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ちびキャラ紹介だったはずが・・・NG1

このサイズのちびキャラ 好きですか?ニ(:3  )ニ

#Maid#long hair#Blunt Bangs#Doll#On the couch#Tsubaki.3
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【動画構成:15秒】 ◆キャラ素材 @image2 :成人女性メイド(Mちゃん)背景は使わない。 @image3 :黄色ちびキャラ(元気・素直) @image4 :赤ちびキャラ(ジト目・照れ甘え) @image1 :舞台の背景 (ソファとテーブルあり) ◆背景 @image1 落ち着いたリビング+ダイニングの部屋(ソファとテーブルあり) ◆BGM ゆったり落ち着いた癒し系。ピアノ中心で控えめ。BPM 60〜70。 ------------------------------------ 【0.0〜0.8秒】 背景そのまま(テーブルが手前に見える)。 Mちゃん(@image2 )がソファに座っている。 黄色ちび(@image3 )は左側から、赤ちび(@image4 )は右側から走ってくる。 テーブルを避けて左右から回り込む動線。 Mちゃんが小さくつぶやく。 「きたきた……」 【0.8〜2.8秒】 ちび2人@image3 @image4 が左右からソファ横に到着。 Mちゃんが2人を見て微笑む。 セリフ①: 「この子たち、見た目は違うけど……仲良しなんですよ。」 ------------------------------------ ◆ここでアングル切り替え → ソファを正面から見る構図へ → テーブルは画面外へ ------------------------------------ 【2.8〜7.0秒】 ちびキャラの可愛い仕草フォーカス(無言)。 @image3 :左側でぴょんと跳ねる、膝に手を置く、左右に揺れて笑う。 @image4 :右側で袖をそっとつまむ、照れながら寄る、少し横を向く。 Mちゃんはセリフ①を言い終わってから、優しく微笑むだけ。 【7.0〜13.0秒】 正面アングルのまま、3人がソファに並んで座る。 セリフ③: 「これから、よろしくお願いしますね。」 【13.0〜15.0秒】 3人そろって軽く一礼。 Mちゃん@image2 は柔らかい笑み。 @image3 は元気にペコッ。 @image4 は照れながら小さくペコッ。 フェードアウト。 ------------------------------------ 【声質(Mちゃん)】 20歳の成人女性。落ち着いた艶のある、やや低めから中音域の女性らしい声。息遣いには自然な柔らかさがあり、声の響きにはほのかな色気と大人っぽい余裕がある。一方で、性格は明るく人懐っこく、親しみやすい。普段の会話では柔らかく気さくで、楽しそうな笑い声や無邪気な反応が自然に出る。色気を意図的に誇張せず、声の響きや語尾にさりげなくにじませる。格闘技をする人物らしく、発声には芯と適度な力強さがあるが、荒々しくも筋肉質な印象にもならない。親しみやすさと妖艶さの間に自然なギャップがあり、笑った瞬間には年相応のかわいらしさが感じられる。明瞭な発音、自然な日本語のイントネーション。過度なアニメ声、過剰なウィスパーボイス、作り込みすぎたセクシーな話し方は避ける。 【全体の雰囲気】 癒し系の静かな空間。 ちび2人が自然に懐く温かいシーン。 セリフは短く、映像のテンポはゆったり。 @image1 @image2 @image3 @image4
Show Parameters
Model
Tsubaki Video Flash
Mode
professional
Duration
15
Professional Animation

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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