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AI art "First We Take Manhattan  - Leonard Cohen"

First We Take Manhattan - Leonard Cohen

I put the lyrics of Leonard Cohen's First We Take Manhattan into the Tsubaki prompt window.

#Male#Denim#standing#Outdoors#solo#Black hair#Jeans#Jacket#Cityscape#Leather#Boy#Acoustic guitar#Clenched fist#Closed mouth
Published on Aug 25, 2026
Avatar image of Subaru
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Subaru

Додатково див.
A lone revolutionary stands on a deserted city street at dusk, gazing towards the neon-lit skyline of Manhattan in the distance. He is a weathered man in his late 30s with intense eyes and a determined expression, wearing a worn leather jacket over a simple t-shirt and durable jeans. A distinct birthmark is visible on his neck. His stance is resolute, one hand clenched into a fist at his side, symbolizing his long struggle and readiness for action. The mood is one of somber rebellion and poetic vengeance, captured in a cinematic, neo-noir anime style. The foreground is dark and gritty, littered with symbolic debris like a discarded plywood violin and a small toy monkey, while the distant city glows with a cold, artificial light, representing the system he aims to conquer. The image conveys a deep sense of personal history, boredom transformed into purpose, and the chilling beauty of impending change.
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Оригінальний промпт
They sentenced me to twenty years of boredom For trying to change the system from within I'm coming now, I'm coming to reward them First we take Manhattan, then we take Berlin I'm guided by a signal in the heavens I'm guided by this birthmark on my skin I'm guided by the beauty of our weapons First we take Manhattan, then we take Berlin I'd really like to live beside you, baby I love your body and your spirit and your clothes But you see that line there moving through the station? I told you, I told you, told you, I was one of those Ah you loved me as a loser, but now you're worried that I just might win You know the way to stop me, but you don't have the discipline How many nights I prayed for this, to let my work begin First we take Manhattan, then we take Berlin I don't like your fashion business mister And I don't like these drugs that keep you thin I don't like what happened to my sister First we take Manhattan, then we take Berlin I'd really like to live beside you, baby ... And I thank you for those items that you sent me The monkey and the plywood violin I practiced every night, now I'm ready First we take Manhattan, then we take Berlin I am guided Ah remember me, I used to live for music Remember me, I brought your groceries in Well it's Father's Day and everybody's wounded First we take Manhattan, then we take Berlin
Тег якості
high quality, year_2025, year_2024, ﹝Prompts﹞
Розмір
768 x 1280
Кроки вибірки
25
Метод семплінгу
Euler
Масштаб CFG
4.5
Негативні
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Помічник запитів

Використано Модель та LoRA

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AI art "First We Take Manhattan  - Leonard Cohen"
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First We Take Manhattan - Leonard Cohen
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2
AI art "First We Take Manhattan  - Leonard Cohen"
Avatar image of Subaru
First We Take Manhattan - Leonard Cohen
Subaru
AI art "First We Take Manhattan  - Leonard Cohen"
Avatar image of Subaru
First We Take Manhattan - Leonard Cohen
Subaru
AI artwork
Avatar image of Kanna Togakushi
A medium shot, 3/4 view anime illustration of Oscar Hellestorm, a 26-year-old bounty hunter mercenary of H.Evo race, standing in a relaxed yet calculating posture. He has very light brown skin, amber eyes, and short, rebellious dark hair. He is dressed in practical mercenary attire consisting of a dark tactical jacket and cargo pants in tones of grey and brown. He holds a S&W revolver in his right hand, resting it casually by his side, while his left hand is tucked into his pocket. A Keygtar instrument is slung across his back. The scene is set in a gritty, urban street of a futuristic city with weathered concrete walls and scattered debris. The lighting is moody and atmospheric, utilizing a muted color palette of black, white, grey, and brown, with sharp highlights reflecting off his weapon. The overall mood is one of professional calm and seasoned experience, rendered with high-quality digital linework and polished textures.
Kanna Togakushi

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