AI art "E" featuring #Chidori Yoshino and #PixAI X HASK

E

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PixAI × Hallelujah Sweets Kitchen – Sweets Personification

#Chidori Yoshino

Published on Aug 19, 2026

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濱森實伊香

Додатково див.

character: yoshino_chidori, Chidori Yoshino from Persona 3, a young woman with a slender delicate physique, narrow shoulders, slim waist, long elegant limbs, pale porcelain skin, delicate narrow oval face, small pointed chin, refined facial proportions, narrow crimson-red eyes with subdued dark red irises, long eyelashes, long vivid crimson-red hair reaching well below the shoulders, naturally wavy and slightly tousled hair, uneven layered bangs partially framing the face, several loose strands lifted by the sea breeze, recognizable gothic appearance and delicate melancholic beauty, small black choker, wearing an ethereal pure-white ankle-length flowing dress, semi-translucent layered fabric, fitted upper bodice, narrow waist, long flowing skirt with irregular layered hems, very faint lavender-blue shadows inside the fabric folds, no modern casual clothing, no armor, no fantasy costume excess, 12:00 midnight, a vast black reef garden emerging from the ocean after the tide has completely receded, jagged black volcanic rocks forming natural terraces, narrow stone channels and shallow pools of seawater between the rocks, wet stone surfaces covered by a thin layer of seawater, rough porous mineral texture, chipped edges and eroded surfaces, cinematic low-angle wide-angle photography, camera physically positioned very low above the shallow seawater approximately 30–40 cm above the surface, approximately 12–15 meters behind Chidori, 24mm full-frame wide-angle lens, camera looking slightly upward toward the horizon and enormous moon, 1:1 square composition, Chidori positioned slightly RIGHT of the exact center rather than centered, full body visible from behind, occupying approximately the middle-right portion of the frame, Chidori standing barefoot in ankle-deep seawater on a slightly elevated black reef surface, back completely facing the camera, head turned only minimally toward the enormous tree in front of her, shoulders relaxed, arms hanging naturally beside her body, posture upright and still, long crimson hair blown diagonally toward the LEFT by the ocean wind, several tiny white flowers caught between strands of hair, the hem of her white dress floating slightly above the shallow water rather than touching the reef, several translucent layers of fabric suspended by the wind, subtle ripples directly beneath the dress, directly in front of Chidori stands an enormous inverted tree growing from the black reef, its massive roots extending upward toward the sky, thick exposed roots twisting like ancient stone branches, trunk widening irregularly before dividing into enormous downward-growing branches that descend into the shallow seawater, branches partially submerged beneath the water surface, the inverted tree occupying the central-left to central-upper region of the composition, dark almost-black bark with wet rough texture, deep cracks, moss-like dark teal deposits and subtle violet mineral coloration, branches disappearing into the water and creating concentric ripples, countless semi-translucent pale blue flowers blooming along the inverted branches, thin glass-like petals with faint cyan-blue luminescence, each flower emitting only a weak diffuse internal glow, clusters becoming denser toward the upper branches, the flowers’ light NOT directly illuminating Chidori, instead creating broken fragmented silver-blue reflections across the shallow seawater, luminous paths leading toward Chidori’s feet, the inverted tree and the reflection of the moon, foreground occupying the lower 20–25 percent of the frame, shallow seawater extremely close to the camera, several transparent water splashes and floating white flower petals intentionally out of focus, large foreground petals partially cropped by the frame, translucent petals catching blue and silver highlights and becoming soft luminous bokeh shapes, middle ground containing Chidori, wet black reef terraces, shallow seawater pools and the base of the inverted tree, detailed wet stone surfaces, thin water films, tiny rivulets and reflected colored light, background containing the enormous inverted tree, distant dark ocean horizon and gigantic moon, sky occupying approximately two-thirds of the composition, near-horizon sky rendered in deep indigo blue gradually transitioning upward through saturated midnight blue into extremely deep violet-black, sparse thin clouds crossing