Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

Зварювальна маска AI Art & Prompts

Explore the trending 49 Зварювальна маска artworks

AI artwork
⛓🔒
3girls, no humans, anthropomorphic, humanoid birds, blue macaw mother, long fluffy blue hair, voluminous hair, feather crest, elegant thin evening gown, children, two little bird children, robber costume, black-and-white striped shirt, tiny black eye mask, toy telephone, toy gun, open car trunk, garage interior, bound wrists, arms tied behind back, bound legs, bound ankles, ball gag, ribbons, wings tied together, playing pretend, children's toys scattered on floor, stuffed animals on floor, from side, wide shot, dutch angle, cel shading, flat colors, clean outlines, high contrast A slightly canted wide shot from the side of a home garage, the camera positioned low and off the open trunk's left corner so the trunk mouth opens across the frame in three-quarter view. The garage is a lived-in domestic one: a concrete slab floor, roller door shut, shelving of paint cans and cardboard boxes along the back wall, a hanging fluorescent tube overhead and a single caged work lamp clipped near the car's rear. In the midground the family car stands with its trunk lid yawned fully up; inside the trunk's shallow well, lying on her right side and twisted slightly toward the frame, is the mother — a tall blue macaw woman, deep cobalt back and crown feathers shading to lighter turquoise at the breast, a long fluffy voluminous mane of blue hair spilling over the trunk's edge and across her cheek, her huge curved black beak with a bare white cheek patch behind it. She wears a fine thin evening gown in pale champagne satin with a narrow strap over one shoulder, the fabric rumpled and rucked up around her bound knees, the hem pooling in the trunk. Her wrists are crossed and fully wrapped behind her back in a tight cuff of cord, both arms drawn back against the trunk mat; her legs are folded at the knee and her ankles lashed together, a short lead running from them up to her wrists; her long blue wings are folded and bound against each other at her spine with pale ribbon bowed in three small loops. A red rubber ball sits between her beak's upper and lower mandibles, held wide, with a ribbon on each side running taut past her white cheek patches and knotted in two small bows behind her head, pressing her fluffy hair flat. She is deep in the children's game: both eyes wide and bright, brows lifted, head tipped up and to the side to watch the room, one shoulder pushed off the trunk floor as though she is listening hard, her chest lifted in an exaggerated gasp, toes curling. On the floor in the foreground two small humanoid bird children, knee-high, round-bodied, one sky-blue and one pale green, both in black-and-white striped robber shirts, tiny black eye masks tied at the back of their heads, dark cloth caps and loot sacks; the left child squats on one heel, toy telephone — bright yellow plastic with a fat coiled cord — pressed to the side of its head, head tipped, free hand cupped at its beak as it whispers a report, glancing back over its shoulder toward the trunk; the right child is caught mid-tiptoe right beside the car's rear wheel, both hands lifting a chunky plastic toy camera out of an open toy crate, leaning far forward with its tail flicked up, eyes on the prize. The mother's stare is angled down over the ball at the child with the telephone, and that child's eyes are on her. Between and around the children's feet, a scatter of children's toys and plush animals lies strewn on the concrete: a plush rabbit on its side, a plush bear face-down, foam blocks, a toy car on its roof, a rubber ball rolled into the corner, a jump rope coiled. The overhead tube and the caged lamp are the only light: cool white on the mother's satin and on her cheek patch, hard pools on the concrete, the plush and the children's shadows stretching long and away from the car, the far back of the garage falling into deep brown darkness. Everything in flat cel-shaded colour, clean black outlines, simple two-tone shadows, no gradients — the blue of mother and hair, the yellow telephone and the champagne gown as the saturated anchors against grey concrete and dark shelving. Playful, warm-hearted.
⛓🔒
AI artwork
g
detail illustration, clean outlines, smooth shading, very aesthetic, melt1013 style, soft high-key pastel anime illustration, cool blue-violet shadows, pink-tinted skin and eye-area blush, delicate slightly rough linework, broad painted glossy highlights, soft translucent eyes, minimal nose, small subtle mouth, **Appearance:** A female inventor featuring rough hair blended with reddish-brown and copper tones, amber eyes, and a hearty laugh. She is tall with a strong presence, with oil stains and small scars from work on her face and arms. While indifferent to grooming, she meticulously maintains her weapons and machines. With goggles resting on her forehead and a giant gear-saw axe slung over her shoulder, she exudes the atmosphere of both a carefree technician and a seasoned knight. **Hairstyle:** Long reddish-brown hair with a reddish tint, tied loosely in a high ponytail. Irregular strands of copper and dark gray are mixed in, with the ends jutting out roughly. Bangs are split randomly above the eyebrows, and short side-hair near the temples flows sharply down the sides of her face. Her unkempt stray hairs give her a free-spirited impression, and she wears work goggles made of a metal frame and old leather straps on her forehead. **Outfit:** Practical technician-style combat gear in black and dark gray with worn copper decorations. She wears a well-fitting black work top underneath a dark gray work jacket with rolled-up sleeves. Metal protective plates are attached to the shoulders and elbows of the jacket, and oil stains and repair marks remain on the sleeves and hem. A wide tool belt is around her waist, carrying multiple pouches containing spanners, wrenches, screwdrivers, and spare screws and gears. For bottoms, she wears loose black work combat pants with thick knee pads. Small tool pouches and spare part cases are attached to the side of her thighs, and she wears durable work gloves on her hands and sturdy work boots with metal reinforcements on her feet. **Physique:** 178cm tall with broad shoulders and a sturdy frame, resulting in a large and healthy build. Her arms and hands possess the practical strength needed to handle heavy mechanical weapons, and her lower body is stably trained to maintain balance when swinging a giant axe. She is closer to a technician naturally conditioned through long-term work and actual combat rather than a muscle-bound battle maniac. Her fingers are thick and strong yet capable of delicate movements for assembling small screws and precision parts. **Eyes:** Clear amber eyes with a golden tint. The outer edge of the iris is dark copper, while the center shines with bright gold. She usually has a playful and hearty look, but her eyes sparkle exceptionally when analyzing the structure of a new machine or when gears mesh. She frowns in concentration when conceiving complex devices and opens her eyes wide with childlike excitement when boasting about her inventions. **Chest:** She has a voluminous E-cup chest. This volume naturally suits her broad shoulders and tall height, creating the silhouette of a dependable and mature physique. Her work top is designed to fit securely, with the jacket and protective gear layered over it for ease of movement during long work sessions or when handling heavy weapons. **Weapon:** Mechanical gear-saw axe "Gearbreaker." A self-made weapon combining a giant axe blade, rotating circular saw blades, and exposed gear mechanisms. It is made of worn iron and copper-colored metal, with weld marks, replaced parts, and signs of multiple modifications. Two circular saw blades of different sizes are placed at the front, with sharp teeth densely packed on the edges. Gears linked to the rotation shaft are exposed in the center, making a heavy mechanical sound as they rotate. Metal pipes and pressure cylinders are connected at the top, with a blue power device indicating the operational state. The thick metal handle is wrapped in black and worn brown grips for stability. It is a rugged exterior with a sophisticated internal structure, representing her masterpiece.
Guesteast

Related Tags