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赤ずきんと狼と俺 《video》

Tubaki videoはグラフィックは ピカイチ綺麗なんだよね。 そして、やたらと狼をリアルにしたがる。 Tubaki Video’s graphics are top-notch—truly stunning. And for some reason, they’re obsessed with making their wolves look hyper-realistic. 【Little Red Riding Hood, the Wolf, and Me】 "Hey... I heard there are scary wolves in this forest." The man flashes a handsome smile at his anxious partner. "I’ll protect you—even if it costs me my life." "Excuse me..." The couple turns around at the sound of a voice from behind— and finds a massive wolf standing right in front of them! Startled, the woman collapses to the ground, her legs giving way, all the while keeping her eyes locked on the wolf. The "handsome" man, meanwhile, abandons her and flees. With the air of a true gentleman, the wolf holds out a neatly folded, embroidered red handkerchief to the woman. "You dropped this, didn't you?"

#Boots#Knife#Blonde hair#Little Red Riding Hood#Big Bad Wolf#Belt#blue eyes#Cape#Animal#Forest#Cloak#Giant Creature#Picnic basket#Little Red Riding Hood#Hood#Ookami#I am a Wolf After All
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(開始画像そのままのキャラクターのディテールを変えずに動画を作る) オオカミは二本足で人みたいに歩く。 【シナリオ】 男女が並んで歩いている。 そのすぐ後ろにオオカミが歩いている。 ふたりはオオカミに気がつかないで歩いている。 (森を歩く足音) 不安そうな顔で男を見つめて女が言う。 (女は10代後半の可愛らしい成人女性の声) 「ねぇ...この森、怖いオオカミが出るみたい」 男が女にハンサムな笑顔を向ける。 (男は任せとけって態度の若い男性の声) 「オレが命をかけて君を守るさ」 「あのー」オオカミが後ろから話しかける。 狼に気づいた2人が、同時に「あっ」と驚き、女はオオカミに視線を合わせたまま、腰を抜かしてその場に座り込む。 (振り返った状態で座り込む) 「た、助けてくれー」 (情けなく逃げる若い男性の声) 男はカメラ右下の方に情けない顔でワタワタと走って逃げてフレームアウトする。 (置き去りにされた女はその場に座り込んだまま) 逃げる男を見る女の顔が軽い驚きから可愛らしい怒り顔に変わる。 紳士的な態度で、女に折り畳まれた刺繍の入った赤いハンカチを差し出すオオカミが微笑みながらセリフ。 (オオカミは紳士的な優しいトーンの渋い男性の声) 「これ、落としてましたよ?」 女はちょっと驚いた後、その手を取り女も軽く微笑む。1秒ほどの余韻で終了。 【この動画について】 カメラアングルは固定。 形状維持。 キャラクターのデフォルメは絶対に禁止。 (特に目はオリジナルを忠実に描く) オオカミの顔をデフォルメしないでください。 開始フレームの作風を変えないで動画を作ること。 開始フレームの人物の衣装、肌の色、髪型、のディテールを変えることは禁止。 音楽は15秒の動画に合わせて綺麗に終わる。 身体の動きや手が不自然にならないようにすること。 女は10代後半の成人女性の声。 男は気取った若い男性の声。 オオカミは紳士的な優しいトーンの渋い男性の声。 キャラクターは生き生きと動きます。
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Tsubaki Video Flash
Mode
professional
Duration
15
Professional Animation

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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