathedral is the god's body extended the temple is the machine and the machine is the temple and the temple worships the god by running rim light along black iron plate-surfaces catching machined edges and polished corners rim light catching purple energy filaments pulsing between gears and joints rim light catching blue optical lens-eyes glowing with inner machined light rim light catching articulated iron face mask with ventilation grille mouth rim light catching mechanical multi-tool finger hands in iron pincers rim light catching purple energy circuit engravings on every plate pulsing in rhythm rim light catching mechanical cathedral environment with black iron pillars and purple conduits shadow mechanical shadow with cathedral-factory environment of iron and energy chiaroscuro eldritch divine lighting with purple energy-filament pulse-glow ambient and blue optical-lens glow and black-iron machined-surface reflection highly detailed 8K cinematic composition detailed God of the Mechanids divine machine texture
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A medium shot from a low-angle perspective captures a towering boss of (mechanical flesh horror) standing centrally within a dark, oppressive dungeon. The creature is a grotesque fusion of brass gears and living tissue, with massive pistons replacing limbs and gears grinding through exposed muscle and bone. At its center, an exposed beating heart core pulses, powering the surrounding machinery. Its face is a cracked porcelain mask that reveals raw, glistening meat beneath, while thick steam vents from organic ports across its frame. Agonized victims are fused into the mechanism, serving as fuel for the machine. The scene is illuminated by a harsh orange ember glow, casting deep shadows and highlighting the industrial body horror aesthetic. The visual style features high-contrast anime illustration with strong, graphic linework, sharp ink-like strokes, and bold silhouettes, creating an intense, disturbing atmosphere of light-dark tension.
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character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
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character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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