the moon, a gigantic full moon positioned in the upper-right quadrant, approximately three-quarters of the lunar disc visibly unobscured while thin translucent clouds cut across its surface, highly detailed lunar texture, pale silver-white core, extremely subtle rose-gold atmospheric halo surrounding the moon, composition built around a slightly tilted visual axis connecting the moon, inverted tree and Chidori, the axis running diagonally from the lower-right figure upward through the tree toward the upper-right moon, while luminous flower reflections create a secondary diagonal from the lower foreground toward Chidori, wet black reef surfaces reflecting multiple colors rather than pure black: deep midnight-blue reflections on upward-facing planes, hidden burgundy-red tones inside cracks and shadow pockets, deep peacock-green reflected light along wet edges, violet coloration inside recessed mineral textures, silver-blue highlights on thin water films, Chidori’s pale skin rendered as porcelain ivory with extremely subtle cool blue-violet shadow planes, faint pearl-pink reflected light along the edges of her shoulders, neck and hands, Chidori’s crimson hair containing layered color variation: deep wine-red in the darkest interior strands, saturated crimson-red on the main illuminated masses, subtle burgundy undertones, tiny violet-blue reflected highlights from the surrounding moonlit environment, white dress containing multiple material layers rather than flat white: pearl-white illuminated fabric, cool silver-white highlights, pale lavender-blue shadows, extremely subtle dusty rose-pink reflected light near the lower folds, translucent edges catching moonlight, three-direction lighting design: PRIMARY LIGHT: enormous moon in the upper-right background acting as the dominant cool backlight, producing a thin silver rim light around Chidori’s hair, shoulders, dress edges and the upper contours of wet rocks, SECONDARY LIGHT: low-intensity cyan-blue bioluminescence emitted from the pale blue flowers on the inverted tree, illuminating nearby seawater, submerged branches and small portions of the reef, TERTIARY LIGHT: extremely faint violet atmospheric rim light originating from the distant horizon behind Chidori, barely visible along the lower silhouette of her hair and dress, additional reflected light from the seawater producing muted peacock-green and indigo reflections beneath the reef, subtle rose-gold lunar reflections inside selected water ripples, deep shadows retaining visible color information, darkest areas containing controlled mixtures of violet-black, burgundy, deep teal and midnight blue instead of pure black, color hierarchy: midnight blue and deep indigo as dominant environmental colors, violet-black as deep shadow color, peacock green as secondary reflected color, silver-white as primary highlight color, pale cyan-blue as bioluminescent accent, extremely restrained rose-gold around the moon, deep burgundy hidden inside reef shadows and Chidori’s hair, no flat black shadows, no generic blue night filter, no excessive pink, no pastel fantasy palette, water adhering to rough volcanic stone, realistic micro-reflections, small ripples caused by wind and submerged branches, thin sheets of seawater flowing over rock edges, translucent flower petals floating naturally on the water, cinematic fine-art photography, impossible surreal landscape photographed as if physically real, realistic optical rendering, realistic lens depth of field, subtle lens bloom around the moon and bioluminescent flowers, restrained volumetric mist near the water surface, rich shadow detail, realistic fabric fibers, realistic wet mineral surfaces, microscopic texture visible on wet volcanic rock, woven fibers visible in the white dress, individual strands of crimson hair resolved in the moonlight, tiny imperfections in flower petals, subtle water droplets suspended in foreground splashes, no text, no typography, no extra people, no modern objects, no boats, no architecture unrelated to the reef, no pink fantasy sky, no neon lighting, no plastic skin, no exaggerated anime eyes, no chibi proportions, no distorted hands, no extra limbs, no duplicated flowers, no symmetrical centered composition, no ordinary beach scenery, gtsleep1200 style, surreal anime art style, muted color palette, high-contrast accent colors, soft gouache shading, painterly brushwork, subtle lineart, soft linework, painterly style, thick oil paint texture, impasto, layered brushstrokes, visible texture, expressive brushwork, rough textures, stylized forms, masterpiece, highres, ultra detailed, intricate details, sharp focus, clean lineart, anime illustration

