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cân AI Art & Prompts

Explore the trending 411 cân artworks

AI artwork
Avatar image of C9I
low-angle shot, from below, two subjects, giant crumbling stone statue of Lady Justice, blindfolded statue, thick blindfold cloth, thick dark tears streaming from beneath the blindfold, dark tear streaks running down carved stone cheeks, hairline cracks splitting the stone beneath the tear trails, chipped weathered stone surface, scales held in one stone hand, sad raven perched on the statue's shoulder, black raven, ruffled feathers, feathers blown back by cold wind, torn legal document in beak, blood-stained legal document, blood-red stain soaking the paper, abandoned graveyard background, leaning crooked headstones, cracked graveslab silhouettes, creeping mist, heavy storm clouds, cold moonlight breaking through the clouds, shaft of moonlight, chiaroscuro, desaturated blacks, sickly pale grays, subtle blood-red accent, hyperdetailed oil painting texture, dark gothic, melancholic, despair, tragic, masterpiece The camera sits far below the two subjects and looks steeply upward along the statue's body: in the near foreground the ragged hem of Lady Justice's stone robe and the top edge of a broken pedestal, then her colossal torso rearing above it, the blindfolded head at the apex of the frame against the storm sky. Her stone arm on the right of frame holds the scales high, one pan tipped and empty, and her weight rests entirely on that forward leg, the opposite knee buckled inward where a slab of stone has fallen away, exposing a soft crumbled void instead of a carved leg. The blindfold is a thick band of worn cloth pressed into the eye sockets; from under its lower edge two thick dark tear trails well out and descend the stone cheeks, each trail cutting a branching crack that widens as it travels and sheds fine dust along the ridges of her jaw and throat. The raven sits on the shoulder nearest the viewer, its claws gripping the lip of the crumbling epaulette, body hunched low and head drawn down so the beak and the document hang just below the shoulder line; the torn legal document is pierced at the corner by the beak, its loose corner caught and bent by the wind, a dried blood-red stain soaked through the paper and a line of illegible type running across the surviving fragment. The raven's head is tilted down toward the tears on the statue's cheek; the statue has no eyes to answer, and the whole posture of the bird reads as bending over something it cannot mend. Wind presses the raven's feathers back from its breast and flattens its tail toward the shoulder, and torn strips of the blindfold's trailing edge flick away from the stone. Cold moonlight is the only light: it breaks through a split in the storm clouds behind and to the left of the statue, striking the left side of the stone face and the raven's shoulder and leaving the right half of the statue and the deep graveyard behind in falling darkness. Mist creeps at ground level around the pedestal and threads between crooked headstones in the midground, dimmed and cooled to almost nothing. Palette holds to desaturated blacks and sickly pale grays across stone, cloth and cloud, with the blood-red admitted only in the document's stain and a faint echo in the drying red-brown at the tear trails' source. Heavy oil paint handling: thick impasto on the stone's chipped edges and the raven's contours, fine scumbled grain across the moonlit haze, the wet sheen of tears catching the moonlight as a thin cold highlight. Despair and monumental melancholy.
C9I
AI artwork
Avatar image of V121ON
1girl, solo, oshino shinobu, monogatari\(series\), carina malfoy\(harry potter\) cosplay, harry potter, innocent soft expression, long straight hair, asymmetrical side-parted bangs, swept fringe bangs behind ear, gold wedding ring, blush stickers, large yellow-gold eye color, aged down, dutch angle, 4K, ultra HD, masterpiece, best quality, photorealistic, detailed background, perfect anatomy, short stature, small hands, slim waist, small hips, thin thighs, small feet, brat, petite body, contrapposto pose, golden blonde hair, glowing eyes, catchlight, flat chest, fingernails, fair skin, fang, bare collarbone, large eyes, catchlights in eyes, shiny skin, oiled skin, wet skin, wet hair, glossy body, skin highlight, specular highlights, shimmering skin, reflective skin, radiant skin, glowing skin, rim lighting, bloom, high contrast lighting, full body view, ultra detailed, top down shot, view from above, standing, looking up at shot, soft expression, large white bath towel wrapped around her body, hands holding the towel to her chest, indoor setting, bathroom, white tiles, ambient lighting, calm atmosphere, cozy atmosphere, high-quality anime illustration, smooth digital coloring, soft shadows, bright color palette, purity, freshness, simple indoor setting, minimalist bathroom, toothbrush in cup, in washroom
V121ON
AI artwork
painterly shading, soft lighting, watercolor style, beautiful eyes, translucent look, cute colors, sketch-like, doodle feel, hand-drawn style, boy, masterpiece, high quality, super cool, beautiful boy, handsome, short midface, wide-open large eyes, large eyes, slightly youthful face, full body shot, baby face, expressionless, full upper body shot, sharp eyes, 1person, grey eyes, brown hair, center-parted bangs, demon race, spiral demon horns, demon-style clothing, holding a sinister demon magic tool of a scale in one hand
user-2041594578770292590
AI artwork
ab
frederica bernkastel, 1girl, masterpiece, ultra detailed, long hair, purple hair, hime cut, empty eyes, violet eyes, unsettling expression, layered frilled dress, wide sleeves, holding scythe, gothic, wide-angle portrait, cold blue-grey light, scattered butterflies, eerie stillness, character sheet, deconstructed elements, full body, visual anchor, hand-drawn arrows, guide lines, small items, simple background, handwritten notes, sitting, knees up, tky relaxed floor sit knees up palms back, feet apart
Anika Bright
#Khi Hải Âu Cất Tiếng Khóc#Frederica Bernkastel
AI artwork
Avatar image of ている
