吞兵衛クマと雷のロリ女神さま
凹いす
吞兵衛クマと雷のロリ女神さま
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- Оригінальний промпт
- Masterpiece, highest quality, ultra-definition, ultra-precise, ultra-accurate,((The Loli Goddess of Thunder and the Big Rilakkuma having a banquet)), 1 Girl, Goddess,blonde hair, blue eyes, cute dress, ((The Loli Goddess of Thunder)), Stuffed Toy,((Big Stuffed Bear)), ((Rilakkuma)), ((Banquet)), Alcohol, food, ((thunder)),((lightning)),((thunder)),((fun banquet)),Chibi, chibi characters, deformed, masterpiece, highest quality, ultra-definition, ultra-accurate, ultra-high resolution 8K CG wallpaper , ultra-high resolution 8K CG wallpaper, ultra-high definition CG integrated 8K wallpaper, ((noise clear)),pretty and cute, (chibi), masterpiece, comical, simple, smile, :3
- Розмір
- 768 x 1280
- Кроки вибірки
- 28
- Метод семплінгу
- Euler a
- Масштаб CFG
- 5
- Негативні
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands,((Animal ears)), ((Bear ears)),((costume)),((((horn)))), ((((demon's horn)))),
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吞兵衛クマと雷のロリ女神さま
凹いす
吞兵衛クマと雷のロリ女神さま
凹いす
1girl, cute alignment, cute expansion, Matte painting style, thick outline, rounded facial contours, round form eye line, teenager-like atmosphere, masterpiece, ultra detailed, high quality, emphasizes shadows lighting, Transparency, harukav2 style, Anime screencap, (Anime coloring:1.5), source_anime, A photorealistic cinematic still of a formal early-to-mid 20th century Western-style restaurant interior in Japan, evocative of the 1930 founding era of Hallelujah Sweets Kitchen. Warm, soft golden light pours from ornate crystal chandeliers, bathing the scene in a nostalgic glow. In the foreground, a polished wooden table draped in a crisp white tablecloth holds an elegant spread of Tokushima specialties: several glossy Kincho Manju with chocolate-brown soft skins, one partially broken to reveal creamy white bean paste; delicate slices of tanuki-shaped sponge cake arranged like playful companions; steamed golden Naruto Kintoki sweet-potato pieces still faintly steaming; and a small crystal glass of clear, lightly amber Tokushima-inspired dessert soup. A half-eaten Kincho Manju rests on a small blue-and-white porcelain plate, pierced by a tiny Japanese flag toothpick bearing a subtle Hallelujah emblem. Nearby lies a partially opened vintage paper package of Kincho Manju, its soft wrapping gently crumpled. Silver cutlery, water glasses, and a simple glass vase of white daisies complete the setting. Seated at the center of the table is the personification of Kincho Manju — a young Japanese girl of about 8–10 years old. Her straight, glossy chocolate-brown bob with soft bangs catches the light exactly like the manju’s skin; her complexion is pale creamy-white with a faint rosy flush. She wears a light dusty-rose dress with puffed sleeves whose fabric has a subtle, soft, slightly powdery white-an texture. Delicate tanuki-ear hair ornaments twitch almost imperceptibly, and a faint fluffy tanuki tail peeks shyly from under her skirt. A large white lace-trimmed napkin/bib around her neck carries a tiny embroidered Kincho Manju motif. She holds the half-eaten Kincho Manju carefully in both small hands, looking up at the woman beside her with a calm yet slightly pouty, endearing expression mixed with shy mischief and quiet gratitude — as if she is both the treasured sweet being offered and the living embodiment of a long-remembered kindness finally repaid. To her right, an elegant Japanese woman with a 1930s-style black wavy bob, red lipstick, pearl necklace, and a sleeveless dusty-rose lace dress gently adjusts the girl’s napkin with both hands. Her soft, affectionate smile radiates deep gratitude and the quiet joy of repayment; the relationship feels warm and familial, like a mother or long-time patron who has returned after many years to share this special treat. To the girl’s left sits a middle-aged Japanese man with neatly combed black hair streaked with silver and round wire-rimmed glasses, wearing a light gray waistcoat over a white shirt. He gazes toward the center with quiet, gentle gratitude, suggesting a long-time customer or the shop’s founder figure watching a cherished moment. The background is a softly bustling elegant dining hall filled with other diners in period clothing. Waiters in black vests carry trays of more Kincho Manju and Tokushima sweets. Dark wood paneling and framed pictures of Awa tanuki legends (including the famous Kincho Tanuki) line the walls. Multiple lit chandeliers create a warm, nostalgic atmosphere. Extremely shallow depth of field keeps the girl, the half-eaten Kincho Manju in her hands, and the immediate table setting razor-sharp, while the background gently blurs into a soft, dreamlike haze. Photorealistic, highly detailed, warm nostalgic color grading rich in chocolate-brown and creamy-white tones, film-still quality.
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