OC 一刀両断
DAI-Ce
Mizuki
Hiển thị thông số
- Prompt gốc
- monochrome, greyscale, manga, action, single panel, sword, katana, after slash, follow-through, passing strike, crossed bodies, swordswoman, long hair, ponytail, mole under eye, dark kimono, haori, two-handed grip, hilt wrap, sword guard, opponent, large man, head snapping back, ink spatter, trailing droplets, spatter arc, implied cut, no wound shown, from below, worm's eye view, foreshortened hand, detailed knuckles, hair along arc, coat hem, crosshatching, dry brush, ink flecks, no screentone, white background, dynamic, aftermath, vertical composition , A worm's-eye manga panel of the instant after a passing sword cut: a long-haired swordswoman and a massive opponent have just crossed, their bodies interlocked in the follow-through — she is already past him, back half-turned, her katana swung to full extension and held high behind her, both hands still on the wavy-wrapped hilt below the guard. The opponent's head snaps back at the upper left, the hit expressed purely in ink: a burst of black spatter and trailing droplets flung along one arc, no wound drawn. The invisible slash reconstructs itself from three clues that share a single line — the spatter's vectors, the blade's resting endpoint, the crossed positions of the two bodies. His huge off-balance hand thrusts into the near foreground in extreme foreshortening, knuckles rendered with the densest detail in the panel; her long ponytail and coat hem whip along the same arc as the cut. Pure crosshatching and solid blacks with dry-brush scuffs, no screentone, paper-white background with scattered ink flecks. The violence entirely in the past tense of the pose. Vertical composition
- Mode
- ultra
- Kích thước
- 1536 x 2048
- Loại trừ
- worst quality, photorealistic, bad anatomy, blur, low resolution
Trợ lý Lời nhắc
Mô hình & LoRA đã dùng
Ảnh tương tự
Xem thêm
BLEACH 朽木ルキア
DAI-Ce
4
剣士
れきLequi
2
A worm's-eye manga panel of the instant after a passing sword cut: a long-haired swordswoman and a massive opponent have just crossed, their bodies interlocked in the follow-through — she is already past him, back half-turned, her katana swung to full extension and held high behind her, both hands still on the wavy-wrapped hilt below the guard. The opponent's head snaps back at the upper left, the hit expressed purely in ink: a burst of black spatter and trailing droplets flung along one arc, no wound drawn. The invisible slash reconstructs itself from three clues that share a single line — the spatter's vectors, the blade's resting endpoint, the crossed positions of the two bodies. His huge off-balance hand thrusts into the near foreground in extreme foreshortening, knuckles rendered with the densest detail in the panel; her long ponytail and coat hem whip along the same arc as the cut. Pure crosshatching and solid blacks with dry-brush scuffs, no screentone, paper-white background with scattered ink flecks. The violence entirely in the past tense of the pose. Vertical composition. Rough painterly anime illustration, expressive textured brushwork, chunky brushstrokes, chalky dry-brush texture, scraped pigment, blocky paint application, soft blended shading, visible paint texture, sketchy painted details, glossy highlights, atmospheric depth, delicate thin lineart, soft colored lines, low contrast, muted palette, pastel tones, smooth gradients, soft shading, gentle lighting, subtle shadows, minimal highlights, airy feel, watercolor texture, ultra-high definition, expressive anime-style illustration, pencil-like lines, semi-realistic, grunge style, two-tone accent (black, orange), limited color palette, high contrast, graphic design composition, dynamic silhouette, cinematic lighting, textured digital painting, bold negative space, minimalist background, stylish, edgy contemporary illustration, scratched surface, worn print, risograph texture, offset print, dry brush, stencil art, English graphic design, contemporary illustration.
105th