1girl, solo, young girl, black hair, long hair, twintails, black twin tails, apron, white apron, cooking, making food, waiting, kitchen, modern kitchen, beautiful kitchen, warm light, hearth, from behind, looking back, over-shoulder composition, three-quarter view, from side, standing, head tilt, soft smile, closed mouth, blush, hands clasped, holding wooden spoon, steam, cozy atmosphere, affectionate, loving mood From behind and slightly to her right, at shoulder height, the camera looks over the girl's shoulder into the kitchen: she stands at a pale stone counter with her back three-quarters to the viewer, head turned back over her right shoulder so only the right side of her face shows -- one dark eye glancing toward the doorway off-frame, chin tilted up, a faint closed-lip smile with the lower lip slightly caught, a warmth of blush across the visible cheek. Her long black hair is split into two twin tails tied high at the back of her head, each tail falling forward past her shoulders so the ends hang against the front of her apron; the tails sway slightly toward the counter. She wears a white cotton apron over a soft pastel pink dress with short puffed sleeves, the apron bib square across her chest, its waist ties knotted at the small of her back with the bow's loops hanging, the skirt of the dress showing below the apron hem. Her left hand rests flat on the counter edge beside a cutting board of half-sliced vegetables; her right hand holds a wooden spoon up out of a small pot, wrist turned, a thin ribbon of steam rising past the spoon and curling toward her cheek. Weight is on her left leg, right heel lifted slightly off the floor, hips cocked against the counter's base cabinet. The kitchen is stylish and clean: matte off-white cabinetry with slim brass pulls, a backsplash of pale vertical tiles, a light oak open shelf above holding a few ceramic bowls and a small jar, a window at the far left letting in a wide shaft of late-afternoon sun. The sunlight falls across the counter's near edge and lays a bright band on the floor; the girl's cast shadow stretches back toward the camera along the counter face, and the steam is brightest where it crosses the sunlit band, dissolved to faint gray where it leaves it. The light is warm and low in temperature, amber on the wood and the brass, cool only in the shadowed gap beneath the upper cabinets. The palette is off-white, pale oak, pastel pink and the deep black of her hair, with the vegetables' green the only other saturated note. Face, hands, the knot of the apron ties and the curling steam carry the detail; the far cabinets soften. Tender, domestic warmth.
ている
AI artwork
j5
(masterpiece best quality 1.2), ultra-detailed, eldritch deity character design, extreme close-up zoomed in up close, ((God of Death:1.8)), law deity, extremely unique monstrous judicial appearance, intricate design patterns, body not humanoid — a living tribunal a walking courthouse a creature whose anatomy IS legal architecture, his torso is a courthouse facade — vertical columns of black stone forming his ribs a pediment across his shoulders carved with the scales of justice his sternum is a bench his collarbones are gavels crossed over his chest, formal jet-black robes that are not fabric but SOLIDIFIED LAW — the robes are compressed legal text made physical every fold is a clause every wrinkle is a precedent every crease is a statute the robes hang in rigid right angles because law does not flow law STRUCTURES, brilliant golden filigree running along every edge of the robes — the filigree is dense legal script in a language that predates language each character a law that governs a fundamental force of reality, short white hair swept back in severe rigid order — not a strand out of place because law is order and his hair obeys, two piercing green-gold glowing eyes sharp and cold — the eyes are the gavels the eyes strike and when they strike reality OBEYS, his face is angular and sharp and pale — cheekbones like marble benches jaw like a gavel's strike brow like a legal brief — his face is the face of judgment rendered in stone and gold, right hand extended forward palm down fingers spread — five thin golden lines strike downward from his fingertips to the ground below each line a law being imposed where each line touches earth the ground converts to golden law-stone in a spreading circle, left hand gripping a massive black staff taller than his body the staff's shaft carved with golden legal codes the staff's head is a set of golden scales — perfectly balanced always perfectly balanced because law is balance, a massive glowing golden law meter floating above his head — starts full and drains with each law used an empty meter means death, one absolute law visible as GIANT golden text burning across the sky behind him — the law affects everything within ten miles the text is the size of a mountain, his body is covered in glowing golden engravings in perfectly aligned geometric rows — every engraving is a law every law is a constraint every constraint binds something, big floating glowing golden text spiraling through the air in orderly perfect formations — the text does not drift the text ARRANGES the text obeys its own laws, divine golden aura authoritative and precise — the aura does not radiate the aura LEGISLATES everything in the aura's radius conforms to order, floating glowing golden halo geometric and sharp-edged — the halo is a perfect circle because law requires perfection, glowing golden crest on a thin golden circlet on his brow — a vertical line bisecting a circle the symbol of absolute law, glowing golden magical engravings on the staff and robes in perfectly aligned rows — not one line out of place not one character misspelled because law does not tolerate error, narrow sharp green-gold eyes seeing all violations all infractions all disorder within his radius, posture perfectly upright — parade-ground straight spine vertical chin level shoulders square the posture of a being that has never slouched because slouching is disorder and disorder is illegal, the air itself conforms to him — particles settle winds stop time slows within his radius everything OBEYS, very long sleeves rigid and formal extending past his hands completely — the sleeves are legal sleeves and legal sleeves are long because the law's reach is long, solo, 1creature, from the front, facing forward, extremely zoomed in tight, the background is a ruined courthouse being rebuilt by golden law-text as it assembles itself — broken columns reassembling shattered windows un-shattering scattered papers filing themselves into order
jsdeud5s54es#0
#zetaCollab
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