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сабатон AI Art & Prompts

Explore the trending 273 сабатон artworks

AI artwork
p
character: kaga_(kancolle), copyright: kantai_collection 1girl, solo, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, pink choker, strapless, armor, european armor, heart-shaped chestplate, breastplate, bare shoulders, bare arms, armored gauntlets, arm armor, white drawers, frilled drawers, ribbon, bloomers, miniskirt, skirt armor, side-only plating, thigh boots, knee armor, greaves, holding spear, two-handed, spear, 2.5m spear, mounted, riding, horse, from side, profile, full body, dynamic angle, outdoors, battlefield, daylight, wind, A full-body side view, camera low and slightly ahead of the horse's shoulder so the rider's profile rides across the frame from left to right. She sits astride a dark bay warhorse with a black mane, its neck arched and one foreleg lifted mid-stride, hooves striking a dry dust-grey plain; the horse's head and shoulder occupy the left third, her body the right two thirds. Her weight is settled into the saddle on her seat bones, right hip forward, both thighs gripping the barrel, knees bent and calves wrapped along the horse's flanks; her booted lower legs hang with the stirrup irons under the balls of her feet, and the greaves run from just below the knee down over the ankle. Both hands are on the spear: the right hand grips the shaft high, knuckles white against it, the left hand lower and slightly behind, and the 2.5-metre shaft runs diagonally across her body from down-left to up-right, its butt end trailing behind the horse's rump and its steel head lifted above and ahead of her shoulder, the whole length foreshortened by the side view. The spear rests against the heel of her right palm and does not intersect her torso. Her upper body is straight-backed and turned just a few degrees toward the camera so the plated chest reads in near-profile: a strapless European cuirass of polished steel with fluted, ridged panels, its top edge cut low and curving straight across her chest with bare skin, bare collarbones and bare shoulders above it, and at the centre of each breast a raised, heart-shaped plate wrought into the steel, framed by riveted brass trim. Her arms are bare from the shoulder to mid-upper-arm, then sleeved in articulated plate — rerebrace, couter with a flared fan, vambrace — running continuously down to gauntleted fingers, and she wears no gloves beneath, the steel segments overlapping like scales as her grip closes. Around her throat sits a slim pink choker, a flat band of rose-pink leather with a small steel ring at the side, sitting above the collarbone and below the jaw, unobstructed by hair or armor. Below the cuirass's fauld her hips are clad in short white drawers, the cloth gathered in soft frilled tiers with narrow ribbon bows at the outer thigh, and over them a skirt of armor made of overlapping lames only along the left and right flanks — the front and the back of the skirt stand open, so from this side view the white frilled cloth shows through the gap below the hip and behind the thigh, and the side plating flares slightly as the horse's motion lifts it. Her right leg's greave catches the light along its ridge; her left leg is partly hidden behind the horse's barrel, with only the stirrup and the toe of the sabaton visible. The light is low, hard afternoon sun from the upper left, striking the polished plate in bright specular strips on the heart-shaped breastplate, the couter fans and the spearhead, while the horse's near side and the underside of her skirt fall into deep warm shadow; the rider casts a compact shadow onto the horse's shoulder, and the horse throws a long shadow to the right across the dust. Palette is restrained: polished steel grey and brass, warm dark bay, the dusty ochre of the ground, and the single pink of the choker and the white of the drawers. Wind pushes her long brown ponytail back off her shoulder, the tail streaming behind her head, and the frilled cloth of the drawers flutters against the side plating. Her chin is lifted, brown eyes narrowed slightly and fixed forward past the spearhead toward something beyond the frame, mouth set in a flat, calm line, a strand of hair crossing her cheek. Steady, martial resolve.
planarians
AI artwork
gm
1girl, solo, rabbit girl, rabbit ears, long rabbit ears, white hair, medium-length hair, shoulder-length hair, red eyes, female knight, plate armor, silver armor, white tunic, crimson cloak, long spear, holding spear, from below, dutch angle, foreshortening, low angle, looking down at viewer, half-closed eyes, smug, light smile, head tilt, standing, weight on one leg, gauntleted hand on spear shaft, wind, cloak billowing, outdoors, stone battlement, overcast sky, cold palette, cinematic lighting, Seen from below at a steep dutch angle, the rabbit girl knight stands at the outer lip of a stone battlement, the camera almost at the level of her knees so that she towers into a low, close, wind-scoured sky. Her weight rests on her right leg, the left knee slack and turned slightly inward, the left hip dropped, so the whole body describes one long diagonal from the planted sabaton up through the tilted shoulder line. Both long rabbit ears stand up out of her white hair and lean back against the wind, their tips flexing; the hair itself is medium length, cut to graze her jaw and shoulders, and the gust pushes a pale lock across her right cheek and lifts the rest off her neck. Her chin is tipped down toward the lens, one brow faintly arched, lids lowered to half over the red irises, the corner of her mouth pulled up on one side only; she is looking down at the viewer, unhurried and a little amused, the way someone looks over a parapet at whatever has come to the gate. Her right arm is bent forward, the gauntleted hand closed around the spear shaft a third the way up; the spear is planted vertically, its butt spiked into the mortar seam between two wet stones, its long steel head with its gilded socket rising past her shoulder and crossing the sky above her ear. Because of the low camera the shaft runs up the left third of the frame in strong foreshortening, thick at the grip and tapering away. The crimson cloak is clasped at her collarbones and streams out sideways over her left arm, snapping taut and then slackening, its hem cutting across the battlement's crenellation behind her; the silver plate catches the wind's cold light on its beveled edges while the recesses of the armor go slate-blue. Beyond the parapet the world falls away into a grey valley, hills and a distant river rendered only as tonal bands, and the overcast sky is the single light source: soft, directionless from above, no cast shadows on the stones except a faint pooled darkness under her feet and beneath the cloak where it meets the wall. The palette holds crimson, silver-white and cold grey, nothing else, with the red of her eyes as the one saturated point under the shadow of her brow. Wind is made visible by the cloak's stream and by grit skittering along the wet stone tops. Quiet, imperious mood.
GOG & minimaw
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