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yux

はじめまして、生成AI初心者です！ むちむち、ぽっちゃり体型、その他色々フェチ持ちです🫶 色々作って遊んでますので、良かったら見ていって下さいね〜😀

日本
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AI artwork
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1girl, 3cats, tall female, glamorous, mature female, blue eyes, black hair, very long hair, messy hair, fluffy hair, black pointy hat, witch hat, monocle, giant pumpkin, jack-o'-lantern, giant spoon, giant knife, hollowing pumpkin, carving, pumpkin innards, orange stringy pulp, seeds, holding spoon, holding knife, leaning forward, from side, cowboy shot, dutch angle, looking down, focused expression, half-closed eyes, grey cat, white cat, black cat, cats beside her, tail wag, tails raised, floor level, wooden floor, candlelight, warm orange glow, Halloween, autumn, night interior A three-quarter view from the side, camera slightly below and tilted a few degrees, catching her leaning over the rim of an enormous jack-o'-lantern pumpkin that comes up to her waist, the pumpkin's carved face already cut and grinning toward the right edge of the frame. She is a tall, glamorous Japanese woman: long messy fluffy black hair spilling past her shoulders and swinging forward over one cheek as she leans, a black pointy witch hat sitting slightly askew so its brim shadows her brow, a round monocle glinting over her right eye on its thin chain, and blue eyes narrowed in concentration as she looks down into the pumpkin's hollow. Her weight is on her left leg, right hip cocked, left hand gripping the giant spoon sunk into the wet orange pulp and scooping a heavy glistening mass upward, right hand steadying the giant knife blade against the pumpkin's inner wall, forearm braced on the rim. Her sleeves are pushed back to the elbow and pumpkin strands cling to her wrist. The pumpkin's cut lid rests tipped on the floor beside it, seeds and stringy pulp scattered in a wet arc where the spoon has flung them, and the pulp dripping from the spoon's bowl stretches into a thin glossy thread. At her feet on the worn wooden floor, three cats sit in a loose row facing the pumpkin, tails up and swishing: a grey cat nearest her ankle, a white cat in the middle, a black cat at the far right, all three pairs of eyes fixed on the rising spoon. Candles guttered on a low surface behind cast the only light, warm orange from below and behind the pumpkin, throwing her long shadow up the wall and leaving the room's far corners in absolute darkness. Palette of orange, black and warm candle-gold against her pale skin and blue eyes, with the cats' grey, white and black fur catching the glow at their edges. Cozy, mischievous Halloween night.
Oct 29, 2026 4:12 AM
#Váy liền#Dao#Mũ
AI artwork
Avatar image of yux
night, halloween, many floating jack-o'-lanterns, starry sky, jack-o'-lanterns glowing in the sky, children, two children, witch costume, ghost costume, pointed hat, black dress, purple ribbon, white sheet ghost, cut-out eye holes, candy basket, wicker basket, pumpkin-shaped candy pail, colorful candy, trick-or-treating, walking, from behind, from below, wide shot, cowboy shot, residential neighborhood, medieval townscape, timber-framed houses, cobblestone street, front door, doorway, handing out candy, halloween decorations, carved pumpkin lanterns, string lights, bats, candy bowl, night, moonlight, no text, high quality, cinematic composition, depth of field, warm and cool contrast, From a low, wide-angle view set just above the cobblestones, the camera looks up and along a narrow medieval residential street at night: tall timber-framed houses with steeply pitched gables lean in from both sides, their plaster walls strung with sagging garlands of tiny candle-warm bulbs, carved pumpkin lanterns set on every windowsill and doorstep, and small bat and ghost cutouts hanging from the eaves. Overhead the sky opens wide and deep between the rooftops, thick with stars, and adrift across it float dozens upon dozens of jack-o'-lanterns, each one a hollowed orange gourd lit from within, their triangular eyes and jagged grins shining downward and casting faint amber pools on the cobbles below; the nearest ones hang at roof-height, the farthest dwindle to pinpricks near the horizon. In the foreground two children walk away from the camera up the street, seen from behind and slightly below. On the left, a child in a witch costume -- a wide-brimmed black felt hat sitting low over black hair, a black knee-length dress cinched at the waist with a purple ribbon, black shoes -- strides with the weight on the forward right foot, the skirt swinging and the hat brim lifting a little as she tips her head back to look up at the floating pumpkins; her right hand grips the handle of a wicker basket heaped with bright wrapped candies, and the basket sways at her side with two candies perched on the very top, threatening to roll. On the right, a smaller child in a ghost costume -- an oversized white cotton sheet draping to the ankles, two large cut-out eye holes and a small ragged mouth hole, the fabric bunching at the shoulders -- half-skips to keep pace, both edge of the sheet fluttering behind, one small hand holding a plastic pumpkin-shaped pail by its handle, the pail bumping against a knee. Their two shadows stretch long ahead of them up the cobbles toward the far doorway. Midway down the street on the right, a cottage door stands open and warm yellow light spills out across the threshold and the worn stone step; a woman in an apron, seen in profile in the doorway, leans down to drop a handful of candy into the open pail of a third small trick-or-treater standing on the step in a pointed witch hat and cape, the child's chin tipped up and both hands holding the pail steady, the doorway light rimming the sheet-white of a ghost costume behind them. The street recedes into blue-black shadow under the eaves, the warm lamplight and doorway glow are the only warmth in the palette, and the cool moonlit blue of the plaster walls and the deep indigo sky hold the rest; the floating lanterns' light falls only on the upward-facing cobbles and the tops of the basket candies, never on the undersides of the eaves. Quiet, enchanted.
Oct 29, 2026 3:55 AM
#đứng#Cửa sổ#Giày bốt
AI artwork
Avatar image of yux
night, halloween, many floating jack-o'-lanterns, starry sky, jack-o'-lanterns glowing in the sky, children, two children, witch costume, ghost costume, pointed hat, black dress, purple ribbon, white sheet ghost, cut-out eye holes, candy basket, wicker basket, pumpkin-shaped candy pail, colorful candy, trick-or-treating, walking, from behind, from below, wide shot, cowboy shot, residential neighborhood, medieval townscape, timber-framed houses, cobblestone street, front door, doorway, handing out candy, halloween decorations, carved pumpkin lanterns, string lights, bats, candy bowl, night, moonlight, no text, high quality, cinematic composition, depth of field, warm and cool contrast, From a low, wide-angle view set just above the cobblestones, the camera looks up and along a narrow medieval residential street at night: tall timber-framed houses with steeply pitched gables lean in from both sides, their plaster walls strung with sagging garlands of tiny candle-warm bulbs, carved pumpkin lanterns set on every windowsill and doorstep, and small bat and ghost cutouts hanging from the eaves. Overhead the sky opens wide and deep between the rooftops, thick with stars, and adrift across it float dozens upon dozens of jack-o'-lanterns, each one a hollowed orange gourd lit from within, their triangular eyes and jagged grins shining downward and casting faint amber pools on the cobbles below; the nearest ones hang at roof-height, the farthest dwindle to pinpricks near the horizon. In the foreground two children walk away from the camera up the street, seen from behind and slightly below. On the left, a child in a witch costume -- a wide-brimmed black felt hat sitting low over black hair, a black knee-length dress cinched at the waist with a purple ribbon, black shoes -- strides with the weight on the forward right foot, the skirt swinging and the hat brim lifting a little as she tips her head back to look up at the floating pumpkins; her right hand grips the handle of a wicker basket heaped with bright wrapped candies, and the basket sways at her side with two candies perched on the very top, threatening to roll. On the right, a smaller child in a ghost costume -- an oversized white cotton sheet draping to the ankles, two large cut-out eye holes and a small ragged mouth hole, the fabric bunching at the shoulders -- half-skips to keep pace, both edge of the sheet fluttering behind, one small hand holding a plastic pumpkin-shaped pail by its handle, the pail bumping against a knee. Their two shadows stretch long ahead of them up the cobbles toward the far doorway. Midway down the street on the right, a cottage door stands open and warm yellow light spills out across the threshold and the worn stone step; a woman in an apron, seen in profile in the doorway, leans down to drop a handful of candy into the open pail of a third small trick-or-treater standing on the step in a pointed witch hat and cape, the child's chin tipped up and both hands holding the pail steady, the doorway light rimming the sheet-white of a ghost costume behind them. The street recedes into blue-black shadow under the eaves, the warm lamplight and doorway glow are the only warmth in the palette, and the cool moonlit blue of the plaster walls and the deep indigo sky hold the rest; the floating lanterns' light falls only on the upward-facing cobbles and the tops of the basket candies, never on the undersides of the eaves. Quiet, enchanted.
Oct 29, 2026 3:55 AM
#đứng#Cửa sổ#Giày bốt
AI artwork
Avatar image of yux
night, halloween, many floating jack-o'-lanterns, starry sky, jack-o'-lanterns glowing in the sky, children, two children, witch costume, ghost costume, pointed hat, black dress, purple ribbon, white sheet ghost, cut-out eye holes, candy basket, wicker basket, pumpkin-shaped candy pail, colorful candy, trick-or-treating, walking, from behind, from below, wide shot, cowboy shot, residential neighborhood, medieval townscape, timber-framed houses, cobblestone street, front door, doorway, handing out candy, halloween decorations, carved pumpkin lanterns, string lights, bats, candy bowl, night, moonlight, no text, high quality, cinematic composition, depth of field, warm and cool contrast, From a low, wide-angle view set just above the cobblestones, the camera looks up and along a narrow medieval residential street at night: tall timber-framed houses with steeply pitched gables lean in from both sides, their plaster walls strung with sagging garlands of tiny candle-warm bulbs, carved pumpkin lanterns set on every windowsill and doorstep, and small bat and ghost cutouts hanging from the eaves. Overhead the sky opens wide and deep between the rooftops, thick with stars, and adrift across it float dozens upon dozens of jack-o'-lanterns, each one a hollowed orange gourd lit from within, their triangular eyes and jagged grins shining downward and casting faint amber pools on the cobbles below; the nearest ones hang at roof-height, the farthest dwindle to pinpricks near the horizon. In the foreground two children walk away from the camera up the street, seen from behind and slightly below. On the left, a child in a witch costume -- a wide-brimmed black felt hat sitting low over black hair, a black knee-length dress cinched at the waist with a purple ribbon, black shoes -- strides with the weight on the forward right foot, the skirt swinging and the hat brim lifting a little as she tips her head back to look up at the floating pumpkins; her right hand grips the handle of a wicker basket heaped with bright wrapped candies, and the basket sways at her side with two candies perched on the very top, threatening to roll. On the right, a smaller child in a ghost costume -- an oversized white cotton sheet draping to the ankles, two large cut-out eye holes and a small ragged mouth hole, the fabric bunching at the shoulders -- half-skips to keep pace, both edge of the sheet fluttering behind, one small hand holding a plastic pumpkin-shaped pail by its handle, the pail bumping against a knee. Their two shadows stretch long ahead of them up the cobbles toward the far doorway. Midway down the street on the right, a cottage door stands open and warm yellow light spills out across the threshold and the worn stone step; a woman in an apron, seen in profile in the doorway, leans down to drop a handful of candy into the open pail of a third small trick-or-treater standing on the step in a pointed witch hat and cape, the child's chin tipped up and both hands holding the pail steady, the doorway light rimming the sheet-white of a ghost costume behind them. The street recedes into blue-black shadow under the eaves, the warm lamplight and doorway glow are the only warmth in the palette, and the cool moonlit blue of the plaster walls and the deep indigo sky hold the rest; the floating lanterns' light falls only on the upward-facing cobbles and the tops of the basket candies, never on the undersides of the eaves. Quiet, enchanted.
Oct 29, 2026 3:55 AM
#đứng#Cửa sổ#Giày bốt
AI artwork
Avatar image of yux
night, halloween, many floating jack-o'-lanterns, starry sky, jack-o'-lanterns glowing in the sky, children, two children, witch costume, ghost costume, pointed hat, black dress, purple ribbon, white sheet ghost, cut-out eye holes, candy basket, wicker basket, pumpkin-shaped candy pail, colorful candy, trick-or-treating, walking, from behind, from below, wide shot, cowboy shot, residential neighborhood, medieval townscape, timber-framed houses, cobblestone street, front door, doorway, handing out candy, halloween decorations, carved pumpkin lanterns, string lights, bats, candy bowl, night, moonlight, no text, high quality, cinematic composition, depth of field, warm and cool contrast, From a low, wide-angle view set just above the cobblestones, the camera looks up and along a narrow medieval residential street at night: tall timber-framed houses with steeply pitched gables lean in from both sides, their plaster walls strung with sagging garlands of tiny candle-warm bulbs, carved pumpkin lanterns set on every windowsill and doorstep, and small bat and ghost cutouts hanging from the eaves. Overhead the sky opens wide and deep between the rooftops, thick with stars, and adrift across it float dozens upon dozens of jack-o'-lanterns, each one a hollowed orange gourd lit from within, their triangular eyes and jagged grins shining downward and casting faint amber pools on the cobbles below; the nearest ones hang at roof-height, the farthest dwindle to pinpricks near the horizon. In the foreground two children walk away from the camera up the street, seen from behind and slightly below. On the left, a child in a witch costume -- a wide-brimmed black felt hat sitting low over black hair, a black knee-length dress cinched at the waist with a purple ribbon, black shoes -- strides with the weight on the forward right foot, the skirt swinging and the hat brim lifting a little as she tips her head back to look up at the floating pumpkins; her right hand grips the handle of a wicker basket heaped with bright wrapped candies, and the basket sways at her side with two candies perched on the very top, threatening to roll. On the right, a smaller child in a ghost costume -- an oversized white cotton sheet draping to the ankles, two large cut-out eye holes and a small ragged mouth hole, the fabric bunching at the shoulders -- half-skips to keep pace, both edge of the sheet fluttering behind, one small hand holding a plastic pumpkin-shaped pail by its handle, the pail bumping against a knee. Their two shadows stretch long ahead of them up the cobbles toward the far doorway. Midway down the street on the right, a cottage door stands open and warm yellow light spills out across the threshold and the worn stone step; a woman in an apron, seen in profile in the doorway, leans down to drop a handful of candy into the open pail of a third small trick-or-treater standing on the step in a pointed witch hat and cape, the child's chin tipped up and both hands holding the pail steady, the doorway light rimming the sheet-white of a ghost costume behind them. The street recedes into blue-black shadow under the eaves, the warm lamplight and doorway glow are the only warmth in the palette, and the cool moonlit blue of the plaster walls and the deep indigo sky hold the rest; the floating lanterns' light falls only on the upward-facing cobbles and the tops of the basket candies, never on the undersides of the eaves. Quiet, enchanted.
Oct 29, 2026 3:55 AM
#đứng#Cửa sổ#Giày bốt
AI artwork
Avatar image of yux
3 cats, multiple cats, trio, glossy white fur cat, brown tabby cat, grey fluffy-furred cat, sitting side by side in a row, sitting in front of a small coastal hut, eyes tracking a passing bus, looking at bus, seaside village, coastline, ocean, blue sky, flowing clouds, residential uphill slope, stone-paved slope, walking up the slope toward viewer, walking, from above, high angle, wide shot, downhill view, day, summer light, refreshing atmosphere, glossy fur sheen, fluffy fur texture, tails curled, ears perked forward, masterpiece, high quality, highly detailed A high-angle wide shot looks down a stone-paved residential slope that runs from the deep background to the near foreground, and the three cats sit side by side in the middle of the near foreground with their backs to a small weathered wooden hut, so that the whole picture descends toward the viewer. The camera is above them and slightly behind their shoulders: the slope's cobbles and low walls fall away down the frame, the hut's plank wall and one small square window stand directly behind the cats, and beyond the last roofs the bay opens out along the coast — a flat band of water in a deep, clean blue meeting a bright sky crossed by long soft clouds streaming shoreward. On the road that cuts across the slope just below the cats, a small pale bus is caught mid-pass, and all three heads are turned the same way after it: the white cat's head swung left, ears forward, one white forepaw lifted off the stone in the half-beat of the turn; the brown tabby leaning a little forward with its chin thrust out and striped tail tightening around its flank; the grey cat a half-head behind the other two with its thick coat ruffling and one ear swiveling late. Their bodies stay planted: three pairs of hindquarters settled flat on the warm stones, shoulders touching in a row, no gaps, the middle tabby's hip pressed against the white cat's side and the grey cat's side pressed against the tabby's, their gazes all pinned to the moving bus and their bright eyes tracking it as it goes. The bus's shadow stretches across the cobbles behind it, the cats' three shadows lie short and close beneath them where the sun stands high, and the slope's paving seams run with the downhill grade. Warm hard daylight from a high summer sun, cool blue bounced off water and sky filling the shadow sides of their fur; the white cat's coat shines with a wet-looking gloss, the tabby's stripes crisp against russet, the grey's thick fur soft-edged and deep. Palette held to the sky's pale blue, the ocean's saturated blue, warm grey stone, weathered brown wood and the cats' white, russet-tabby and silver-grey, with just the bus's pale cream as a moving accent. Quiet, sunlit, faintly expectant.
Oct 28, 2026 4:17 AM
1#Bầu trời#Ngoài trời#Mèo
AI artwork
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3 cats, multiple cats, walking in a line, procession, white cat, glossy fur, smooth sleek fur, brown tabby cat, orange tabby, tabby stripes, gray cat, fluffy fur, thick shaggy fur, holding fish in mouth, small fish, dead fish, full body, from behind, from below, low angle, dutch angle, seaside town, fishing village, coastal village, narrow street, stone steps, cobblestone, wooden houses, drying fishing nets, buoys, seagulls, overcast sky, sea horizon, cel shading, clean lineart, high quality Low-angle three-quarter rear view: three cats pad in single file along a narrow stone-stepped lane that climbs between fishing-village houses toward a wedge of gray sea, the camera set almost at paw level behind and to the right of the white cat, so the steps rise in perspective and the line of animals stretches diagonally up and away. The lead white cat is in the nearest foreground, seen from behind and slightly below, its body in profile-left and its head turned so the flank of its face and one eye show: fur short, dense and glossed, each shoulder blade and hip knob riding smooth under it, tail lifted and curved, paws landing one by one on the flat of a wet step. A small silver fish is clamped crosswise in its jaws, head and tail protruding past either cheek, carried level and steady. One stride behind, on the next step up, the brown tabby follows: warm orange-brown ground with darker banded stripes ringing its legs and tail, a slightly heavier build, head lowered toward the step ahead, the same small fish held in its teeth by the middle. Behind it on the highest visible step the gray cat walks, the widest and slowest-looking of the three, fur long and shaggy so the silhouette breaks into soft tufts at the chest, belly and tail; its fish is held tail-out and slightly to the side. No cat looks at the camera; all three heads point up-lane, the white one's visible eye fixed on the path, and the line's spacing is even, so the parade reads as routine. The lane: worn slate and granite flags with sand and weed in the joints, mortared stone walls on the left with a wooden handrail, on the right low whitewashed houses with weathered plank doors and stacked crates, coiled rope and orange floats, and beyond the last rooftops a flat gray sea with a single breakwater. Hanging nets and a line of small flags arc overhead across the lane. Light is overcast and diffuse from the open sky above the lane, so shadows are soft and indistinct under the bodies and the darkest values sit in the netted eaves and the wall gaps; the only sheen is a long specular streak down the white cat's back and haunches, which stays broken-up and matte on the tabby and is swallowed entirely by the gray's fur. Palette: wet stone gray, whitewash, faded orange floats and buoys, warm ochre tabby, cold gray sea and sky, with the fish the only bright silver notes. Detail budget on the three coats and their difference in texture, the paws on wet stone, and the fish grips. Deliberate physics: the wet flags carry a thin water film, and the white cat's short glossy fur reflects the sky as one narrow continuous highlight along its spine while the gray cat's long fur traps no such streak at all, its tips rimmed by diffuse light instead. Quiet, unhurried.
Oct 28, 2026 4:14 AM
#nước#Bầu trời#Ngoài trời
AI artwork
Avatar image of yux
3 cats, multiple cats, walking in a line, procession, white cat, glossy fur, smooth sleek fur, brown tabby cat, orange tabby, tabby stripes, gray cat, fluffy fur, thick shaggy fur, holding fish in mouth, small fish, dead fish, full body, from behind, from below, low angle, dutch angle, seaside town, fishing village, coastal village, narrow street, stone steps, cobblestone, wooden houses, drying fishing nets, buoys, seagulls, overcast sky, sea horizon, cel shading, clean lineart, high quality Low-angle three-quarter rear view: three cats pad in single file along a narrow stone-stepped lane that climbs between fishing-village houses toward a wedge of gray sea, the camera set almost at paw level behind and to the right of the white cat, so the steps rise in perspective and the line of animals stretches diagonally up and away. The lead white cat is in the nearest foreground, seen from behind and slightly below, its body in profile-left and its head turned so the flank of its face and one eye show: fur short, dense and glossed, each shoulder blade and hip knob riding smooth under it, tail lifted and curved, paws landing one by one on the flat of a wet step. A small silver fish is clamped crosswise in its jaws, head and tail protruding past either cheek, carried level and steady. One stride behind, on the next step up, the brown tabby follows: warm orange-brown ground with darker banded stripes ringing its legs and tail, a slightly heavier build, head lowered toward the step ahead, the same small fish held in its teeth by the middle. Behind it on the highest visible step the gray cat walks, the widest and slowest-looking of the three, fur long and shaggy so the silhouette breaks into soft tufts at the chest, belly and tail; its fish is held tail-out and slightly to the side. No cat looks at the camera; all three heads point up-lane, the white one's visible eye fixed on the path, and the line's spacing is even, so the parade reads as routine. The lane: worn slate and granite flags with sand and weed in the joints, mortared stone walls on the left with a wooden handrail, on the right low whitewashed houses with weathered plank doors and stacked crates, coiled rope and orange floats, and beyond the last rooftops a flat gray sea with a single breakwater. Hanging nets and a line of small flags arc overhead across the lane. Light is overcast and diffuse from the open sky above the lane, so shadows are soft and indistinct under the bodies and the darkest values sit in the netted eaves and the wall gaps; the only sheen is a long specular streak down the white cat's back and haunches, which stays broken-up and matte on the tabby and is swallowed entirely by the gray's fur. Palette: wet stone gray, whitewash, faded orange floats and buoys, warm ochre tabby, cold gray sea and sky, with the fish the only bright silver notes. Detail budget on the three coats and their difference in texture, the paws on wet stone, and the fish grips. Deliberate physics: the wet flags carry a thin water film, and the white cat's short glossy fur reflects the sky as one narrow continuous highlight along its spine while the gray cat's long fur traps no such streak at all, its tips rimmed by diffuse light instead. Quiet, unhurried.
Oct 28, 2026 4:14 AM
#nước#Bầu trời#Ngoài trời
AI artwork
Avatar image of yux
3 cats, multiple cats, walking in a line, procession, white cat, glossy fur, smooth sleek fur, brown tabby cat, orange tabby, tabby stripes, gray cat, fluffy fur, thick shaggy fur, holding fish in mouth, small fish, dead fish, full body, from behind, from below, low angle, dutch angle, seaside town, fishing village, coastal village, narrow street, stone steps, cobblestone, wooden houses, drying fishing nets, buoys, seagulls, overcast sky, sea horizon, cel shading, clean lineart, high quality Low-angle three-quarter rear view: three cats pad in single file along a narrow stone-stepped lane that climbs between fishing-village houses toward a wedge of gray sea, the camera set almost at paw level behind and to the right of the white cat, so the steps rise in perspective and the line of animals stretches diagonally up and away. The lead white cat is in the nearest foreground, seen from behind and slightly below, its body in profile-left and its head turned so the flank of its face and one eye show: fur short, dense and glossed, each shoulder blade and hip knob riding smooth under it, tail lifted and curved, paws landing one by one on the flat of a wet step. A small silver fish is clamped crosswise in its jaws, head and tail protruding past either cheek, carried level and steady. One stride behind, on the next step up, the brown tabby follows: warm orange-brown ground with darker banded stripes ringing its legs and tail, a slightly heavier build, head lowered toward the step ahead, the same small fish held in its teeth by the middle. Behind it on the highest visible step the gray cat walks, the widest and slowest-looking of the three, fur long and shaggy so the silhouette breaks into soft tufts at the chest, belly and tail; its fish is held tail-out and slightly to the side. No cat looks at the camera; all three heads point up-lane, the white one's visible eye fixed on the path, and the line's spacing is even, so the parade reads as routine. The lane: worn slate and granite flags with sand and weed in the joints, mortared stone walls on the left with a wooden handrail, on the right low whitewashed houses with weathered plank doors and stacked crates, coiled rope and orange floats, and beyond the last rooftops a flat gray sea with a single breakwater. Hanging nets and a line of small flags arc overhead across the lane. Light is overcast and diffuse from the open sky above the lane, so shadows are soft and indistinct under the bodies and the darkest values sit in the netted eaves and the wall gaps; the only sheen is a long specular streak down the white cat's back and haunches, which stays broken-up and matte on the tabby and is swallowed entirely by the gray's fur. Palette: wet stone gray, whitewash, faded orange floats and buoys, warm ochre tabby, cold gray sea and sky, with the fish the only bright silver notes. Detail budget on the three coats and their difference in texture, the paws on wet stone, and the fish grips. Deliberate physics: the wet flags carry a thin water film, and the white cat's short glossy fur reflects the sky as one narrow continuous highlight along its spine while the gray cat's long fur traps no such streak at all, its tips rimmed by diffuse light instead. Quiet, unhurried.
Oct 28, 2026 4:14 AM
#nước#Bầu trời#Ngoài trời
AI artwork
Avatar image of yux
3 cats, multiple cats, walking in a line, procession, white cat, glossy fur, smooth sleek fur, brown tabby cat, orange tabby, tabby stripes, gray cat, fluffy fur, thick shaggy fur, holding fish in mouth, small fish, dead fish, full body, from behind, from below, low angle, dutch angle, seaside town, fishing village, coastal village, narrow street, stone steps, cobblestone, wooden houses, drying fishing nets, buoys, seagulls, overcast sky, sea horizon, cel shading, clean lineart, high quality Low-angle three-quarter rear view: three cats pad in single file along a narrow stone-stepped lane that climbs between fishing-village houses toward a wedge of gray sea, the camera set almost at paw level behind and to the right of the white cat, so the steps rise in perspective and the line of animals stretches diagonally up and away. The lead white cat is in the nearest foreground, seen from behind and slightly below, its body in profile-left and its head turned so the flank of its face and one eye show: fur short, dense and glossed, each shoulder blade and hip knob riding smooth under it, tail lifted and curved, paws landing one by one on the flat of a wet step. A small silver fish is clamped crosswise in its jaws, head and tail protruding past either cheek, carried level and steady. One stride behind, on the next step up, the brown tabby follows: warm orange-brown ground with darker banded stripes ringing its legs and tail, a slightly heavier build, head lowered toward the step ahead, the same small fish held in its teeth by the middle. Behind it on the highest visible step the gray cat walks, the widest and slowest-looking of the three, fur long and shaggy so the silhouette breaks into soft tufts at the chest, belly and tail; its fish is held tail-out and slightly to the side. No cat looks at the camera; all three heads point up-lane, the white one's visible eye fixed on the path, and the line's spacing is even, so the parade reads as routine. The lane: worn slate and granite flags with sand and weed in the joints, mortared stone walls on the left with a wooden handrail, on the right low whitewashed houses with weathered plank doors and stacked crates, coiled rope and orange floats, and beyond the last rooftops a flat gray sea with a single breakwater. Hanging nets and a line of small flags arc overhead across the lane. Light is overcast and diffuse from the open sky above the lane, so shadows are soft and indistinct under the bodies and the darkest values sit in the netted eaves and the wall gaps; the only sheen is a long specular streak down the white cat's back and haunches, which stays broken-up and matte on the tabby and is swallowed entirely by the gray's fur. Palette: wet stone gray, whitewash, faded orange floats and buoys, warm ochre tabby, cold gray sea and sky, with the fish the only bright silver notes. Detail budget on the three coats and their difference in texture, the paws on wet stone, and the fish grips. Deliberate physics: the wet flags carry a thin water film, and the white cat's short glossy fur reflects the sky as one narrow continuous highlight along its spine while the gray cat's long fur traps no such streak at all, its tips rimmed by diffuse light instead. Quiet, unhurried.
Oct 28, 2026 4:14 AM
#nước#Bầu trời#Ngoài trời
AI artwork
Avatar image of yux
3 cats, three cats, no humans, glossy white cat, white fur, grooming, sitting on post, atop a red mailbox post, brown tabby cat, orange tabby, lying on back, belly up, sunbathing, paws curled, fluffy gray cat, gray fur, fluffy, yawning, sitting on windowsill, coastal fishing village, seaside town, uphill slope, cobblestone lane, stone steps, fishing boats, harbor, blue sky, flowing clouds, refreshing blue sea, coastline, landscape, wide shot, high angle looking down the slope, foreground cats, background sea, from above, depth of field, no text, masterpiece, high quality, natural daylight, crisp shadows, warm sunlight, bright palette, serene, breezy, from above the rooftops looking down the hill, the camera set high and tilted so the lane runs from the top of the frame down toward the viewer, three cats drawn large in the near foreground on the lower slope and small across the upper distance of the same climb, white cat crouched on the flat painted top of a red mailbox post at the left edge of the lane, head bent and twisted toward its own flank, tongue pulled across the fur of a raised hind leg, one forepaw steady on the post cap, tail hanging slack over the side, its glossy white coat catching a hard specular sheen along the shoulder and cheek, brown tabby sprawled belly-up in a pool of sun on a wide warm doorstep to the right, all four feet loosely curled in the air, head lolled back against the stone, eyes shut, the tabby stripes flowing across the pale cream of its belly, gray fluffy cat in a wooden-framed window of a whitewashed cottage midway up the right side of the lane, mouth stretched wide in a yawn, eyes screwed shut, tongue curled, chest puffed out and shoulders hunched into the frame, one paw on the sill, thick gray fur fluffing out past the sill edge, the three cats are the walking group seen partway up the slope with their bodies angled toward the lens, the white cat's paws on the post and its tail swinging, the tabby's flanks heaving in the sun and whiskers drooping over the stone, the gray cat's fur ruffled by the sea wind through the open window, all three gazes turned down toward the viewer's side of the lane, the sea fills the far background at the top of the frame, deep refreshing blue with whitecaps, a breakwater running out to a small headland, fishing boats drawn up along the harbor edge, one boat's hull casting a crisp dark shadow on the shingle, houses with tiled roofs and drying nets stacked up the slope, lanterns, laundry flapping on a line, the lane is cobbled and steps between houses, its surface dry and dusty with a few scattered fish crates and a coil of rope, the sky above is open blue with a long band of white cloud streaking from left to right, the cloud's edge feathering into thin cirrus, warm sunlight rakes in from the upper right, the roofs throw their shadows leftward down the slope, the window recesses go deep blue in shade, the tabby's sunlit patch is bounded by a hard shadow line that stops at the doorstep's edge, the sea's sparkle is only on the windward crests, palette limited to the white and gray of the cats, warm terracotta roofs, the cool blue of the sea and sky, and the deep red of the mailbox post, the white cat's coat carries the strongest light of the picture, the whole town gathered in a clean upturned bowl of lane and roof, breezy and serene, midday warmth.
Oct 28, 2026 4:13 AM
#nước#Bầu trời#Ngoài trời
AI artwork
Avatar image of yux
three cats, 3 animals, glossy white cat, brown tabby cat, fluffy grey cat, walking in a line, walking up slope, fish in mouth, each cat carrying a small fish, from below, low angle, foreground, looking at viewer, open eyes, seaside village, fishing village, coastal town, stone stairway, uphill path, ascending, sea in background, ocean horizon, blue sky, flowing clouds, cumulus clouds, refreshing blue sea, turquoise water, bright daylight, high quality, depth of field, wide shot Low-angle view from the bottom of a narrow stone stairway: the three cats climb straight toward the lens in single file, the glossy white cat leading, the brown tabby a pace behind, the fluffy grey cat last, each one with a small silver fish crosswise in its jaws, tail held high and swaying with the climb. The white cat's short sleek coat throws a hard sheen along its back where the sun catches it, one forepaw lifted mid-step on the edge of a worn stone tread, ears forward, eyes fixed on the viewer. The tabby's brown-and-black banded fur ruffles at the shoulder as it pushes off, head low, fish tail flicking. The grey cat's long dense coat puffs out at the chest and haunches, paws half swallowed by fluff, tongue-tip pressed to the fish to hold it. Their bodies stand on the actual stair nosings, weight on two diagonally opposed paws, small shadows pooled tight under each belly because the sun is high and slightly behind them. The stairway rises from the bottom edge of the frame to the middle distance between two rows of low wooden fishing houses with weathered plank walls, tiled roofs, net racks and floats, laundry lines, and stone retaining walls tufted with weeds; coils of rope and blue plastic crates sit against a doorstep. Fine illegible painted lettering on a wooden signboard above a doorway. Beyond the village rooflines the slope drops away to a harbor and open sea at the horizon, a deep cool blue band under a bright cyan sky where long white cloud streaks stretch diagonally across the frame. Palette is clean and airy: white, warm brown, soft grey in the foreground, then weathered wood browns and pale plaster, then saturated sea blue and white cloud. Sunlight comes from the upper right, warm on the cats' upturned faces and the tops of the roofs, cool blue shadow filling the stair risers and the alley gaps. Crisp, high-detail rendering with clean anime linework, luminous fur texture, and lively saturated color. Bright, breezy, cheerful.
Oct 28, 2026 4:10 AM
AI artwork
Avatar image of yux
three cats, 3 animals, glossy white cat, brown tabby cat, fluffy grey cat, walking in a line, walking up slope, fish in mouth, each cat carrying a small fish, from below, low angle, foreground, looking at viewer, open eyes, seaside village, fishing village, coastal town, stone stairway, uphill path, ascending, sea in background, ocean horizon, blue sky, flowing clouds, cumulus clouds, refreshing blue sea, turquoise water, bright daylight, high quality, depth of field, wide shot Low-angle view from the bottom of a narrow stone stairway: the three cats climb straight toward the lens in single file, the glossy white cat leading, the brown tabby a pace behind, the fluffy grey cat last, each one with a small silver fish crosswise in its jaws, tail held high and swaying with the climb. The white cat's short sleek coat throws a hard sheen along its back where the sun catches it, one forepaw lifted mid-step on the edge of a worn stone tread, ears forward, eyes fixed on the viewer. The tabby's brown-and-black banded fur ruffles at the shoulder as it pushes off, head low, fish tail flicking. The grey cat's long dense coat puffs out at the chest and haunches, paws half swallowed by fluff, tongue-tip pressed to the fish to hold it. Their bodies stand on the actual stair nosings, weight on two diagonally opposed paws, small shadows pooled tight under each belly because the sun is high and slightly behind them. The stairway rises from the bottom edge of the frame to the middle distance between two rows of low wooden fishing houses with weathered plank walls, tiled roofs, net racks and floats, laundry lines, and stone retaining walls tufted with weeds; coils of rope and blue plastic crates sit against a doorstep. Fine illegible painted lettering on a wooden signboard above a doorway. Beyond the village rooflines the slope drops away to a harbor and open sea at the horizon, a deep cool blue band under a bright cyan sky where long white cloud streaks stretch diagonally across the frame. Palette is clean and airy: white, warm brown, soft grey in the foreground, then weathered wood browns and pale plaster, then saturated sea blue and white cloud. Sunlight comes from the upper right, warm on the cats' upturned faces and the tops of the roofs, cool blue shadow filling the stair risers and the alley gaps. Crisp, high-detail rendering with clean anime linework, luminous fur texture, and lively saturated color. Bright, breezy, cheerful.
Oct 28, 2026 4:10 AM
AI artwork
Avatar image of yux
three cats, 3 animals, glossy white cat, brown tabby cat, fluffy grey cat, walking in a line, walking up slope, fish in mouth, each cat carrying a small fish, from below, low angle, foreground, looking at viewer, open eyes, seaside village, fishing village, coastal town, stone stairway, uphill path, ascending, sea in background, ocean horizon, blue sky, flowing clouds, cumulus clouds, refreshing blue sea, turquoise water, bright daylight, high quality, depth of field, wide shot Low-angle view from the bottom of a narrow stone stairway: the three cats climb straight toward the lens in single file, the glossy white cat leading, the brown tabby a pace behind, the fluffy grey cat last, each one with a small silver fish crosswise in its jaws, tail held high and swaying with the climb. The white cat's short sleek coat throws a hard sheen along its back where the sun catches it, one forepaw lifted mid-step on the edge of a worn stone tread, ears forward, eyes fixed on the viewer. The tabby's brown-and-black banded fur ruffles at the shoulder as it pushes off, head low, fish tail flicking. The grey cat's long dense coat puffs out at the chest and haunches, paws half swallowed by fluff, tongue-tip pressed to the fish to hold it. Their bodies stand on the actual stair nosings, weight on two diagonally opposed paws, small shadows pooled tight under each belly because the sun is high and slightly behind them. The stairway rises from the bottom edge of the frame to the middle distance between two rows of low wooden fishing houses with weathered plank walls, tiled roofs, net racks and floats, laundry lines, and stone retaining walls tufted with weeds; coils of rope and blue plastic crates sit against a doorstep. Fine illegible painted lettering on a wooden signboard above a doorway. Beyond the village rooflines the slope drops away to a harbor and open sea at the horizon, a deep cool blue band under a bright cyan sky where long white cloud streaks stretch diagonally across the frame. Palette is clean and airy: white, warm brown, soft grey in the foreground, then weathered wood browns and pale plaster, then saturated sea blue and white cloud. Sunlight comes from the upper right, warm on the cats' upturned faces and the tops of the roofs, cool blue shadow filling the stair risers and the alley gaps. Crisp, high-detail rendering with clean anime linework, luminous fur texture, and lively saturated color. Bright, breezy, cheerful.