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Оригінальний промпт: Chidori Yoshino from Persona 3, a young woman with a slender delicate physique, narrow shoulders, slim waist, long elegant limbs, pale porcelain skin, delicate narrow oval face, small pointed chin, refined facial proportions, narrow crimson-red eyes with subdued dark red irises, long eyelashes, long vivid crimson-red hair reaching well below the shoulders, naturally wavy and slightly tousled hair, uneven layered bangs partially framing the face, several loose strands lifted by the sea breeze, recognizable gothic appearance and delicate melancholic beauty, small black choker, wearing an ethereal pure-white ankle-length flowing dress, semi-translucent layered fabric, fitted upper bodice, narrow waist, long flowing skirt with irregular layered hems, very faint lavender-blue shadows inside the fabric folds, no modern casual clothing, no armor, no fantasy costume excess, 12:00 midnight, a vast black reef garden emerging from the ocean after the tide has completely receded, jagged black volcanic rocks forming natural terraces, narrow stone channels and shallow pools of seawater between the rocks, wet stone surfaces covered by a thin layer of seawater, rough porous mineral texture, chipped edges and eroded surfaces, cinematic low-angle wide-angle photography, camera physically positioned very low above the shallow seawater approximately 30–40 cm above the surface, approximately 12–15 meters behind Chidori, 24mm full-frame wide-angle lens, camera looking slightly upward toward the horizon and enormous moon, 1:1 square composition, Chidori positioned slightly RIGHT of the exact center rather than centered, full body visible from behind, occupying approximately the middle-right portion of the frame, Chidori standing barefoot in ankle-deep seawater on a slightly elevated black reef surface, back completely facing the camera, head turned only minimally toward the enormous tree in front of her, shoulders relaxed, arms hanging naturally beside her body, posture upright and still, long crimson hair blown diagonally toward the LEFT by the ocean wind, several tiny white flowers caught between strands of hair, the hem of her white dress floating slightly above the shallow water rather than touching the reef, several translucent layers of fabric suspended by the wind, subtle ripples directly beneath the dress, directly in front of Chidori stands an enormous inverted tree growing from the black reef, its massive roots extending upward toward the sky, thick exposed roots twisting like ancient stone branches, trunk widening irregularly before dividing into enormous downward-growing branches that descend into the shallow seawater, branches partially submerged beneath the water surface, the inverted tree occupying the central-left to central-upper region of the composition, dark almost-black bark with wet rough texture, deep cracks, moss-like dark teal deposits and subtle violet mineral coloration, branches disappearing into the water and creating concentric ripples, countless semi-translucent pale blue flowers blooming along the inverted branches, thin glass-like petals with faint cyan-blue luminescence, each flower emitting only a weak diffuse internal glow, clusters becoming denser toward the upper branches, the flowers’ light NOT directly illuminating Chidori, instead creating broken fragmented silver-blue reflections across the shallow seawater, luminous paths leading toward Chidori’s feet, the inverted tree and the reflection of the moon, foreground occupying the lower 20–25 percent of the frame, shallow seawater extremely close to the camera, several transparent water splashes and floating white flower petals intentionally out of focus, large foreground petals partially cropped by the frame, translucent petals catching blue and silver highlights and becoming soft luminous bokeh shapes, middle ground containing Chidori, wet black reef terraces, shallow seawater pools and the base of the inverted tree, detailed wet stone surfaces, thin water films, tiny rivulets and reflected colored light, background containing the enormous inverted tree, distant dark ocean horizon and gigantic moon, sky occupying approximately two-thirds of the composition, near-horizon sky rendered in deep indigo blue gradually transitioning upward through saturated midnight blue into extremely deep violet-black, sparse thin clouds crossing the moon, a gigantic full moon positioned in the upper-right quadrant, approximately three-quarters of the lunar disc visibly unobscured while thin translucent clouds cut across its surface, highly detailed