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Lỗ thông gió AI Art & Prompts

Explore the trending 25 Lỗ thông gió artworks

AI artwork
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1girl, solo, book cover, title, english text, crosshairs, targeting, running, running away, from behind, looking back, looking over shoulder, full body, dynamic angle, dutch angle, afraid, terrified, tear, crying, blush, freckles, blue eyes, pink hair, long hair, white headband, hair clips, off-shoulder shirt, crop top, white shirt, pink skirt, miniskirt, pleated skirt, tennis skirt, bare midriff, slim waist, narrow alley, wet ground, city street, night, dramatic lighting, red text Dynamic composition from behind at a Dutch angle, capturing a fleeing young woman mid-sprint through a narrow city alleyway at night, framed as a book cover with a sniper reticle locked onto her. Across the top portion of the frame, stylized display typography reads the title "Hitman" in sharp, bold red lettering with clean editorial spacing. The slender young woman bounds forward away from the camera, her body weight driving onto her lead foot as her shoe kicks up a sharp spray of droplets from a glistening puddle on the asphalt. Her torso and head twist back over her bare shoulder to look directly toward the viewer with wide, distressed blue eyes; her eyebrows knit in acute terror, a faint flush warms her freckled cheeks, and a single crystalline tear streaks down her face. Her long vibrant pink hair billows outward in the wind, held partially by a clean white hairband adorned with small colorful hairclips along the bangs. She wears a loose white cropped top that sits off her shoulders to expose her collarbones and slim bare waist, paired with a pleated pink tennis miniskirt flaring with the momentum of her stride. Centered directly over the back of her head is a fine, glowing red holographic crosshair reticle that casts a vivid crimson point of light onto her hair. The claustrophobic alleyway stretches forward between tall brick walls lined with metal fire escapes and damp drainpipes, illuminated by a single distant, cool streetlight overhead whose cold reflection shimmers against the wet, dark ground. Tense dread.
MADHPO
AI artwork
Avatar image of 東西南北で言うと右
character: hasu_(flower_knight_girl) zastoy_filter, faded oppressive color grading, muted but distinct colors, weathered grayish whites, crushed shadows, ashen muted skin tones, muddy midtones, selective muted desaturated colors, diffused cloudy highlights, stale dusty atmosphere, subtle analog film grain, selah melancholic, 1boy, young adult man, tall slim body, pale skin, refined and slightly androgynous face, calm elusive demeanor, purple hair tied into a long ponytail, blunt slightly uneven straight-cut bangs, thick fringe fully covering the eye on the viewer's left side, thin round glasses, visible eye half-lidded, faint mischievous smile, completely unhurried expression, wearing a sharply tailored black suit with elegant lotus embroidery, black shirt, fitted trousers, subtle dark violet lining visible inside the jacket, silver accessories, black leather shoes, refined assassin-like underworld fashion, clothes slightly disheveled from moving through the building but still elegant, nighttime service area behind a high-rise building, concrete emergency stairwell, narrow metal landing, exposed pipes, security lights, surveillance cameras, wet concrete, distant neon city visible through the railing, heavy industrial atmosphere, Hasu has deliberately ignored the route given through his earpiece and taken an entirely different path through the building, he has just pushed open a heavy metal emergency door and stepped onto the outdoor landing, one hand still holding the door behind him, the other hand casually adjusting the wire of his earpiece, body turned partly away as if he is already preparing to continue walking, but his head is turned back toward the viewer with a small amused smile, his posture suggests he already knows the person on the radio is angry, yet he is completely certain his route made sense, camera placed one floor below on the emergency stairs, extreme low-angle view looking upward through black metal railings, railings crossing the foreground diagonally, dynamic perspective distortion, Hasu framed between the stair structure and night sky, long ponytail slightly lifted by wind, jacket hem moving, dramatic noir crime scene without active combat, cinematic suspense, highly asymmetrical composition, strong leading lines from stairs and railings, cold blue-gray city light, harsh white security lamp, muted violet accents from distant neon, wet surfaces reflecting light, slight fog, deep shadows, sophisticated mature anime illustration, realistic perspective, intricate urban background, subtle motion in hair and coat, film grain, no text, no logo
東西南北で言うと右
AI artwork
Avatar image of Gr3ylok
1person, solo, lone technician, back view, standing in water, flooded floor, flooded television studio, broadcast control room, 1980s, wall of monitors, multiple crt monitors, screen glow, monitor wall, hallway on screen, tape creature, magnetic tape, unspooling tape, ceiling vent, hanging tape ribbons, black water, water reflections, ripples, low angle, wide shot, from below, red warning light, saturated red, electric cyan, high contrast, precise retro anime linework, hand-painted shadows, subtle scanlines, dense atmospheric detail, eerie stillness A wide, low-angle shot looks upward across the black flooded floor of an abandoned 1980s television broadcast control room. In the midground, a lone signal technician stands motionless, submerged mid-calf in stagnant, pitch-black water, seen from behind with shoulders tensed in rigid arrest. The technician wears a water-stained utility jumpsuit with rolled forearms, heavy black rubber waders cutting through the dark pool, and a bulky single-cup communication headset with its coiled black cord dangling against their shoulder blade. Their chin is tilted upward, gaze locked upon the towering bank of CRT video monitors rack-mounted into the opposite wall. Every curved glass screen displays the identical linoleum broadcast corridor from slightly advancing increments of time: in the peripheral screens the distant hallway is desolate, but screen by screen toward the center, a towering humanoid silhouette constructed from tangled, glossy magnetic cassette tape takes consecutive strides forward, looming massive and close in the primary monitors. Overhead, thick ribbons of wet magnetic tape slide silently out through the metal louvers of a ceiling air vent, unraveling downward in limp, unspooling loops that hover inches above the flood. The scene is illuminated by two conflicting sources: blinding electric cyan phosphor light radiates from the monitor grid to illuminate the technician’s front contours and cast rippling cyan reflections across the water, while flashing emergency beacons mounted to the damp concrete side walls stain the acoustic tiles and conduit runs in saturated, blood-red light. Deep hand-painted matte shadows gather densely beneath equipment consoles and behind structural pillars. At the technician's boots, settled circular ripples break against the submerged rack legs, while the lowest dangling tendrils of unspooling tape dip into the water, their contact points pinching tiny capillary surface rings that distort the mirrored cyan glow into trembling jagged lines. Rendered with precise retro cel linework, dense mechanical cable detailing, and fine horizontal scanlines layered across the frame. Eerie stillness.
Gr3ylok

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