Shardholder

Published on 6 days ago

Dermot

A full body shot from a bottom-up view using an ultra-wide fisheye lens, capturing a newly ascended god of hatred and oaths from the perspective of someone lying on cracked rock, looking straight up at the figure centered in a split sky. The character is a tall, statuesque being in the shape of an old man, possessing luminous molten gold skin and blazing white-gold eyes without pupils. His face is an idealized version of an old king, serene and confident with a small smile, while his hair and full beard are streaming golden light flowing backward like banners. Deep blue-black storm-light veins crawl through the gold at his throat and backs of his hands. He wears vast, layered robes woven from golden light with open sleeves and hems lined with rolling blue-black storm clouds. He strides directly toward the viewer, one huge bare golden foot nearest and largest in the frame, while his arms are spread wide, palms open to the sky, releasing forks of gold and blue-black lightning from his fingertips. The setting is a plain of cracked ochre-grey rock under a charcoal storm sky split by a seam of blazing gold light. Rain falls in sheets, blown outward from him in a widening ring. The lighting is dominated by a blazing warm gold from within the character, creating a white-hot luminous rim around his silhouette against the dark storm. The color palette consists of molten gold over charcoal and storm-black, rendered in a clean digital-painted anime illustration style with glossy, high-contrast backlighting.

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Оригінальний промпт: A full body shot from a bottom-up view, the viewer lying on the cracked rock looking straight up with an ultra-wide fisheye foreshortening, as a newly ascended god of hatred and oaths strides out of a storm he now commands, framed from the soles of his feet to the crown of his head. He was a frail old king a day ago; now he is a being of living golden light in an old man's shape, tall and statuesque, the frame made vast and straight, and the composition is symmetrical, his figure dead-center in the split sky. This is high fantasy adventure at the scale of gods. His face is the same old king's face smoothed and idealized, the deep lines still there but serene, the kindly features gone terribly calm, chin high, a small, certain, confident smile on his lips. His skin is luminous molten gold from face to fingertips, and his eyes are solid white-gold light with no visible pupil, wide and blazing. His hair and full beard are made of streaming golden light that pours back from his head like a banner in wind. Veins of deep blue-black storm-light crawl through the gold at his throat and along the backs of his hands. He wears vast layered robes of gold that read as woven from light itself, open-sleeved and trailing, with a lining of rolling blue-black storm cloud visible inside the sleeves and along the hem. He carries nothing. The setting is a plain of cracked ochre-grey rock stretching to every horizon, seen only at the frame's edges from this vantage, and above it a sky that is one continuous wall of churning charcoal storm cloud split down the middle by a seam of blazing gold light through which he walks. Rain falls in sheets. At this framing the scene is fully rendered, cloud, rain and rock all crisp. He strides directly toward the viewer, seen from below, one huge bare golden foot planted nearest and largest in the frame, the other leg mid-step, arms spread wide from the shoulders with the palms open to the sky, head small and far above against the seam of gold. The robes billow upward and outward from the stride, forks of gold and blue-black lightning branch from his fingertips into the clouds on either side, and the rain is blown outward from him in a widening ring. His own light is the source, a blazing warm gold that lights his whole figure from within and from below, with the storm's cold grey daylight behind him acting as a dim backlight that silhouettes the billowing robes against the seam of gold. Warm gold utterly dominates the color of the light; the blue-black of the storm and the veins in his skin are the single cold accent, held to the lining of the robes and the lightning. Luminous Impasto style: clean digital-painted linework with glossy, warm-toned rim and backlighting as the dominant shading trait, the seam of gold sky behind him burning a white-hot rim around the streaming hair, the spread arms and the robes' edges against the deep, dark ground of storm. The palette skews warm and deep, molten gold over charcoal and storm-black, and the finish is defined by that dramatic luminous backlight rather than visible paint texture.
Mode: standard
Розмір: 768 x 1280

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Використано Модель та LoRA

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A medium shot from a slightly low angle depicting a divine yet melancholic scene of a transcendental being embodying life and death, centered in a vast, ethereal void. The figure, an entity of ambiguous gender and age with an aura of omnipotence, stands with arms slightly outstretched, palms open and upturned in a gesture of both welcoming and judgment. They are draped in flowing, translucent white robes that dissolve into misty vapor at the edges, with intricate gold embroidery reflecting a faint, ghostly light. The environment is a surreal expanse of soft, shifting clouds and distant, crumbling ruins of celestial pillars, all enveloped in a heavy, luminous haze that creates a strong sense of atmospheric perspective. The visual style is a blend of strong, decisive anime line art softened by delicate watercolor washes, where colors bleed and blend seamlessly into the pale, desaturated background. A soft haze and deep depth of field permeate the scene, creating a dreamlike, solemn atmosphere of eternal rest and divine sorrow, with muted tones and a gentle, glowing light emanating from the figure.

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Shardholder

Published on 6 days ago

Dermot

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Оригінальний промпт: A full body shot from a bottom-up view, the viewer lying on the cracked rock looking straight up with an ultra-wide fisheye foreshortening, as a newly ascended god of hatred and oaths strides out of a storm he now commands, framed from the soles of his feet to the crown of his head. He was a frail old king a day ago; now he is a being of living golden light in an old man's shape, tall and statuesque, the frame made vast and straight, and the composition is symmetrical, his figure dead-center in the split sky. This is high fantasy adventure at the scale of gods. His face is the same old king's face smoothed and idealized, the deep lines still there but serene, the kindly features gone terribly calm, chin high, a small, certain, confident smile on his lips. His skin is luminous molten gold from face to fingertips, and his eyes are solid white-gold light with no visible pupil, wide and blazing. His hair and full beard are made of streaming golden light that pours back from his head like a banner in wind. Veins of deep blue-black storm-light crawl through the gold at his throat and along the backs of his hands. He wears vast layered robes of gold that read as woven from light itself, open-sleeved and trailing, with a lining of rolling blue-black storm cloud visible inside the sleeves and along the hem. He carries nothing. The setting is a plain of cracked ochre-grey rock stretching to every horizon, seen only at the frame's edges from this vantage, and above it a sky that is one continuous wall of churning charcoal storm cloud split down the middle by a seam of blazing gold light through which he walks. Rain falls in sheets. At this framing the scene is fully rendered, cloud, rain and rock all crisp. He strides directly toward the viewer, seen from below, one huge bare golden foot planted nearest and largest in the frame, the other leg mid-step, arms spread wide from the shoulders with the palms open to the sky, head small and far above against the seam of gold. The robes billow upward and outward from the stride, forks of gold and blue-black lightning branch from his fingertips into the clouds on either side, and the rain is blown outward from him in a widening ring. His own light is the source, a blazing warm gold that lights his whole figure from within and from below, with the storm's cold grey daylight behind him acting as a dim backlight that silhouettes the billowing robes against the seam of gold. Warm gold utterly dominates the color of the light; the blue-black of the storm and the veins in his skin are the single cold accent, held to the lining of the robes and the lightning. Luminous Impasto style: clean digital-painted linework with glossy, warm-toned rim and backlighting as the dominant shading trait, the seam of gold sky behind him burning a white-hot rim around the streaming hair, the spread arms and the robes' edges against the deep, dark ground of storm. The palette skews warm and deep, molten gold over charcoal and storm-black, and the finish is defined by that dramatic luminous backlight rather than visible paint texture.
Mode: standard
Розмір: 768 x 1280

Помічник запитів