生駒のぞみ(うちの娘)とはにわ【8/28は埴輪の日】

8/28は「埴輪の日」ということで、はにわを手にしたうちの娘・生駒のぞみです。「埴輪の日」は8/28(はにわ)説と8/20(はに輪)説がありますが、一般社団法人日本記念日協会が認定登録した8/28で通します。 https://okura-hd.jp/release/200806.html (古市古墳群のおひざ元・大蔵印刷工業株式会社様のサイトより) ※8/28は百舌鳥古市古墳群各自治体(羽曳野市など)、8/20は高槻市など今回はMio.2(Tshubaki.2)で生成しています。鳥居など礼拝所はそれっぽいのですが、古墳本体がコレジャナイ感。レナ的には、古墳の情景ってだいたいこんな感じ(でかい天皇陵を横から) https://iromirai.jp/posts/61562975a871?i=0 なんですよね。あと謎の生物な埴輪、なんかかわいい。うちの娘、生駒のぞみ (イロミライ) https://iromirai.jp/characters/nozomi_ikoma

#Outdoors #Red Hair #Earrings #Haniwa #Necklace #Girl

Published on Aug 27, 2026

Rena Aranokoji

Додатково див.

A medium shot with a dutch angle perspective featuring a single young woman positioned centrally against a sacred landscape. The girl has vibrant red short hair with swept bangs and strands falling between her eyes, paired with captivating, beautifully detailed red eyes and a serene expression. She is wearing an elegant white tunic adorned with intricate geometric embroidery patterns, a traditional magatama necklace resting against her collarbone, and dangling jade earrings. She holds an ancient haniwa clay figurine carefully between both hands in front of her chest. The background depicts the sacred site of Emperor Ojin's tomb, featuring a majestic keyhole-shaped burial mound covered in lush greenery, traditional stone fencing, a torii gate entrance, and gravel pathways with sacred geometric raked patterns, leading toward a distant forested landscape under a serene sky. The scene is rendered in an anime illustration style with cinematic lighting, dramatic depth of field that keeps the character in sharp focus, rich textures, and a peaceful, spiritual atmosphere.

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