Paradise Lost

#Knee boots #Black hair #Wings #Black eyes #Cityscape #Reflection #Pleated skirt #Girl #Closed mouth #Blue theme

Published on 7 days ago

Dermot

information_detail_density_enhancer, A full body shot of a young woman, a wanderer walking out of a fading dream with wings of shattered glass breaking apart behind her, seen from a low angle so the viewer's eye sits near the level of her knees, close to a mirror-still sheet of water that carries her reflection. She is placed left of centre with the empty haze and the drifting fragments filling the right of the frame. She is a young adult, slender and petite with a small bust, and the entire image is rendered in one colour, a dreamy ethereal register of pale blue, steel blue and white, with no other hue anywhere in it. Her face is seen in clean side profile, delicate and narrow with a small straight nose and a soft chin, the eyes dark blue-grey and turned ahead and slightly down, the mouth closed and neutral. Her skin reads pale and cool in the blue light. Her hair is shoulder-length, black with a navy cast, cut in loose layers and blown back off her face and neck by the wind so the ends lift and separate behind her. She wears no makeup. Her outfit is modern street clothing: a long dark navy coat-jacket, its whole surface sequined so it glitters faintly in the cold light, worn open with the long tails streaming out behind her, over a short pleated skirt of dark blue with a pale hem showing below the hem of the coat, two long ribbon straps hanging loose from the waist, and knee-high black combat boots laced all the way up with buckled straps at the shin. Her legs are bare between skirt and boot. From her shoulder blades spread a pair of large wings made entirely of shattered blue glass, thousands of angular shards packed into the shape of feathers near her back and thinning as they extend, so that the outer wing is already coming apart, its fragments peeling away and streaming off behind her in a long dispersing trail of glass flakes and small floating squares. The setting is a vast flooded plain under fog, a sheet of shallow water so still it mirrors her, her boots and the wings almost perfectly, with the faint low silhouettes of a ruined city standing far off along the horizon, blurred to grey-blue shapes by the haze. Fine fragments of glass hang and drift in the air across the whole scene, denser on the right where the wind carries them. At this framing the water, the reflection, the far skyline and the drifting shards all read as part of the picture around her, with the fog softening everything beyond a few paces. She is walking from right to left across the frame in strict side view, her left side toward the viewer, right foot planted and left foot swinging forward over the water, her arms hanging at her sides, her posture upright and unhurried. Each step leaves faint rings on the mirror surface. The wind comes at her from ahead, out of the glow on the left, driving the coat tails, the ribbon straps and her hair back behind her and tearing more shards loose from the wings so they scatter downwind to the right, away from the light. The light is overcast daylight dulled white by fog around her, fading to steel blue and pale blue away from her, and its one dominant source is a diffuse glow low in the sky behind her only, which reads as a backlight: it rims her profile, her hair, the coat's edge and the leading edges of the glass wings in cold white, flares through the gaps between the shards, and throws her figure into a soft blue half-silhouette with a long pale reflection stretching down from her boots. Cool blue-white is the only colour in the light around her, deepening to steel blue in the shadowed folds and the far water. Glint & Gloom style: refined, semi-realistic linework with painterly chiaroscuro shading built around that one dominant light source, strong rim and backlight carving the figure and wings out of the deep blue haze, and a soft painterly digital finish with a fully detailed atmospheric background of fog, water and drifting glass. anime illustration. great quality, best quality

Показати параметри

Оригінальний промпт: A full body shot of a young woman, a wanderer walking out of a fading dream with wings of shattered glass breaking apart behind her, seen from a low angle so the viewer's eye sits near the level of her knees, close to a mirror-still sheet of water that carries her reflection. She is placed left of centre with the empty haze and the drifting fragments filling the right of the frame. She is a young adult, slender and petite with a small bust, and the entire image is rendered in one colour, a dreamy ethereal register of pale blue, steel blue and white, with no other hue anywhere in it. Her face is seen in clean side profile, delicate and narrow with a small straight nose and a soft chin, the eyes dark blue-grey and turned ahead and slightly down, the mouth closed and neutral. Her skin reads pale and cool in the blue light. Her hair is shoulder-length, black with a navy cast, cut in loose layers and blown back off her face and neck by the wind so the ends lift and separate behind her. She wears no makeup. Her outfit is modern street clothing: a long dark navy coat-jacket, its whole surface sequined so it glitters faintly in the cold light, worn open with the long tails streaming out behind her, over a short pleated skirt of dark blue with a pale hem showing below the hem of the coat, two long ribbon straps hanging loose from the waist, and knee-high black combat boots laced all the way up with buckled straps at the shin. Her legs are bare between skirt and boot. From her shoulder blades spread a pair of large wings made entirely of shattered blue glass, thousands of angular shards packed into the shape of feathers near her back and thinning as they extend, so that the outer wing is already coming apart, its fragments peeling away and streaming off behind her in a long dispersing trail of glass flakes and small floating squares. The setting is a vast flooded plain under fog, a sheet of shallow water so still it mirrors her, her boots and the wings almost perfectly, with the faint low silhouettes of a ruined city standing far off along the horizon, blurred to grey-blue shapes by the haze. Fine fragments of glass hang and drift in the air across the whole scene, denser on the right where the wind carries them. At this framing the water, the reflection, the far skyline and the drifting shards all read as part of the picture around her, with the fog softening everything beyond a few paces. She is walking from right to left across the frame in strict side view, her left side toward the viewer, right foot planted and left foot swinging forward over the water, her arms hanging at her sides, her posture upright and unhurried. Each step leaves faint rings on the mirror surface. The wind comes at her from ahead, out of the glow on the left, driving the coat tails, the ribbon straps and her hair back behind her and tearing more shards loose from the wings so they scatter downwind to the right, away from the light. The light is overcast daylight dulled white by fog around her, fading to steel blue and pale blue away from her, and its one dominant source is a diffuse glow low in the sky behind her only, which reads as a backlight: it rims her profile, her hair, the coat's edge and the leading edges of the glass wings in cold white, flares through the gaps between the shards, and throws her figure into a soft blue half-silhouette with a long pale reflection stretching down from her boots. Cool blue-white is the only colour in the light around her, deepening to steel blue in the shadowed folds and the far water. Glint & Gloom style: refined, semi-realistic linework with painterly chiaroscuro shading built around that one dominant light source, strong rim and backlight carving the figure and wings out of the deep blue haze, and a soft painterly digital finish with a fully detailed atmospheric background of fog, water and drifting glass.
Mode: standard
Розмір: 1280 x 960

Помічник запитів