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むぎちゃ
Hiển thị thông số
- Prompt gốc
- A modern Japanese Gyaru high school girl with trendy contemporary gyaru makeup and hairstyle, posing with a "Gyaru Peace" (inverted peace sign) towards the camera. She is wearing a school uniform with a blazer, a short pleated plaid skirt, clean and neat navy high socks (not loose socks), and chunky black platform loafers. Setting is the street of Shibuya, Tokyo, near the 109 building. Extreme low-angle shot looking up from the ground, vertical composition (9:16 aspect ratio), dynamic wide-angle lens, street snap photography, photorealistic, high detail, authentic textures.
- Chế độ
- flash
- Kích thước
- 1104 x 1824
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1girl, solo, gyaru, contemporary gyaru makeup, trendy gyaru hair, inverted peace sign, hand up, looking at viewer, school uniform, blazer, white collared shirt, short pleated plaid skirt, red and green plaid, navy high socks, clean neat navy socks, chunky black platform loafers, from below, extreme low angle, wide-angle lens, foreshortening, vertical composition, street snap, outdoor, Shibuya street, 109 building, photorealistic, high detail, authentic textures, grin, one eye closed, tongue out, :p, walking pose, leaning back, hips tilted, one leg forward, city crowd bokeh, harsh midday sun
Extreme low-angle shot taken from street level on a Shibuya pavement, camera almost touching the concrete so the girl towers up into a hot white sky, wide-angle lens bending the vertical buildings and stretching her forward loafer so it looms huge in the near foreground. She is caught mid-step, weight sunk into her back left leg with the front right foot planted on its platform sole, hips cocked and torso leaned slightly back off the vertical axis. Her right arm is thrust up toward the lens with the hand turned palm-out, forefinger and middle finger pointed down in the inverted peace sign, so that the two fingers sit close to the camera and read large and crisp; her left hand rests loosely on the hem of her blazer. She grins straight down the barrel at the viewer, one eye squeezed shut in a playful wink, tongue peeking out past the corner of her mouth, cheeks lifted in the low-angle shadow of her own jaw.
Her hair is styled in a big bouncy contemporary gyaru look, honey-brown with lighter tip highlights, blow-dried into voluminous swept-back layers and a half-up top knot, strands lifted by the updraft of the hot street. Her makeup is bold contemporary gyaru: defined arched brows, long curled lashes, liner drawn low at the outer corner, glossy nude-pink lip, and a soft circular blush on the apples of the cheeks, all catching the flattened light under her brow.
The blazer is a dark navy school blazer worn open over a crisp white collared shirt with a small striped tie; the skirt is a short red-and-green plaid pleat that flares as her stepping leg swings it, its pleats springing away from the thigh. Below the hem the navy high socks are pulled up snug and smooth to just under the knee, clean and flat against the leg with no slouching, no wrinkle and no pooling at the ankle, their ribbing neat and even; the chunky black platform loafers are polished leather blocks with thick tank soles, dusted with a fine pale layer of Shibuya street grit along the welt. Sharp midday sun from high right lays a hard-edged shadow under her leading loafer and under her chin, and the pavement in the foreground shows a scatter of small pale scuff marks and chewing-gum patches that make the heat and the footfall visible.
Behind her, the Shibuya street recedes in steep perspective: a midground of pedestrians cropped into soft bokeh at knee and hip height, the great cylindrical face of the 109 building rising up the left of the frame behind her shoulder with its pale curved panels and dark window grid, and further towers and a thin haze of signs compressed upward by the wide lens, all edges converging toward the top of the vertical frame. Palette is navy, plaid red and green, honey-brown hair and bleached-white sky; hot, breezy, effortlessly stylish.
むぎちゃ
1girl, solo, gyaru, contemporary gyaru makeup, trendy gyaru hair, inverted peace sign, hand up, looking at viewer, school uniform, blazer, white collared shirt, short pleated plaid skirt, red and green plaid, navy high socks, clean neat navy socks, chunky black platform loafers, from below, extreme low angle, wide-angle lens, foreshortening, vertical composition, street snap, outdoor, Shibuya street, 109 building, photorealistic, high detail, authentic textures, grin, one eye closed, tongue out, :p, walking pose, leaning back, hips tilted, one leg forward, city crowd bokeh, harsh midday sun
Extreme low-angle shot taken from street level on a Shibuya pavement, camera almost touching the concrete so the girl towers up into a hot white sky, wide-angle lens bending the vertical buildings and stretching her forward loafer so it looms huge in the near foreground. She is caught mid-step, weight sunk into her back left leg with the front right foot planted on its platform sole, hips cocked and torso leaned slightly back off the vertical axis. Her right arm is thrust up toward the lens with the hand turned palm-out, forefinger and middle finger pointed down in the inverted peace sign, so that the two fingers sit close to the camera and read large and crisp; her left hand rests loosely on the hem of her blazer. She grins straight down the barrel at the viewer, one eye squeezed shut in a playful wink, tongue peeking out past the corner of her mouth, cheeks lifted in the low-angle shadow of her own jaw.
