TsubakiV3 test

Published on Aug 22, 2026

繭 Mayu

A disturbing dark psychological horror self-portrait painted as a traditional thick impasto oil painting. The subject is an ambiguous young adult person, approximately in their 20s to early 30s, with an ordinary and somewhat androgynous appearance. The portrait initially appears to be a normal formal self-portrait. Only after looking carefully does the viewer realize that the face is subtly and deeply wrong. Subject A single human figure shown from approximately the chest upward. The person faces the viewer directly. They have: dark, slightly tousled hair pale natural skin ordinary facial features neutral expression dark simple clothing calm, almost emotionless eyes The person should not initially look monstrous. The horror comes entirely from the unnatural construction of the face. Montage distortion The face appears to have been constructed from slightly misaligned photographic montage fragments. Different facial features do not quite belong to the same face. The eyes are subtly misaligned in height and angle. One eye appears to come from a slightly different perspective than the other. The nose is shifted slightly sideways. The mouth sits subtly too high or too low relative to the rest of the face. The jawline does not perfectly align with the cheeks. One cheek appears to have been taken from a different facial angle. The hairline and forehead do not quite match the underlying face. The individual distortions should be subtle rather than grotesquely exaggerated. At first glance, the viewer may think something is merely unusual. After looking longer, the face becomes increasingly disturbing. Painting integration The montage effect should not look like obvious digital photo editing. Instead, the displaced facial fragments should appear to have been painted into the oil painting itself. The thick paint layers partially conceal the boundaries between the fragments. Visible impasto brushwork crosses from one facial section into another. Some facial areas have slightly different: lighting skin tone perspective texture brush direction facial proportions These differences create an uncanny visual contradiction. The painting should look as though the artist attempted to combine several different versions of the same person's face into one portrait. Psychological horror The subject does not scream. They do not make an exaggerated horror expression. They simply stare calmly toward the viewer. This emotional normality should make the facial distortion more unsettling. The viewer should gradually notice: the eyes don't quite match, the nose doesn't belong where it is, the mouth seems attached to another face, and the entire portrait is almost correct but never quite becomes one person. The horror should be quiet, uncanny and psychological. Background A dark, nearly empty portrait background. Deep brown-black and muted gray tones. No recognizable location. The background should resemble an old portrait studio swallowed by darkness. Very subtle painterly shadows surround the figure. Lighting Dramatic single-source portrait lighting. One side of the face is illuminated. The opposite side falls into deep shadow. However, the lighting across the montage fragments should contain tiny inconsistencies. One eye may catch light from a slightly different direction. One cheek may appear subtly warmer. The mouth may have a highlight inconsistent with the rest of the face. These contradictions should reinforce the montage effect without becoming obvious special effects. Art style Heavy impasto oil painting. Thick visible brushstrokes. Dense layers of oil paint. Rich pigment texture. Visible palette-knife marks in some areas. Subtle cracking and irregular paint texture. Traditional portrait-painting composition. Muted, sophisticated colors. The image should feel like a genuine physical oil painting hanging in an old gallery. Avoid glossy digital painting. Avoid photorealistic photography. Avoid anime rendering. Avoid obvious Photoshop collage effects. Avoid gore. Avoid exaggerated monster features. Final impression A beautiful, serious oil portrait that becomes increasingly disturbing the longer it is examined. The face looks like a montage assembled from several slightly different versions of the same person, with each facial section displaced just enough to create an uncanny sense that the portrait can never quite become a coherent human face. The horror should come from subtle visual wrongness rather than violence or gore. No additional characters. No text. No logo. No watermark.

Hiển thị thông số

Prompt gốc: A disturbing dark psychological horror self-portrait painted as a traditional thick impasto oil painting. The subject is an ambiguous young adult person, approximately in their 20s to early 30s, with an ordinary and somewhat androgynous appearance. The portrait initially appears to be a normal formal self-portrait. Only after looking carefully does the viewer realize that the face is subtly and deeply wrong. Subject A single human figure shown from approximately the chest upward. The person faces the viewer directly. They have: dark, slightly tousled hair pale natural skin ordinary facial features neutral expression dark simple clothing calm, almost emotionless eyes The person should not initially look monstrous. The horror comes entirely from the unnatural construction of the face. Montage distortion The face appears to have been constructed from slightly misaligned photographic montage fragments. Different facial features do not quite belong to the same face. The eyes are subtly misaligned in height and angle. One eye appears to come from a slightly different perspective than the other. The nose is shifted slightly sideways. The mouth sits subtly too high or too low relative to the rest of the face. The jawline does not perfectly align with the cheeks. One cheek appears to have been taken from a different facial angle. The hairline and forehead do not quite match the underlying face. The individual distortions should be subtle rather than grotesquely exaggerated. At first glance, the viewer may think something is merely unusual. After looking longer, the face becomes increasingly disturbing. Painting integration The montage effect should not look like obvious digital photo editing. Instead, the displaced facial fragments should appear to have been painted into the oil painting itself. The thick paint layers partially conceal the boundaries between the fragments. Visible impasto brushwork crosses from one facial section into another. Some facial areas have slightly different: lighting skin tone perspective texture brush direction facial proportions These differences create an uncanny visual contradiction. The painting should look as though the artist attempted to combine several different versions of the same person's face into one portrait. Psychological horror The subject does not scream. They do not make an exaggerated horror expression. They simply stare calmly toward the viewer. This emotional normality should make the facial distortion more unsettling. The viewer should gradually notice: the eyes don't quite match, the nose doesn't belong where it is, the mouth seems attached to another face, and the entire portrait is almost correct but never quite becomes one person. The horror should be quiet, uncanny and psychological. Background A dark, nearly empty portrait background. Deep brown-black and muted gray tones. No recognizable location. The background should resemble an old portrait studio swallowed by darkness. Very subtle painterly shadows surround the figure. Lighting Dramatic single-source portrait lighting. One side of the face is illuminated. The opposite side falls into deep shadow. However, the lighting across the montage fragments should contain tiny inconsistencies. One eye may catch light from a slightly different direction. One cheek may appear subtly warmer. The mouth may have a highlight inconsistent with the rest of the face. These contradictions should reinforce the montage effect without becoming obvious special effects. Art style Heavy impasto oil painting. Thick visible brushstrokes. Dense layers of oil paint. Rich pigment texture. Visible palette-knife marks in some areas. Subtle cracking and irregular paint texture. Traditional portrait-painting composition. Muted, sophisticated colors. The image should feel like a genuine physical oil painting hanging in an old gallery. Avoid glossy digital painting. Avoid photorealistic photography. Avoid anime rendering. Avoid obvious Photoshop collage effects. Avoid gore. Avoid exaggerated monster features. Final impression A beautiful, serious oil portrait that becomes increasingly disturbing the longer it is examined. The face looks like a montage assembled from several slightly different versions of the same person, with each facial section displaced just enough to create an uncanny sense that the portrait can never quite become a coherent human face. The horror should come from subtle visual wrongness rather than violence or gore. No additional characters. No text. No logo. No watermark.
Mode: ultra
Kích thước: 1536 x 2048
Loại trừ: lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark

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