lunar texture, pale silver-white core, extremely subtle rose-gold atmospheric halo surrounding the moon, composition built around a slightly tilted visual axis connecting the moon, inverted tree and Chidori, the axis running diagonally from the lower-right figure upward through the tree toward the upper-right moon, while luminous flower reflections create a secondary diagonal from the lower foreground toward Chidori, wet black reef surfaces reflecting multiple colors rather than pure black: deep midnight-blue reflections on upward-facing planes, hidden burgundy-red tones inside cracks and shadow pockets, deep peacock-green reflected light along wet edges, violet coloration inside recessed mineral textures, silver-blue highlights on thin water films, Chidori’s pale skin rendered as porcelain ivory with extremely subtle cool blue-violet shadow planes, faint pearl-pink reflected light along the edges of her shoulders, neck and hands, Chidori’s crimson hair containing layered color variation: deep wine-red in the darkest interior strands, saturated crimson-red on the main illuminated masses, subtle burgundy undertones, tiny violet-blue reflected highlights from the surrounding moonlit environment, white dress containing multiple material layers rather than flat white: pearl-white illuminated fabric, cool silver-white highlights, pale lavender-blue shadows, extremely subtle dusty rose-pink reflected light near the lower folds, translucent edges catching moonlight, three-direction lighting design: PRIMARY LIGHT: enormous moon in the upper-right background acting as the dominant cool backlight, producing a thin silver rim light around Chidori’s hair, shoulders, dress edges and the upper contours of wet rocks, SECONDARY LIGHT: low-intensity cyan-blue bioluminescence emitted from the pale blue flowers on the inverted tree, illuminating nearby seawater, submerged branches and small portions of the reef, TERTIARY LIGHT: extremely faint violet atmospheric rim light originating from the distant horizon behind Chidori, barely visible along the lower silhouette of her hair and dress, additional reflected light from the seawater producing muted peacock-green and indigo reflections beneath the reef, subtle rose-gold lunar reflections inside selected water ripples, deep shadows retaining visible color information, darkest areas containing controlled mixtures of violet-black, burgundy, deep teal and midnight blue instead of pure black, color hierarchy: midnight blue and deep indigo as dominant environmental colors, violet-black as deep shadow color, peacock green as secondary reflected color, silver-white as primary highlight color, pale cyan-blue as bioluminescent accent, extremely restrained rose-gold around the moon, deep burgundy hidden inside reef shadows and Chidori’s hair, no flat black shadows, no generic blue night filter, no excessive pink, no pastel fantasy palette, water adhering to rough volcanic stone, realistic micro-reflections, small ripples caused by wind and submerged branches, thin sheets of seawater flowing over rock edges, translucent flower petals floating naturally on the water, cinematic fine-art photography, impossible surreal landscape photographed as if physically real, realistic optical rendering, realistic lens depth of field, subtle lens bloom around the moon and bioluminescent flowers, restrained volumetric mist near the water surface, rich shadow detail, realistic fabric fibers, realistic wet mineral surfaces, microscopic texture visible on wet volcanic rock, woven fibers visible in the white dress, individual strands of crimson hair resolved in the moonlight, tiny imperfections in flower petals, subtle water droplets suspended in foreground splashes, no text, no typography, no extra people, no modern objects, no boats, no architecture unrelated to the reef, no pink fantasy sky, no neon lighting, no plastic skin, no exaggerated anime eyes, no chibi proportions, no distorted hands, no extra limbs, no duplicated flowers, no symmetrical centered composition, no ordinary beach scenery, gtsleep1200 style, surreal anime art style, muted color palette, high-contrast accent colors, soft gouache shading, painterly brushwork, subtle lineart, soft linework, painterly style, thick oil paint texture, impasto, layered brushstrokes, visible texture, expressive brushwork, rough textures, stylized forms, masterpiece, highres, ultra detailed, intricate details, sharp focus, clean lineart, anime illustration
Mode: pro
Розмір: 1280 x 768
Негативні: worst quality, photorealistic, bad anatomy, blur, low resolution, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked