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Meirong

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AI artwork
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character: rengoku_kyoujurou 1 man, solo, rengoku_kyojurou, blonde hair with red streaks, two-tone hair, long hair, flame-shaped hair tips, thick eyebrows, yellow eyes with red-orange irises, muscular build, sexy, tattoo master, standing, from below, cowboy shot, leaning back against tattoo chair, half-lidded gaze, sideways glance, head tilt, one corner of mouth raised, tongue between teeth, hands, one hand holding tattoo machine, other hand resting on back of chair, open black shirt, gold flame-patterned sleeves rolled to elbows, black pants, bare forearms, tattoo salon interior, tattoo designs on walls, tattoo chair, armrest, ink caps, bright overhead lamp, warm amber and deep red palette, confident smirk The camera sits low, looking up from just above the armrest of the tattoo chair, so the man's frame dominates the upper half of the shot in a cowboy crop that cuts at mid-thigh. He is leaning back against the padded chair back, hips forward, weight sunk into the chair, left shoulder blade pressed to the leather. His right arm hangs down over the armrest and his gloved-free fingers grip a tattoo machine loosely, the cord looping toward the floor; his left hand rests flat on the chair's headrest behind him, elbow bent, opening his chest toward the lens. His chin is tipped down but his eyes sit low and level, looking out from under the thick brows with one eyelid dropped, a slow sideways glance aimed just past the viewer's shoulder. A lopsided grin pulls one corner of his mouth up and his tongue presses briefly at the tooth there. His hair is loose, the long red-and-blonde strands falling over his shoulders and back, tips flicking where the ceiling lamp catches them. He wears an open black shirt with wide flame-patterned gold cuffs, sleeves shoved to the elbows, front hanging loose enough to show the plain dark undershirt beneath; black trousers. The overhead lamp is the only strong light — a warm cone dropped straight down over the chair — so highlights ride the tops of his shoulders, nose bridge, collarbone and the machine's steel barrel, while the shadow pools deep under his jaw, beneath the armrest and across the floor. Behind him the salon's back wall is a grid of flash sheets and line-art stencils pinned in rows, their lettering small, dark and unreadable at this distance; an ink station with little cups of black and red sits in the midground at frame left, slightly out of focus. The palette stays amber, deep red, black and warm brown leather, with the lamp's gold pooled on skin and steel and the room's corners falling to near-black. A single bead of ink on the chair's armrest catches a point of light where it has run and beaded at the seam. Moody, magnetic.
Nov 2, 2026 2:18 PM
#Hình xăm#Thanh gươm diệt quỷ#Kyojuro Rengoku
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