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tủ đựng giày AI Art & Prompts

Explore the trending 480 tủ đựng giày artworks

AI artwork
r
no humans, high school setting, unmanned school store, interior, small wooden sales counter, open cardboard crate of bread rolls and milk cartons, clipboard with handwritten tally sheet left on the counter, coin box with a few coins, hand-lettered price tags, chalkboard sign, morning light, wide shot, from side, dutch angle, one-point perspective down the corridor, empty room, quiet A slight dutch-tilted wide shot from the side looks down an empty high-school corridor and into a small unmanned school store recessed along its right wall; the corridor's polished floorboards run in one-point perspective toward a bright window at the far end, and the corridor is completely empty of people, no students and no clerk anywhere in the frame. The store stall itself occupies the right two-thirds of the image: a shallow alcove with a waist-high wooden sales counter across its mouth, its near corner catching the light. On the counter sit an opened cardboard crate of bread rolls with the flaps folded back, two rows of milk cartons standing in a shallow wire basket, a small coin box with its lid propped open and three coins sitting inside, and a clipboard laid at a slight angle with a handwritten tally sheet ruled in pencil, columns and tick marks legible as hand-drawn row-and-column marks. Above the counter, a hand-lettered cardboard sign is taped to the shelf edge, and price tags written in marker are stuck to the shelf lip under each stack of goods; the shelf behind is lined with more loaves in plastic wrap and stacked notebooks. To the left of the stall, a blackboard stands on a wooden easel with chalk lettering on it, the letters slightly dusty where a hand has wiped part of a word away. Morning sunlight comes in low through the far window and through the corridor's tall side windows on the left, laying long bright parallelograms of light across the floorboards and up the front face of the counter; the counter's top surface and the crate's upward-facing flaps take the full brightness while the alcove's inner shelves fall into cool shadow, and the shop's dim under-shelf darkness is the darkest passage in the frame. Dust motes hang in the sunbeams. The floorboards' seams catch a slight sheen of polish, and the light reaches only the surfaces that face the windows, leaving anything facing away from them in shadow. The palette is restrained to warm honey wood, pale cream walls, the red-and-white of the goods and the soft grey-blue of the shaded corridor; nothing else is admitted. The stall's emptiness is the subject: no one stands behind the counter, the coin box waits open, and the tally sheet is half-finished. Quiet, everyday.
Rinrin
AI artwork
s
character: marinette_dupain-cheng, copyright: miraculous_ladybug 1girl, solo, marinette dupain-cheng, blue hair, ((twintails)), alternate hairstyle, blue eyes, confident, alluring smile, seductive smile, looking at viewer, head tilt, (cleavage:0.5), ornate white leotard, multi-layered white tutu, white pantyhose, pointe shoes, front split, 180-degree split, torso folded forward, head down, face buried against front leg, both hands grabbing foot, arms forward, wooden floor, dance studio, paris, dimly lit, small windows, daylight, sunbeam, sweat, sweaty brow, from above, close-up, foreshortening, From a high angle looking down along the line of her extended front leg: her body reads as one long diagonal running from her back hip at the lower left of the frame to the pointe-shoe toe at the upper right. Her pelvis sits square on the polished wooden floorboards, the left leg swept straight back, the right leg straight forward, the split opened a clean 180 degrees. Her torso folds flat over the front leg, chest pressed along the white-pantyhosed shin, spine curved long, and her head is tilted down and buried against the front-facing leg just below the knee so that the crown of her blue twintails tumbles forward over her thigh. Her face is turned slightly up toward the camera out of that buried position, chin against her own leg, eyes lifted to the lens with a confident, alluring, seductive smile that curves one lip corner higher than the other. Both hands reach forward and grip the front foot: the fingers wrap over the top of the pointe shoe, thumbs pressing the satin, the shoe's ribbon laces running up over the ankle above her knuckles. The costume: an ornately designed white leotard whose bodice is traced with fine embroidered scrollwork and a low, wide neckline that shows (cleavage:0.5), the white multi-layered tutu flaring around her hips and crushed at one side where it rests on the floor, matte white pantyhose stretched taut over both legs and catching the light along the shin, and white satin pointe shoes with ribbons wound and tied at the ankles. Her brow and temples are damp with sweat, small beads glinting, a few strands of blue hair stuck to her forehead. Her hair is tied in two twintails, per the alternate hairstyle, sweeping in low arcs past her shoulders toward the floor, tips resting on the boards. The studio is a dim Paris dance studio: pale plaster walls with tall mirrors along the left of the frame reflecting her split in a softer, darker duplicate, a wooden barre running out of focus, and high on the back wall a row of small windows through which daylight streams in narrow slanted shafts. Those shafts are the only light source, cutting down through the dim air and laying bright, stretched quadrilaterals across the glossy wooden floor, reflecting her white figure in blurred streaks across the boards between the shafts, while the corners and the far wall stay sunk in deep shadow. Dust motes drift in the beams. The light grazes her white tutu and pointe shoes so the whites blow out slightly in the shafts and darken to cool grey where the shadows fall. Palette: warm honey daylight, cool shadowed greys and blues in the studio, and the pure white of her ballet costume as the one bright anchor. Intimate, composed, quietly charged.
squishydownrange

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