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AI art "Mato vs Xenomorphs" featuring #Black Rock Shooter
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Mato vs Xenomorphs

#Black Rock Shooter
Avatar image of Brs021819
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Brs021819

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character: xenomorph, black_rock_shooter_(character), kuroi_mato, copyright: black_rock_shooter 1girl, solo, kuroi mato, black rock shooter, black hair, short twintails, blue eyes, flaming blue left eye, blue flame, serafuku, school uniform, white shirt, blue sailor collar, blue pleated miniskirt, midriff peek, black socks, shoes, holding weapon, p90, submachine gun, both hands on gun, finger on trigger, fighting, running forward, leaning forward, open mouth, shouting, gritted teeth, determined, looking ahead, looking at enemy, battlefield, xenomorph, xenomorph invasion, multiple xenomorphs, alien creature, ruined city street, rubble, smoke, embers, muzzle flash, flying brass casings, dynamic pose, motion blur, foreshortening, from below, full body, dutch angle, wide shot, dark palette, blue and orange contrast, cinematic lighting Low-angle dutch-tilt full-body shot down a shell-shattered city street: a black-haired girl with short twintails whips forward at a sprint, torso pitched low over a flat-topped black submachine gun she grips with both hands — right hand wrapped around the pistol grip with the trigger finger curled inside the guard, left hand cupping the fore-end, the weapon's stock tucked against her right shoulder, its muzzle spitting a burst of white-orange muzzle flash to the right of frame. Her blue sailor collar lifts off her shoulders in the draft of her charge, the white shirt's hem and the blue pleated miniskirt snap backward, and a bare strip of midriff shows in the gap between them; black socks rise to mid-calf above scuffed dark shoes that drive off a cracked slab of asphalt, one heel peeled up, back leg trailing. Her left eye burns with a blue flame that licks upward past her eyebrow and throws a cold blue rim onto the sweat and gun smoke along her cheek; her right blue eye narrows hard past the barrel down the street. Her mouth is open in a shout, teeth bared. Ahead and above her, a cluster of glossy black Xenomorphs spill over a wrecked bus and down a shattered storefront — elongated domed skulls, bared metallic teeth, long segmented tails curled over their shoulders, hunched limbs braced on broken concrete — the nearest lunging toward her across the rubble, its tail whipping. Behind them the street recedes into smoke and fire glow; sparks and dust hang in the air, a haze of ash dims the far buildings. The muzzle flash and the burning windows of a collapsed block are the only warm sources, throwing orange light on the girl's front and the Xenomorphs' carapaces, while a cold blue lantern-glow from her flaming eye and the overcast sky rim the backs of everything; long black shadows rake away from the flash across the wet pavement. The palette holds blue, black and ash-grey for the girl and her uniform against orange fire and yellow-white flash, with the Xenomorphs' oil-black bodies catching both. Muzzle smoke drifts and hangs in layers across the frame, brass casings arc and glint mid-air, adrenaline-charged and desperate.
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Оригінальний промпт
mato kuroi black rock shooter 1girl shirt, skirt, black hair, full body, twintails, school uniform, shoes, pleated skirt, left flaming blue eye, socks, serafuku, sailor collar, miniskirt, blue eyes, blue skirt, black socks, blue sailor collar, short twintails, midriff peek mitraillette p90 champ de bataille Xenomorph invasion fighting against Xenomorph
Режим
ultra
Розмір
1408 x 1408
Метод семплінгу
Euler
Негативні
lowres, worst quality, low quality, bad anatomy, explicit
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Використано Модель та LoRA

