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View detailsV3.2でウィリアム・テルはできるのか?2
まずは、お手本となるV3.0(高一貫性)さんです。 見事に、りんごに矢が命中しています。 特に大きな違和感はなく成立しているかと思います。 このうごイラは見事1回で出来ました。さすがはV3.0さんです。 プロンプトは本来英文で、入れていますが、和文で貼っておきます。 (ここから) PixAI ugoiraアニメーション、5秒、開始フレームから終了フレームまでの変換、映画のようなアニメスタイル、固定カメラ、リアルな弓の動き、キャラクターデザインの変更なし、既存キャラクターのみアニメーション化。 早朝の穏やかな雰囲気、そよ風、流れる川、自然に揺れるピンクの桜の木々、ゆっくりと舞う花びら、静寂な環境、風と水の音だけが聞こえる。 開始フレーム: 青い服を着た射手が弓を構え、弦を引く。集中した表情、安定した姿勢、リアルな弓の構え、弓を完全に引き絞り、矢が的を捉えている。弓から淡い青色の霧と粒子が放出される。 0秒~1秒: そよ風が髪と衣服を自然に揺らし、花びらが舞い、川が流れ、射手はしっかりと弓を引き絞り、呼吸の動きは微か。 1秒~2秒: 射手は弓をさらに引き絞り、肩を安定させ、肘を後ろに引く。弓弦の張力が増し、青い魔法の霧が強まり、粒子が矢の先端に集まる。 2秒~2.6秒: 射手が弦から指を離す。スムーズなリリース、リアルな弓の反動、矢は高速でまっすぐ前方へ発射される。軌道は曲がらず、リアルなアーチェリーの物理法則が反映されている。 2.6秒~3秒: 矢は画面をまっすぐ横切り、モーションブラーが発生し、画面から消える。 シーンカット 3秒: シーン終了。 ピンク色の髪のキャラクターが直立し、完全に静止している。背筋を伸ばし、腕はリラックスさせ、頭の上にリンゴを一つ乗せている。キャラクターは微動だにせず、瞬きもせず、一切動かない。 3秒~4秒: 周囲は穏やかで、風が花びらや木の枝を揺らし続けている。キャラクターは完全に静止している。 4秒~4.8秒: 矢が高速で画面に入り、リンゴに向かってまっすぐな軌道を描く。 4.8秒~5秒: 矢はリンゴをきれいに貫通し、中心に命中する。リンゴは頭の上に残ったままで、怪我はない。劇的な瞬間、粒子がわずかに飛び散り、映画のような衝撃が表現される。 最後のフレームには、劇的な成功、ウィリアム・テルを彷彿とさせるシーン、感動的で英雄的な雰囲気が収められている。 (ここまで) Can William Tell be done in V3.2? Part 2 First, here's the example from V3.0 (high consistency). The arrow hits the apple perfectly. I think it works without any major issues. This animated illustration was created in just one try. V3.0 is truly impressive. The prompts are originally in English, but I'll post them in Japanese.
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- Model
- V3.0 (High Consistency)
- Mode
- professional
- Duration
- 5
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End Frame
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
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