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Tạo miễn phí

The Biggest Bird 🕊🕊

Avatar image of The Biggest Bird 🕊🕊

The Biggest Bird 🕊🕊

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Bình luận

notaxuaxi, Painterly anime style, sketchy expressive linework, cel-shaded with soft gradients, bold sharp eye detailing, loose brushstroke hair, warm flat backgrounds, white character outline, semi-rough coloring, high contrast shadows, energetic fan-art 1girl, naked, legs up, trembling legs, squirting, notaxuaxi, Painterly anime style, sketchy expressive linework, cel-shaded with soft gradients, bold sharp eye detailing, loose brushstroke hair, warm flat backgrounds, white character outline, semi-rough coloring, high contrast shadows
Hiển thị thông số
Prompt gốc
notaxuaxi, Painterly anime style, sketchy expressive linework, cel-shaded with soft gradients, bold sharp eye detailing, loose brushstroke hair, warm flat backgrounds, white character outline, semi-rough coloring, high contrast shadows, energetic fan-art 1girl, naked, legs up, trembling legs, squirting
Kích thước
572 x 1024
Bước lấy mẫu
30
Phương pháp lấy mẫu
Euler
Tỉ lệ CFG
3.5
Loại trừ
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, nostrils, nose, watermark, jumbled text, nonsensical text
Sửa mặt

Mô hình & LoRA đã dùng

coco-Illustrious-NoobAI-XL-Style - AI Model cover image

SDXL

coco-Illustrious-NoobAI-XL-Style
893
notaxuaxi | Style Lora (Heavy Augmentation) Inspired by DeadAIM! - AI Model cover image

LoRA của người dùng

notaxuaxi | Style Lora (Heavy Augmentation) Inspired by DeadAIM!
6

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AI artwork
sm
bare feet, white painted toenails, glossy white nail polish, pair of feet, no shoes, bare soles, toes relaxed, from above, foreshortening, close-up, soft floor, warm daylight, looking down at feet, white polish only on toenails, clean bare skin, high detail feet, single subject A tight top-down view looks straight down at a pair of bare feet resting on a pale, clean floor, the camera hovering directly above them and tilting only enough to foreshorten the toes toward the lens. The feet sit close together, the left one slightly forward and rolled a touch outward on its outer edge, the right one planted softer with the toes that little bit more separated, so the two feet read as a natural pair rather than a symmetrical stamp. All ten toenails are painted in a glossy opaque white polish, thick and opaque enough to hide the natural nail beneath, each one a rounded little plaque of white catching a narrow blade of light along its curve, and the body of the nail is the only place that bright, cool white appears. The skin is bare and clean, the ankles disappear out of the bottom of the frame into shadow, and no footwear, sock, strap or ring interrupts the line of the foot. A single warm daylight source comes in low from the upper left of the frame, so the tops of the toes glow and the polish throws small sharp white glints while the undersides of the toes and the hollows beside the ankles sink into a soft, warm shadow; the cast shadow falls down and to the right across the floor. A faint compression in the floor surface beneath the heels, a slight flush of pink at the pressure points where the feet meet the ground, and one thin strand of shadow between the toes make the weight of the body legible. The palette stays restrained: pale skin, the warm cream of the floor, and the single cool white of the ten polished nails, nothing else admitted. Quiet, intimate, and clean.
Sanic Monia
AI artwork
sm
bare feet, white painted toenails, glossy white nail polish, pair of feet, no shoes, bare soles, toes relaxed, from above, foreshortening, close-up, soft floor, warm daylight, looking down at feet, white polish only on toenails, clean bare skin, high detail feet, single subject A tight top-down view looks straight down at a pair of bare feet resting on a pale, clean floor, the camera hovering directly above them and tilting only enough to foreshorten the toes toward the lens. The feet sit close together, the left one slightly forward and rolled a touch outward on its outer edge, the right one planted softer with the toes that little bit more separated, so the two feet read as a natural pair rather than a symmetrical stamp. All ten toenails are painted in a glossy opaque white polish, thick and opaque enough to hide the natural nail beneath, each one a rounded little plaque of white catching a narrow blade of light along its curve, and the body of the nail is the only place that bright, cool white appears. The skin is bare and clean, the ankles disappear out of the bottom of the frame into shadow, and no footwear, sock, strap or ring interrupts the line of the foot. A single warm daylight source comes in low from the upper left of the frame, so the tops of the toes glow and the polish throws small sharp white glints while the undersides of the toes and the hollows beside the ankles sink into a soft, warm shadow; the cast shadow falls down and to the right across the floor. A faint compression in the floor surface beneath the heels, a slight flush of pink at the pressure points where the feet meet the ground, and one thin strand of shadow between the toes make the weight of the body legible. The palette stays restrained: pale skin, the warm cream of the floor, and the single cool white of the ten polished nails, nothing else admitted. Quiet, intimate, and clean.
Sanic Monia
AI artwork
sm
bare feet, white painted toenails, glossy white nail polish, pair of feet, no shoes, bare soles, toes relaxed, from above, foreshortening, close-up, soft floor, warm daylight, looking down at feet, white polish only on toenails, clean bare skin, high detail feet, single subject A tight top-down view looks straight down at a pair of bare feet resting on a pale, clean floor, the camera hovering directly above them and tilting only enough to foreshorten the toes toward the lens. The feet sit close together, the left one slightly forward and rolled a touch outward on its outer edge, the right one planted softer with the toes that little bit more separated, so the two feet read as a natural pair rather than a symmetrical stamp. All ten toenails are painted in a glossy opaque white polish, thick and opaque enough to hide the natural nail beneath, each one a rounded little plaque of white catching a narrow blade of light along its curve, and the body of the nail is the only place that bright, cool white appears. The skin is bare and clean, the ankles disappear out of the bottom of the frame into shadow, and no footwear, sock, strap or ring interrupts the line of the foot. A single warm daylight source comes in low from the upper left of the frame, so the tops of the toes glow and the polish throws small sharp white glints while the undersides of the toes and the hollows beside the ankles sink into a soft, warm shadow; the cast shadow falls down and to the right across the floor. A faint compression in the floor surface beneath the heels, a slight flush of pink at the pressure points where the feet meet the ground, and one thin strand of shadow between the toes make the weight of the body legible. The palette stays restrained: pale skin, the warm cream of the floor, and the single cool white of the ten polished nails, nothing else admitted. Quiet, intimate, and clean.
Sanic Monia

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
4#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
21#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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9#Đại chiến Titan#Mikasa Ackerman
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