Oct 28, 2026 4:10 AM
AI artwork
Avatar image of yux
three cats, 3 animals, glossy white cat, brown tabby cat, fluffy grey cat, walking in a line, walking up slope, fish in mouth, each cat carrying a small fish, from below, low angle, foreground, looking at viewer, open eyes, seaside village, fishing village, coastal town, stone stairway, uphill path, ascending, sea in background, ocean horizon, blue sky, flowing clouds, cumulus clouds, refreshing blue sea, turquoise water, bright daylight, high quality, depth of field, wide shot Low-angle view from the bottom of a narrow stone stairway: the three cats climb straight toward the lens in single file, the glossy white cat leading, the brown tabby a pace behind, the fluffy grey cat last, each one with a small silver fish crosswise in its jaws, tail held high and swaying with the climb. The white cat's short sleek coat throws a hard sheen along its back where the sun catches it, one forepaw lifted mid-step on the edge of a worn stone tread, ears forward, eyes fixed on the viewer. The tabby's brown-and-black banded fur ruffles at the shoulder as it pushes off, head low, fish tail flicking. The grey cat's long dense coat puffs out at the chest and haunches, paws half swallowed by fluff, tongue-tip pressed to the fish to hold it. Their bodies stand on the actual stair nosings, weight on two diagonally opposed paws, small shadows pooled tight under each belly because the sun is high and slightly behind them. The stairway rises from the bottom edge of the frame to the middle distance between two rows of low wooden fishing houses with weathered plank walls, tiled roofs, net racks and floats, laundry lines, and stone retaining walls tufted with weeds; coils of rope and blue plastic crates sit against a doorstep. Fine illegible painted lettering on a wooden signboard above a doorway. Beyond the village rooflines the slope drops away to a harbor and open sea at the horizon, a deep cool blue band under a bright cyan sky where long white cloud streaks stretch diagonally across the frame. Palette is clean and airy: white, warm brown, soft grey in the foreground, then weathered wood browns and pale plaster, then saturated sea blue and white cloud. Sunlight comes from the upper right, warm on the cats' upturned faces and the tops of the roofs, cool blue shadow filling the stair risers and the alley gaps. Crisp, high-detail rendering with clean anime linework, luminous fur texture, and lively saturated color. Bright, breezy, cheerful.
Oct 28, 2026 4:10 AM
AI artwork
Avatar image of yux
1girl, solo, cat girl, long hair, wavy hair, fluffy hair, brown hair, gradient hair, white hair tips, heterochromia, gold eye, blue eye, cat ears, black and white fur, frizzy fur, sharp fangs, yaeba, off-shoulder sweater, vertical stripes, knit sweater, black bra strap, visible bra strap, burgundy long skirt, maxi skirt, black high heels, sharp nails, long nails, claw nails, huge breasts, huge ass, wide hips, sitting on swing, swinging, on swing, looking up, looking up at sky, night, starry sky, milky way, shooting stars, many shooting stars, city lights below, hill, from below, full body, mature expression, half-closed eyes, parted lips, night, blue and purple palette, A low camera planted in the grass just in front of the hill's crest looks up from below at a single girl on a rope swing, so her heels hang closest to the lens and her upturned face sits high against the sky. She is caught at the top of the forward arc: hips settled into the wooden seat, the two ropes gripped in her fists at chest height, thighs pressed together, skirt hem swinging forward and gathering in folds over her knees while the back hem lifts off the seat behind her. Her weight rides the seat and the ropes, spine arched back, chin raised, head tipped fully to the sky so her throat is exposed and the long fluffy wavy hair falls back off her shoulders, its brown length sliding to pale white at the loose curling tips that hang in the air below her shoulders. The tips of her frizzy pointed cat ears, black fur broken by white tufts, are silhouetted hard against the star field, both ears angling back with the motion. One gold eye and one blue eye are wide and fixed on the sky above the frame, not on the viewer, lashes low, a faint closed-lip line and a single sharp fang resting against her lower lip: a calm, self-possessed, grown expression that reads as someone alone with something vast. The off-shoulder vertically striped knit has slipped low, riding the rounded tops of her arms and exposing bare shoulders and collarbones, and where the neckline dips a black bra strap and the knit's black stripe meet and cross; the knit pulls tight over a very full bust, ribs of the fabric stretching across it, hem riding above a burgundy long skirt that spills wide over her hips and the swing seat. Her fingers curl around the thick rope, nails long and sharp and glossy black at the tips, digging slightly into the fibers so the rope compresses under each point. The hill crest is a dark, simple silhouette in the near foreground, grass blades sharp and individually lit at the very bottom edge where the sky's glow catches them, everything else in deep shadow. Beyond and far below the crest the city opens out as a dreamlike, heavily blurred carpet of pale gold and warm white lights, pinpricks swollen into soft dispersed halos that overlap and bleed into one another, streets reading as faintly luminous threads and the far edge dissolving into blue haze; the blur is caused by distance and the night air, and it stays unmistakably below her, none of it overlapping her body. Above, the sky is the whole upper half of the frame: a milk-white and violet milky way band slanting diagonally behind her head, a dense field of stars of varying brightness, and a large number of shooting stars streaking down at different angles, their trails thin and bright at the head and fading to nothing at the tail, several passing close enough to her silhouette to graze it. The sky's luminous wash is the only light source; it rims the top of her hair, the tips of her cat ears, her brow and nose with cool silver-blue, while her front stays in soft indigo shadow, and behind her the grass throws no distinct shadow because the light comes from everywhere overhead. Palette: midnight indigo, violet and milk white in the sky; warm gold scattered and out of focus in the city; brown-to-white hair, black-and-white ears, striped knit in greys with the black bra strap reading as one crisp dark line, burgundy skirt as the single saturated mass at the center of the composition. Her reflection of nothing, the ropes taut and the seat tilted under her weight, the skirt's forward billow against the backward drift of her hair all hold the swing at the instant of its arc. Serene, quietly exalted.
Oct 27, 2026 12:24 PM
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