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の
1girl, solo, black maid dress, short black dress, white frilled apron, white lace headpiece, black thighhighs, black shoes, holding submachine gun, firing, muzzle flash, running, sprinting, dead eyes, empty eyes, expressionless, blank stare, toned, dilapidated city, ruined buildings, collapsed concrete, rubble, broken asphalt, red moon, giant moon, night, from below, dutch angle, wide shot, foreshortening, motion blur, smoke, dust, debris, sparks, shell casings, cold blue-grey palette, crimson accent, cinematic Low-angle wide shot from the cracked asphalt, tilted a few degrees off level so the street rears diagonally across the frame. A young woman sprints toward the lower left of the lens, caught mid-stride: her left leg drives forward with the knee lifted and the foot not yet down, her right leg trails, toe-off, the heel of her right shoe just leaving a rubble chunk, weight riding over the ball of the forward foot; her torso is pitched forward about fifteen degrees, shoulders squared to the run, spine twisted slightly so the submachine gun swings across her chest. Both hands are on the weapon: her right hand wrapped around the grip with the index finger inside the trigger guard, her left hand cupping the foregrip ahead of the magazine, the stock pressed into the hollow of her right shoulder. The black metal receiver is short and boxy with a folding wire stock, foreshortened toward the viewer, and a hot white-orange muzzle flash blooms off the barrel in a ragged star, throwing her shadow backwards hard and long. Her head is turned to her own right, chin level, following the muzzle; eyes wide open and completely flat, the irises catching the flash as small hard highlights with no warmth in them, lower lids still, brows level, lips closed and slack, no snarl, no fear, nothing behind the face. Pale skin, long straight black hair torn backwards off her shoulders by the run, loose strands whipping across her cheek and one lock stuck to her jaw. The black maid dress is cut short above the knee, its skirt panels flung back and lifted by her stride so the white frilled apron snaps flat against her thighs then peels away; the apron's hem is grey with dust, one shoulder strap slipped a centimetre off her collarbone, the white lace headpiece pushed back on her crown with its ribbon ends streaming behind her head. Black thighhighs, a scuff on the left knee, black shoes gripping and skidding on loose grit. A brass casing tumbles out of the ejection port mid-air beside her hip, another already bouncing off the pavement behind her heel, and a thin trail of burned-cordite smoke curls back along the barrel, dragged sideways by her forward motion. Around and behind her the ruined city opens up: a shattered avenue running away to the right, its asphalt split into slabs tilted against each other, rebar curling out of broken concrete, a collapsed overpass cutting the middle distance, an emptied office block with its windows blown black. Dust hangs in the street, kicked up by her passage, and a low haze softens the far buildings. High in the upper right of the frame the moon fills a quarter of the sky — enormous, close, a clean saturated crimson disc with faint darker maria across it — and its red light is the only light in the scene, so the tops of the rubble and one side of her cheek and shoulder take a dull red rim while every surface facing away sinks into cold blue-black; the muzzle flash adds a brief local white glare across the front of her apron, her forearms and the underside of her chin. Palette held to cold graphite blue-grey and ash for the city, dense black for the dress and weapon, and crimson reserved for the moon, its rim-light and the flash's hot core; nothing else saturated. Fine grit and papery dust texture in the air, hard specular glints on the gun's edges, faint film-like softness at the frame's borders. Numb, relentless.
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#червоний місяць#пістолет-кулемет#Куля
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Avatar image of b_layna
A dynamic medium shot from a low angle captures an 18-year-old Japanese girl in mid-air, firing an assault rifle down at a massive zombie. The girl has navy blue hair reaching below her waist, with bangs ending just above her striking cold-blue eyes; she has a cute face, gritting her teeth with a determined expression and beads of sweat on her skin. She wears a glossy black street-style oversized long-sleeved hoodie adorned with large black ribbons on the chest, shoulders, and arms, paired with a glossy black frill flare skirt featuring a large ribbon at the back, a black belt, long black fishnet tights, black gloves, and black heel boots. Beneath the hoodie, a glossy black leotard reveals her toned stomach. She carries a handgun and a katana at her waist, and an extra rifle on her back. Below her, a 3-meter-tall, obese, naked male zombie with rotting green skin and a distorted, featureless face reels back as bullets hit its face, spraying blood. Orange muzzle flashes and bullet trails erupt from the rifle, creating shockwaves and kicking up dust. The scene is set in a ruined, blood-stained city during the day, enveloped in a foul-smelling mist. The art style is a high-quality anime illustration with a soft atmospheric feel.
b_layna

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