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AI art "新山聡美(氷の水族館)" featuring #Зріла жінка, #риба, #Акваріум, #Sound! Euphonium, #Сатомі Ніїяма, #кубик льоду, #морозильник and #Anything Goes Contest

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新山聡美(氷の水族館)

Contest Entry

Anything Goes Casual Posting Festival!

#Зріла жінка #риба #Акваріум #Sound! Euphonium #Сатомі Ніїяма #кубик льоду #морозильник

Опубліковано Nov 1, 2026

北

北宇治高校仙台分校

Додатково див.

copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, a sightseeing landscape video set inside the 「氷の水族館」 (Ice Aquarium) in Kesennuma City, Miyagi Prefecture. A scene where a single woman is viewing fish trapped in transparent ice walls and ice sculptures of various shapes in a fantastical ice exhibition room kept at minus 20 degrees Celsius. The cold, clear texture of the ice harmonizes with the blue and light blue lighting filling the room, creating a fantastical space that feels like being underwater. A realistic photograph where the beautifully frozen ice exhibits and the woman standing there blend naturally. The interior is an exhibition space with giant high-transparency ice blocks lined up along the walls. The ice blocks are thick rectangles containing seafood caught at Kesennuma Port and off the coast of Sanriku, such as bonito, pacific saury, mackerel, and octopus, displayed in a frozen state. The fish are sealed in natural postures inside the ice, and their outlines and patterns are clearly visible through the transparent ice. The ice features fine internal bubbles, differences in transparency, light refraction, and surface irregularities, giving it the texture of real carved ice. Ice exhibition panels are arranged continuously along the walls, forming a corridor with depth. The large ice walls extend from the floor to near the ceiling. Wavy, curved decorative lighting is installed at the joints of the ice blocks, with pale blue light outlining the ice. The lighting is primarily light blue, blue, and pale white, with some purplish light mixed in. Light passing through the ice reflects on the walls and floor, creating a sense of transparency and depth. The room is not a uniform blue; it naturally distinguishes between transparent parts of the ice, shadowed areas, and brightly lit areas. In addition to the fish in ice, there are ice sculptures of animals and sea creatures. The sculptures are transparent with fine carving marks and smooth curved surfaces. Pale blue reflections appear on the ice surfaces, conveying a hard, cold texture. Projection mapping is displayed on the walls and ceiling, creating an image of fish swimming out of the ice. The fish visuals are wrapped in blue light, integrating with the ice exhibits for a fantastical underwater effect. The visual effects are natural and do not obscure the exhibits or the woman. Because the interior is extremely cold at minus 20 degrees, the woman is wearing heavy winter clothing provided by the facility. The winter wear is a thick, loose-fitting white long winter coat. It is long, covering from the waist to the thighs, with a thickness characteristic of a padded winter garment. The surface is a smooth synthetic fiber material with low gloss and a clean white base. There are several white snap buttons aligned vertically on the front, designed to be closed up to the neck. The collar is high to protect the neck from the cold, and it has a hood. A light grey lining is visible inside the hood, which hangs naturally on her back. The sleeves are long and loose, covering the wrists. There is a small blue facility logo-style print on one side of the chest, rendered naturally as a small blue mark. No flashy decorations or fashion brand logos; it is a practical rental winter coat. Under the white coat, she is wearing a pale beige or ivory knit and a long-sleeved garment in a subdued color. For the lower body, she wears warm black or dark grey trousers and easy-to-walk-in black or dark grey winter shoes. The white rental coat is clearly visible from the outside, with the front, collar, hood, sleeves, and snap buttons fully detailed. Her long hair is naturally let out from outside the hood and flows down her back. The hair has a natural gloss, with soft strands remaining around her face. The hood is not worn so deeply that it hides her face or hairstyle, ensuring her facial features and hair characteristics are visible. Accessories are minimal and simple. The woman's appearance reflects the character LoRA, while the clothing, winter wear, hairstyle, and accessories follow these descriptions. The woman stands alone in the corridor of the exhibition room, looking with interest at the fish trapped in the transparent ice wall in front of her. Her body is angled slightly away from the ice panel, with her face directed toward the fish. One hand is naturally raised to chest height, lightly reaching out as if pointing at a fish in the ice. The other hand is either lightly touching the front or hem of the coat or hanging naturally by her side. She maintains a proper distance, not touching or leaning against the ice. Her posture is natural and calm, conveying interest in the rare ice display. She has a gentle smile and is captivated by the fish and beautiful lighting. It is a natural moment of enjoyment, not a pose for the camera. The woman is positioned slightly in front of the center of the screen, showing her full body from head to shoes. Her size is realistic to convey the scale of the exhibition room and the height of the ice walls. She is standing independently on the floor, not embedded in the ice or ceiling. There is a clear space between her and the ice panels, and her silhouette is distinct from the ice background. The ice walls and ceiling do not penetrate her body or merge with her clothes and hair. The spatial relationship is clear, showing her walking and viewing the Ice Aquarium. The floor is a pale blue-grey that feels cold, with blue lighting reflecting softly on the smooth surface. The boundary between the ice exhibits and the floor is clear, with sufficient width for a walkway. Pale blue lighting is also on the ceiling, illuminating the ice walls. The video effects on the walls and ceiling suggest the fantastical movement of swimming fish without distorting the room's structure or the woman's outline. The camera is positioned diagonally in front of her in the corridor, capturing both the woman and the ice exhibits. On one side, transparent ice walls containing fish are lined up continuously, and exhibits continue in the background. The woman stands in the foreground, shown full-body. The depth of the ice walls and the curves of blue light are visible in the background. This is an environmental photograph showing the features of the ice exhibition room and the woman simultaneously, not a close-up portrait. Lighting is centered on blue and light blue, adjusted so the transparency of the ice and the texture of the woman's face and clothes are preserved. The white coat has a pale light blue reflection from the lighting, but the base white, fabric wrinkles, and snap buttons remain visible. The woman's face is not lost in dark shadows but is clearly visible through soft reflected light. Natural refraction and reflection are added to the ice, making the internal fish vivid. The atmosphere is fantastical, clean, and transparent, not dark or horror-like. The overall style is a realistic photograph, as if taken at an actual tourist facility. Detailed depiction of bubbles inside the transparent ice, the shapes and patterns of fish, the thickness of the ice, surface irregularities, blue LED reflections, and light reflecting on the floor. The winter coat has natural wrinkles and seams of thick fabric, with clear buttons, collar, hood, and cuffs. The woman's face, hair, hands, fingers, and legs are drawn naturally, avoiding extra limbs or unnatural distortions. The structure of the ice panels, walls, ceiling, and floor is realistic. The only person in the frame is this woman; no other tourists or silhouettes. She is correctly wearing the white rental winter coat, not a thin coat or flashy fashion jacket. The transparent ice walls with fish, blue lighting, ice sculptures, and projection mapping are clearly depicted, making it a unique exhibition space characteristic of the Kesennuma Ice Aquarium. No forced text, logos, or watermarks; focus on the natural appearance of the woman viewing the fantastical world of ice.

新山聡美(氷の水族館)

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