Her hair is styled in a big bouncy contemporary gyaru look, honey-brown with lighter tip highlights, blow-dried into voluminous swept-back layers and a half-up top knot, strands lifted by the updraft of the hot street. Her makeup is bold contemporary gyaru: defined arched brows, long curled lashes, liner drawn low at the outer corner, glossy nude-pink lip, and a soft circular blush on the apples of the cheeks, all catching the flattened light under her brow.
The blazer is a dark navy school blazer worn open over a crisp white collared shirt with a small striped tie; the skirt is a short red-and-green plaid pleat that flares as her stepping leg swings it, its pleats springing away from the thigh. Below the hem the navy high socks are pulled up snug and smooth to just under the knee, clean and flat against the leg with no slouching, no wrinkle and no pooling at the ankle, their ribbing neat and even; the chunky black platform loafers are polished leather blocks with thick tank soles, dusted with a fine pale layer of Shibuya street grit along the welt. Sharp midday sun from high right lays a hard-edged shadow under her leading loafer and under her chin, and the pavement in the foreground shows a scatter of small pale scuff marks and chewing-gum patches that make the heat and the footfall visible.
Behind her, the Shibuya street recedes in steep perspective: a midground of pedestrians cropped into soft bokeh at knee and hip height, the great cylindrical face of the 109 building rising up the left of the frame behind her shoulder with its pale curved panels and dark window grid, and further towers and a thin haze of signs compressed upward by the wide lens, all edges converging toward the top of the vertical frame. Palette is navy, plaid red and green, honey-brown hair and bleached-white sky; hot, breezy, effortlessly stylish.
むぎちゃ
1girl, solo, gyaru, contemporary gyaru makeup, trendy gyaru hair, inverted peace sign, hand up, looking at viewer, school uniform, blazer, white collared shirt, short pleated plaid skirt, red and green plaid, navy high socks, clean neat navy socks, chunky black platform loafers, from below, extreme low angle, wide-angle lens, foreshortening, vertical composition, street snap, outdoor, Shibuya street, 109 building, photorealistic, high detail, authentic textures, grin, one eye closed, tongue out, :p, walking pose, leaning back, hips tilted, one leg forward, city crowd bokeh, harsh midday sun
Extreme low-angle shot taken from street level on a Shibuya pavement, camera almost touching the concrete so the girl towers up into a hot white sky, wide-angle lens bending the vertical buildings and stretching her forward loafer so it looms huge in the near foreground. She is caught mid-step, weight sunk into her back left leg with the front right foot planted on its platform sole, hips cocked and torso leaned slightly back off the vertical axis. Her right arm is thrust up toward the lens with the hand turned palm-out, forefinger and middle finger pointed down in the inverted peace sign, so that the two fingers sit close to the camera and read large and crisp; her left hand rests loosely on the hem of her blazer. She grins straight down the barrel at the viewer, one eye squeezed shut in a playful wink, tongue peeking out past the corner of her mouth, cheeks lifted in the low-angle shadow of her own jaw.
Her hair is styled in a big bouncy contemporary gyaru look, honey-brown with lighter tip highlights, blow-dried into voluminous swept-back layers and a half-up top knot, strands lifted by the updraft of the hot street. Her makeup is bold contemporary gyaru: defined arched brows, long curled lashes, liner drawn low at the outer corner, glossy nude-pink lip, and a soft circular blush on the apples of the cheeks, all catching the flattened light under her brow.
The blazer is a dark navy school blazer worn open over a crisp white collared shirt with a small striped tie; the skirt is a short red-and-green plaid pleat that flares as her stepping leg swings it, its pleats springing away from the thigh. Below the hem the navy high socks are pulled up snug and smooth to just under the knee, clean and flat against the leg with no slouching, no wrinkle and no pooling at the ankle, their ribbing neat and even; the chunky black platform loafers are polished leather blocks with thick tank soles, dusted with a fine pale layer of Shibuya street grit along the welt. Sharp midday sun from high right lays a hard-edged shadow under her leading loafer and under her chin, and the pavement in the foreground shows a scatter of small pale scuff marks and chewing-gum patches that make the heat and the footfall visible.
Behind her, the Shibuya street recedes in steep perspective: a midground of pedestrians cropped into soft bokeh at knee and hip height, the great cylindrical face of the 109 building rising up the left of the frame behind her shoulder with its pale curved panels and dark window grid, and further towers and a thin haze of signs compressed upward by the wide lens, all edges converging toward the top of the vertical frame. Palette is navy, plaid red and green, honey-brown hair and bleached-white sky; hot, breezy, effortlessly stylish.
むぎちゃ
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