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Oi Pottah!

#Harry Potter#Wizarding World#Tsubaki.3
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Korgami

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The pinnacle of theatrical-quality, extremely fast high speed 2D Japanese anime. One continuous shot, a single unbroken take with no cuts, no transitions, no fades and no scene changes. Exaggerated sakuga style action scene. Explosive 1980s and 1990s energy. 
STYLE Hand-drawn 2D anime action shot in black-and-white sketchbook ink: loose pencil and pen hatching on off-white paper, soft rounded shapes, clear silhouettes, active line boil. Explosive late-80s/90s sakuga energy. Limited animation on 2s with a staccato, handcrafted rhythm; smears, hand-drawn speed trails, impact flashes. The only colour anywhere is the warm gold of the snitch. Minimal background: blank paper with dynamic hand-drawn speed lines. One continuous shot: no cuts, transitions or fades. CHARACTER (identical in every frame, matching the reference image) The chibi boy wizard from the reference image: oversized round head, messy black hair in thick inked tufts, a lightning-bolt scar on his forehead, big round fully reflective opaque wire-rimmed glasses that always hide his eyes, small expressive mouth, blushing cheeks and ears. Dark flowing robes over a white collared shirt, striped tie and knitted V-neck sweater vest; dark trousers and black shoes. Short chibi limbs, small hands gripping the broomstick. His face, proportions and outfit never change. His glasses stay on, the scar stays in the same place, and his robes stay clearly separate from the broom bristles. 
The action erupts from the first frame and never stops. An unresolved, high-speed chase. He chases the snitch and is forced into a headfirst dive toward the camera, a fast moving tracking drone. Steep foreshortening makes the broomstick tip massive in the foreground. His expression on the dive is a thrill-wide, open-mouthed grin of pure excitement. He leans forward into the action, reaching for the snitch, but does not catch it as it races ahead of him at an angle to the viewer. As it slips away, his face snaps to a comic wide-eyed shock, mouth a small “o”, sparkles of surprise around his head. Shaky broomstick and camera. He grits his teeth in competitive frustration, brows knit. Then he stabilises his broomstick and keeps flying toward the camera with a defiant, set-jaw focus, a sharp, confident smirk breaking through. His robes flare upward in the wind, fur rippling, whiskers streaming back, hat brim flapping, as one paw reaches for a golden snitch just out of frame. In the last stretch his expression opens into a joyous, laughing shout of effort, eyes huge and shining, cheeks flushed. Eyes never visible behind his glasses.
 CAMERA The camera flies backward just ahead of him, keeping him facing the lens, with a shaky handheld feel that weaves, banks and rolls with his flight. Dizzying, disorienting camera choreography with amazing feature-film movement, all within the one unbroken shot. Expression changes are snappy and readable — each face beat held just long enough to register, classic chibi reaction-face timing.
 Believable balance, natural shoulder angles, subtle weight shifts. Personality expressed through gesture and silhouette. Clear face with soft cheeks, tapered jawline, looking up and then toward the camera (glasses fully reflective and do not show his eyes), economical nose and mouth. Flowing hair blows in the wind.
 Full animation, active line boil, smears, flashes, impact frames, hand-drawn speed trails, traditional effects animation, and cinematic compositing. Draw every character, background, pose, deformation, camera movement, shadow, light effect, and secondary motion by hand. Purposefully low-frame-rate limited animation, two-frame exposure cadence, windy, highly detailed on 2s. Intentional, handcrafted, staccato rhythm reminiscent of classic stop-motion and traditional limited animation.
 The minimal background features dynamic sakuga speed lines. Hand drawn doodle style. Delicate hand-drawn, soft rounded shape language, clear silhouettes, pencil drawn, sketchbook black and white, and stylistic consistency. Consistent design details. In the final moment there is a flash and the style briefly changes to a high contrast black and white sketchy impact frame, inside the same unbroken shot, as the character dynamically accelerates past the camera out of shot. His final face in the impact frame is a huge open-mouthed yell of triumph. The finished result should feel luxuriously stylized, iconic, animation-friendly, masterfully composed, and unmistakably faithful to the reference. Non verbal. Sound design, 10 seconds, 1990s TV anime sakuga style: punchy, exaggerated, hand-crafted cartoon SFX with crisp transients and a dry, close mix. No music, no dialogue, no voices.
Show Parameters
Model
Tsubaki Video
Mode
professional
Duration
10
Professional Animation

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