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AI art "人は影鳥は光を曳きて春"
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人は影鳥は光を曳きて春

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Bình luận

(masterpiece, best quality, highres:1.3), (vivid colors, rich contrast:1.1), (fantasy, beautiful scenery, beautiful lighting and shadows:1.1), photorealistic, long shot, silhouette of a person, birds trailing light, spring atmosphere
Hiển thị thông số
Prompt gốc
(最高傑作, 最高品質, 最高画質, 超高精細:1.3), (豊かな色彩, 豊かなコントラスト:1.1), (幻想的, 美しい風景, 美しい光と影:1.1), 写真のようにリアル, 遠景, 人は影鳥は光を曳きて春
Kích thước
512 x 512
Bước lấy mẫu
41
Phương pháp lấy mẫu
DDIM
Tỉ lệ CFG
5.1
Loại trừ
(nsfw:2), (nude, naked, girl:2), ng_deepnegative_v1_75t, (worst quality:2), (low quality:2), (normal quality:2), lowres,watermark

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AI artwork
Avatar image of 林郁婷
riding a bicycle, solo, one person, from below, low angle, dutch angle, from side, close-up, foreshortening, motion blur, leaning forward, gripping handlebar, standing on pedals, looking ahead, open mouth, grin, windblown hair, sweat, navy athletic t-shirt, black spandex cycling shorts, white sneakers, silver-framed mountain bike, knobby tires, spokes blurred, empty suburban asphalt street, late afternoon sun, long cast shadow, blue and amber palette A low, tilted camera looks up and along the side of a lone cyclist caught mid-sprint down an empty suburban asphalt street. The rider leans hard forward over the bars, weight driving through the pedals, one leg extended at the bottom of the stroke and the other knee folded high, hands wrapped around the grips with the brake levers under two fingers, elbows flared out and low. Their hair is blown back and sideways off the forehead, mouth open in a wide grin of effort, eyes fixed ahead down the vanishing line of the road rather than at the lens. A breathable navy athletic t-shirt pulls taut across the back and ripples at the hem with the wind, black spandex cycling shorts hug the thighs, and white sneakers clamp into the pedals. The silver-framed mountain bike cuts diagonally across the frame, the front wheel huge in the foreground due to the foreshortening, knobby tire tread sharp, spokes smeared into a fine radial blur while the frame stays crisp. The wheel's contact patch presses a faint dark print into the sun-warmed asphalt, and a pebble kicks out behind the rear tire, catching light mid-air. Late afternoon sun rakes in from the left, low, warm amber on the rider's cheek and forearm, cool blue shadow pooling under the frame and stretching a long distorted shadow across the lane to the right; the street recedes into soft haze with indistinct curb, hedges and rooftops simplified to pale blocks. Palette is restricted to the navy of the shirt and shorts, the silver and black of the bike, white sneakers, warm amber light and cool blue shade. Exhilarated, fast.
林郁婷

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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